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The comprehension of subject-verb agreement shows “attraction effects,” which reveal that number computations can be derailed by nouns that are grammatically unlicensed to control agreement with a verb. However, previous results are mixed regarding whether attraction affects the processing of grammatical and ungrammatical sentences alike. In a large-sample eye-tracking replication of Lago et al. (2015), we support this “grammaticality asymmetry” by showing that the reading profiles associated with attraction depend on sentence grammaticality. In ungrammatical sentences, attraction affected both fixation durations and regressive eye-movements at the critical disagreeing verb. Meanwhile, both grammatical and ungrammatical sentences showed effects of the attractor noun number prior to the verb, in the first- and second-pass reading of the subject phrase. This contrast suggests that attraction effects in comprehension have at least two different sources: the first reflects verb-triggered processes that operate mainly in ungrammatical sentences. The second source reflects difficulties in the encoding of the subject phrase, which disturb comprehension in both grammatical and ungrammatical sentences.
This article deals with the analysis of word order variation regarding subjects, direct objects, and non-direct object phrases called the “Target” in the corpus of languages of northwestern Iran, viz., Armenian, Mukri Kurdish, and Northeastern Kurdish (Indo-European), Jewish Northeastern Neo-Aramaic (Semitic), and Azeri Turkic (Turkic). The objective is to examine the effects of formal and semantic (in)definiteness in combination with animacy on Target word order variation to find out which one can be a triggering factor.
Was im digitalen Zeitalter nach dem Ende der Hegemonie des Kinosaals noch als »Kino« zu verstehen ist, wird häufig anhand des Ortes und Dispositivs der Projektion verhandelt. Philipp Stadelmaier wagt ausgehend von den Schriften des Filmkritikers Serge Daney und Jean-Luc Godards Videoserie Histoire(s) du cinéma einen Neuansatz. Erstmals führt er zwei einflussreiche Figuren der französischen Filmkultur systematisch zusammen und reinterpretiert sie als Kommentatoren des Kinos und seiner Geschichte. So gelingt es, einen cine-philologischen Impuls für filmwissenschaftliche Debatten zu setzen: Als auszulegender, bedeutungsoffener Primärtext erhält das »Kino« in der Post-Kino-Ära neue Kraft und Schärfe.
Der Dialog ist für die einen das Versprechen gelingender Kommunikation, für die anderen ein überholtes Ideal. Marten Weise zeigt in einer interdisziplinär angelegten Studie, dass sich die Lücke zwischen Lobpreisungen und Abgesängen schließen lässt. Er setzt bei der Unmöglichkeit des Denkens »nach der Shoah« an und erkundet in exemplarischen Untersuchungen der europäischen Literatur-, Theater- und Theoriegeschichte die Spannungen und Widersprüche im Verhältnis zum »Anderen«, ohne die der Dialog nicht zu greifen ist. So macht er zwischenmenschliche, soziale und politische Vorgänge als prinzipiell unabschließbares Sprachgeschehen fassbar und eröffnet einen Spielraum für die Aushandlung und das Aushalten von Dissens und Differenz.
This book presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis. The Australian continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of ‘cosmos’—the order of the world—to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers ‘cosmological readings’ of a diverse range of authors—Indigenous and non-Indigenous—as a challenge to the Anthropocene’s decline-narrative. As a result, it reactivates ‘cosmos’ as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era. This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.
In the first two decades, when cinema was developing worldwide from a novelty into an entertainment industry, Warsaw belonged to the multinational Romanov empire. Located at its western borders, this Polish city was an important transportation and trade hub and became also a site of the domestic film industry with all its branches – production, distribution, and exhibition. The new medium had a special appeal, and it has always been assumed that the cinema was a social place where people of different classes and ethnicities came together. This article looks at the development of the local cinema market and explores the participations of the local Russian, Polish and Jewish populations. Inspired by the New Cinema History (NCH), it takes its contraposition from the traditional film historiography that uses a top-down approach as a method and the national paradigm as a defining category. Instead, it gives a three-perspectival view utilising a variety of sources including a collection of cinema programmes in three languages from 1913. Based on that, it maps screening venues with QGIS and analysis of cinema programmes, shedding new light onto the complex cinema culture of the city that was called Varshava (Варшава) in Russian, Warszawa in Polish, and Varshe (ווארשע) in Yiddish.
This study evaluates whether the short version of the German LITMUS quasi-universal nonword repetition task (LITMUS-QU-NWR) can be used as an index test for monolingual and early second language learners (eL2) of German aged 8 to 10 years. The NWR taps into quasi-universal phonological knowledge via the so-called language-independent part and into language-specific phonological knowledge via the language-dependent part. Thirty-six monolingual and thirty-three eL2 learners of German, typically developing (TD) and diagnosed as language-impaired (DLD), participated in the study. The effects of the language group (Mo vs. eL2) and the clinical status (TD vs. DLD) on repetition accuracy are investigated by a logistic mixed-model analysis. Receiver operating characteristics (ROC) and likelihood ratios are calculated to determine the diagnostic accuracy of the two parts. The group comparisons showed significant effects of the clinical status but not of the language group. The ROC analyses and the likelihood ratios reveal better diagnostic values for the language-dependent compared to the language-independent part and almost similar diagnostic values for the monolingual and the eL2 group. The results indicate that the LITMUS-QU-NWR helps to disentangle DLD and DLD in monolingual children and eL2 learners aged 8 to 10 years.
Der Dialog ist für die einen das Versprechen gelingender Kommunikation, für die anderen ein überholtes Ideal. Marten Weise zeigt in einer interdisziplinär angelegten Studie, dass sich die Lücke zwischen Lobpreisungen und Abgesängen schließen lässt. Er setzt bei der Unmöglichkeit des Denkens "nach der Shoah" an und erkundet in exemplarischen Untersuchungen der europäischen Literatur-, Theater- und Theoriegeschichte die Spannungen und Widersprüche im Verhältnis zum "Anderen", ohne die der Dialog nicht zu greifen ist. So macht er zwischenmenschliche, soziale und politische Vorgänge als prinzipiell unabschließbares Sprachgeschehen fassbar und eröffnet einen Spielraum für die Aushandlung und das Aushalten von Dissens und Differenz.
In German, the subject usually precedes the object (SO order), but, under certain discourse conditions, the object is allowed to precede the subject (OS order). This paper focuses on main clauses in which either the subject or a discourse-given object occurs in clause-initial position. Two acceptability experiments show that OS sentences with a given object are generally acceptable, but the precise degree of acceptability varies both with the object‘s referential form (demonstrative objects leading to higher acceptability than other types of objects) and with formal properties of the subject (pronominal subjects leading to higher acceptability than non-pronominal subjects). For SO sentences, acceptability was reduced when the object was a d-pronoun, which contrasts with the high acceptability of OS sentences with a d-pronoun object. This finding was explored in a third acceptability experiment comparing d-pronouns in subject and object function. This experiment provides evidence that a reduction in acceptability due to a prescriptive bias against d-pronouns is suspended when the d-pronoun occurs as object in the prefield. We discuss the experimental results with respect to theories of German clause structure that claim that OS sentences with different information-structural properties are derived by different types of movement.
