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Das Buch Phonetik, Phonologie und Schrift von Silvia Dahmen und Constanze Weth ist in der Reihe LiLA - Linguistik fürs Lehramt im UTB-Verlag im Dezember 2017 erschienen. Die von Petra Gretsch und Gabriele Kniffka herausgegebene Reihe richtet sich an Lehramtsstudierende und Lehrkräfte, wobei eine praxisnahe Verknüpfung theoretischer sprachwissenschaftlicher Inhalte und didaktischer Methoden im Fokus steht. Für den Bereich Deutsch als Fremd- und Zweitsprache werden dabei sprachkontrastive Beispiele berücksichtigt.
O conceito de Witz, como aparece nos fragmentos de Friedrich Schlegel, publicados entre 1798 e 1800, está ligado ao entendimento estético e foi recuperado por Walter Benjamin em O conceito de crítica de arte no romantismo alemão. O Witz faz parte da "terminologia filosófica" romântica, é um instante na reflexão crítica sobre uma obra de arte onde se dá o conhecimento súbito. O Witz opera na obra uma iluminação de diferentes níveis: semanticamente, aparece na obra como as figuras de estilo da subitaneidade, ou como parabase, a ruptura que autoexplica a obra. Witz, etimologicamente, seria uma corruptela de wissen (saber), e representado pela metáfora da luz. O termo original Witz mantém uma relação sonora com Blitz (relâmpago), é o saber que emerge à consciência subitamente, como um relâmpago, uma iluminação súbita da cena. Witz/Bliz constituem-se em um par conceitual, ou seja, a sonoridade dos termos permite um permuta visual e fonética que vem ao encontro das possibilidades semânticas, compondo um par de opostos.
German underwent a typological change from a syllable language in Old High German towards a word language today (Szczepaniak 2007). Proper names followed this development until the last century (cf. Christel, Gertrud, Klaus, Wolfgang). Some of the most popular German first names from 2010, however, such as Mia, Lea, Leon, Noah, show completely different structures compared to common nouns. In sharp contrast to common nouns, first names dispose of CV-structures, full vowels in unstressed syllables and different accent positions. Thus, there must have been a deep-rooted onomastic change. The most frequent baby names of 1945 were still in harmony with the usual word structures. This article shows that the decrease of transgenerational transmission of first names led to a departure fom native phonological structures. The following factors are analyzed: the number of syllables; accent position; and the number of consonant clusters, hiatuses, schwa and unstressed full vowels. It will be demonstrated that the phonological distance between first names (particularly female names) and common nouns has increased over time and that there is an increasing tendency for names to contain syllable language structures. Thus, a typological difference developed between these two nominal classes. The reason behind this change can be found in the individualizing function of proper names and social individualization over time.
In German, female and male first names are strictly segregated: there are two big inventories with the only purpose to separate women and men. Unisex names are extremely seldom. If they are chosen, they have to be followed by a sex-specific middle name (e.g. Kim Uwe, Kim Annette). If we look at the phonological components of first names, i.e. at their sounds, we can state that male and female names became more similar over the last decades. Whereas in the 1950's, typical first names such as Katharina and Rolf diverged considering their phonic inventory considerably, today, many girls are named Leah and Lara and many boys Noah and Luca. These names share nearly the same sounds, they consist of two syllables and are stressed on the first one. If we look behind the scenes, it becomes clear that the officially required onomastic separation of the two sexes is undermined. In this paper, I will present a socalled phonetic gender score for German first names for the first time (see also Schmidt-Jüngst in this volume). It allows for measuring a degree of femaleness and maleness of names. In a second step, it will be asked whether unofficial names such as pet names, which are not obliged to mark sex also tend to be gendered or if they disobey the gender barrier. It will be shown that the most intimate names are not interested in stressing the denoted person's sex. In contrast to first names, pet names tend to be maximally de-gendered.
U radu se opisuju posebnosti samoglasničkih, suglasničkih i naglasnih jezičnih značajka govora Medveje te se ističu neke jezične različitosti u odnosu na govor Kastva. Oba govora pripadaju sjeveroistočnomu istarskom poddijalektu ekavskoga dijalekta čakavskoga narječja. Rad se temelji na vlastitim terenskim istraživanjima Kastva i Medveje iz 2005. godine, na opsežnim fonološkim terenskim istraživanjima koje je prije petnaestak godina proveo dr. sc. Mijo Lončarić te na dijelu zapisa objavljenih u recentnoj dijalektološkoj literaturi.
Rezension zu A. Celinić; I. Kurtović Budja; A. Čilaš Šimpraga; Ž. Jozić: Prinosi hrvatskoj dijalektnoj fonologiji. Split – Zagreb: Književni krug Split – Institut za hrvatski jezik i jezikoslovlje, 2010.
The existence of complex clauses in the Amazonian language Pirahã has been controversially debated. We present a novel analysis of field data demonstrating the existence of complex clauses in Pirahã. The data concern the tone of the morpheme 'sai' and stem from a field experiment where a second language speaker of Pirahã presented sentences and Pirahã speakers were asked to correct them saying the correct sentence alound. The experimental items contained the morpheme 'sai' in two different clausal environments: a nominalizer and a conditional environment according to Everett's 1986 description. Our phonetic analysis shows an effect clausal clausal environment on the pitch of 'sai'. The native Pirahã speakers pronounced conditional 'sai' with lower pitch than nominalizer 'sai'. We show furthermore that the experimenters pitch on 'sai' shows the opposite pattern from that of the native Pirahã speakers and hence the Pirahã's pitch could not just have been copied. The effect of the clausal environment on the tone of 'sai' can be explained by a complex clause analysis of Pirahã, while existing alternative proposals do not explain the difference.
Ich möchte […] drei Beispiele für den produktiven Dialog zwischen Historischer Sprachwissenschaft und Sprachtypologie liefern: 1. Den phonologisch-typologischen Wandel des Deutschen von einer Silben- zu einer Wortsprache, 2. die frühnhd. 'Justierung' der Abfolge grammatischer Kategorien am Verb gemäß der universellen Relevanzskala, und 3. die Entwicklung unseres Höflichkeitssystems am Beispiel der Anredepronomen. Weder liefere ich Neues noch kann ich ins Detail gehen. Es geht hier nur darum, für die gegenseitige Wahrnehmung und Zusammenarbeit linguistischer Disziplinen zu werben.
Analyse ausgewählter (sprachwissenschaftlicher) Nachschlagewerke und ihrer Benutzerfreundlichkeit
(2013)
This metalexicographic study compares four selected (linguistic) dictionaries. The results will potentially assist teachers in choosing a dictionary for students of German in the early phase of their studies. Selected lemmas are analyzed in a case study from the perspective of linguistic, academic and additional information; these lemmas are taken from the categories of phonetics and phonology, as these disciplines are generally covered first in a German degree programme. The selected dictionaries are also compared in terms of the range of phonetic and phonological concepts covered.
As work like McCarthy (2002: 128) notes, pre-Optimality Theory (OT) phonology was primarily concerned with representations and theories of subsegmental structure. In contrast, the role of representations and choice of structural models has received little attention in OT. Some central representational issues of the pre-OT era have, in fact, become moot in OT (McCarthy 2002: 128). Further, as work like Baković (2007) notes, even for assimilatory processes where representation played a central role in the pre-OT era, constraint interaction now carries the main explanatory burden. Indeed, relatively few studies in OT (e.g., Rose 2000; Hargus & Beavert 2006; Huffmann 2005, 2007; Morén 2006) have argued for the importance of phonological representations. This paper intends to contribute to this work by reanalyzing a set of processes related to vowel harmony in Shimakonde, a Bantu language spoken in Mozambique and Tanzania. These processes are of particular interest, as Liphola’s (2001) study argues that they are derivationally opaque and so not amenable to an OT analysis. I show that the opacity disappears given the proper choice of representations for vowel features and a metrical harmony domain.