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This paper gives a critical view to the collective volume Etudes à la loupe… Optikinstrumente und Literatur, edited at the Stefan cel Mare University publishing house Suceava. The contributors propose an ample incursion into optics as a literary motif, opening a multitude of points of view, which serve as guiding cues for interdisciplinary research.
The present paper focuses upon a translatological perspective of the cultureme theory, as initially presented by Els Oksaar and developed later by other linguists. By examining a few expressions from a novel of the Romanian-German writer Aglaja Veteranyi and their translations into Romanian, the paper illustrates the categories micro- and macro-cultureme.
This paper proposes to analyse contrastively the phraseological expressions which include proper names in German and Romanian languages and also, to interpret them as cultural elements that generate problems when trying to translate them. It is intended to establish equivalence relations between the onimical expressions of the two languages, suggesting, where it will be the case, the translation strategies.
This study aims to analysing the exclusively phraseological occurrency of some adjectives taken from German. This phenomenon reffers to the isolation of words and lexical forms out of linguistical and extralinguistical causes, in phraseological sintagmas. Firstly, we will briefly present the main directions in the research of this isolated lexemes. Then, we will analyse the linguistical features specific to these linguistical facts, using as exemples some of the German adjectives.