BDSL-Klassifikation: 03.00.00 Literaturwissenschaft > 03.08.00 Poetik > 03.08.04 Dichtung und Musik
Refine
Document Type
- Article (3)
Language
- Portuguese (3) (remove)
Has Fulltext
- yes (3)
Is part of the Bibliography
- yes (3)
Keywords
- Musik (2)
- Brasilien (1)
- Brecht, Bertolt (1)
- Brecht, Bertolt / An die Nachgeborenen (1)
- Eisler, Hanns (1)
- Heidegger, Martin (1)
- Literatur (1)
- Politische Lyrik (1)
- Politisches Bewusstsein (1)
- Rosa, João Guimarães (1)
A proximidade entre música, filosofia e literatura na tradição alemã e seus métodos de aproveitamento dessas relações marcou profundamente João Guimarães Rosa, possibilitandolhe desenvolver trilhas próprias a partir dos substratos oferecidos pelas cantigas tradicionais brasileiras. Os efeitos gerais das técnicas musicais em "Sagarana", a influência de conceitos da filosofia de Heidegger, a utilização do 'Grundmotiv' wagneriano em "O burrinho pedrês" e "Sarapalha" e as semelhanças entre a narrativa "A hora e vez de Augusto Matraga" e a opera "Parsifal", de Wagner, constituem o objeto desta reflexão.
The topic of this paper concerns the interrelations between poets and their works across linguistic and political borders. Taking as examples Brecht's poem 'An die Nachgeborenen' (1938) and the song 'Aos nossos filhos' ('An unsere Kinder' – late 70s) by Ivan Lins and Vitor Martins, it is shown that the interpretation cannot be limited to an immanent perspective. In order to be able to give an adequate analysis, it is necessary to lake the historical and socio-political context into consideration.
This paper portrays the composer Hanns Eisler, whose music accompanies numerous plays by Bertolt Brecht, in the light of statements made by Eisler himself, as well as by Arnold Schoenberg and Bertolt Brecht. Eisler, who introduced a new political awareness into music – Brecht used the term Misuk instead of Musik –, would have completed 100 years in 1998.