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This paper presents the results of a production experiment on the intonation of sentences containing a negative polarity item (NPI) in Tokyo Japanese. The results show that NPI sentences exhibit a focus intonation: the F0-peak of the word to which an NPI is attached is raised, while the pitch contour after the NPI-attached word is compressed until the negation. This intonation pattern is parallel to that of wh-question, in which the F0 of the wh-phrase is raised while the post-wh-contour is compressed until the question particle.
Japanese wh-questions always exhibit focus intonation (FI). Furthermore, the domain of FI exhibits a correspondence to the wh-scope. I propose that this phonology-semantics correspondence is a result of the cyclic computation of FI, which is explained under the notion of Multiple Spell-Out in the recent Minimalist framework. The proposed analysis makes two predictions: (1) embedding of an FI into another is possible; (2) (overt) movement of a wh-phrase to a phase edge position causes a mismatch between FI and wh-scope. Both predictions are tested experimentally, and shown to be borne out.
