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Docherty et alii have "noted that several sociolinguistic accounts have shown a sharp distinction between the social trajectories for glottal replacement as opposed to glottal reinforcement, which have normally been treated by phonologists as aspects of 'the same thing'. It may therefore not always be appropriate to treat the two phenomena as manifestations of a single process or as points on a single continuum (presumably along which speakers move through time). From the speaker’s point of view (as manifested by different patterns of speaker behaviour) they appear as independent phenomena" (1997: 307).
Elsewhere I have argued that the three Old Prussian catechisms reflect consecutive stages in the development of a moribund language (1998a, 1998b, 2001a). After first eliminating the orthographical differences between the three versions of parallel texts while maintaining the distinction between linguistic variants and then assigning separate phonemic interpretations to the three versions on the basis of the historical evidence I listed the following phonological differences between the three catechisms.
S.R. Ramsey writes (1979: 162): "The patterning of tone marks in Old Kyoto texts divides the vocabulary into virtually the same classes as those arrived at by comparing the accent distinctions found in the modern dialects. This means that the Old Kyoto dialect had a pitch system similar to that of proto-Japanese. The standard language of the Heian period may not actually be the ancestor of all the dialects of Japan, but at least as far as the accent system is concerned, it is close enough to the proto system to be used as a working model. The significance of this fact is important: It means that each of the dialects included in the comparison has as much to tell, at least potentially, as any other dialect about Old Kyoto accent."
Twenty years ago I discussed the oldest isoglosses in the South Slavic linguistic area (1982). Subscribing to Van Wijk’s view that the bundle of isoglosses which separates Bulgarian from Serbo-Croatian was the result of an early split in South Slavic and that the transitional dialects originated from a later mixture of Serbian and Bulgarian dialects when the contact between the two languages had been restored (1927), I argued that the shared innovations of Bulgarian and Serbo-Croatian must be dated to a period when the dialects were still spoken in the original Trans-Carpathian homeland of the Slavs. I concluded that there is no evidence for common innovations of South Slavic which were posterior to the end of what I have called the Late Middle Slavic period, which I dated to the 4th through 6th centuries AD. At that time, the major dialect divisions of Slavic were already established.
There is every reason to welcome the revised edition (2009) of Thomas Olander’s dissertation (2006), which I have criticized elsewhere (2006). The book is very well written and the author has a broad command of the scholarly literature. I have not found any mistakes in Olander’s rendering of other people’s views. This makes the book especially useful as an introduction to the subject. It must be hoped that the easy access to a complex set of problems which this book offers will have a stimulating effect on the study of Balto-Slavic accentology.
West Slavic accentuation
(2009)
At the time of the earliest reconstructible dialectal divergences, which belong to the Late Middle Slavic period of my chronology (stages 7.0 - 8.0 of Kortlandt 1989a, 2003, 2008), the West Slavic languages represented the most conservative part of the Slavic dialects (cf. Kortlandt 1982b: 191 and 2003: 231).
It appears that the complexity of Slavic historical accentology is prohibitive for most non-specialists in the field. It may therefore be useful to approach the subject from a number of different angles in order to render it more accessible to a wider audience. In the following I shall discuss the separate accent paradigms and their development from the Late Balto-Slavic system, which is structurally similar to that of modern Lithuanian, up to the end of the Proto-Slavic period, when the system resembled what we find in modern Serbo-Croatian. The numbering of the stages 1.0 through 10.12 is the same as in my earlier publications (1989, 2003, 2005, 2006a, 2008b). For the rise and development of the accentual system up to the end of the Balto-Slavic period I may refer to my discussion (2006b, 2008a) of Olander’s dissertation (2006). It resulted in a system of four major and two minor accent types.