430 Germanische Sprachen; Deutsch
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This article is meant as a token of appreciation for the germanist, poet and translator Liana Corciu who taught for a long time at the University of Bucharest, German Department, then emigrated in the USA where she continued her work as a germanist and teacher of German and where she died in 2008. As a germanist she left us an original dissertation on the lyric poetry of Bertolt Brecht and a series of scientific articles, as a poet a number of thematically and stylistically very relevant poems, as a translator some valuable translations of literary texts from German into Romanian.
Omagiul sentimental adus traducătoarei Flora Fröhlich, în casa căreia se întruneau în anii dictaturii comuniste scriitori, traducători, intelectuali din diferite sfere profesionale, studenţi şi elevi, creionează portretul unei personalităţi de excepţie. Flora Fröhlich a desfăşurat o prodigioasă activitate ca traducătoare din română în limba germană a unor prozatori români contemporani, traducerile ei permiţând cunoaşterea literaturii române de publicul din spaţiul de limbă germană.
Flora Fröhlich a reuşit să coaguleze în jurul ei intelectuali marcanţi din Sibiu, casa în care locuia devenind un loc de întâlnire şi dezbateri pe teme culturale şi literare. Datorită personalităţii ei, a nivelului intelectual şi a caracterului ei a reuşit să devină formator de opinie, şi să contribuie efectiv la schimbul de idei în perioada regimului
totalitar.
The paper focuses on aspects of comparative phraseology and paremioloy between two languages, German and Romanian and aims at disclosing differences and similarities in connection with proverbs and idioms on “the devil”. 112 items circling around “the devil” and its synonyms are being analyzed as to the life experience, world perspective and superstitions reflected in the proverbs, by drawing parallels between the equivalent structures functioning in the two languages, their form and content.
„Ich mach dich Messer“ ist eine jugendsprachliche Wendung, die als ritualisierte Drohung im Sinne von „Ich greife dich mit einem Messer an.“ zu verstehen ist. Diese Wendung, bei der sowohl die semantische Bleichung („semantic bleaching“) des Verbs als auch das Fehlen des Determinierers in der NP auffällt, verweist auf Merkmale morpho-syntaktischer Reduktion, wie man sie häufig in Kontaktsprachen findet. Wie ich zeigen werde, handelt es sich hierbei jedoch nicht um eine bloße sprachliche Simplifizierung, sondern um ein komplexes und produktives grammatisches Phänomen: In „Ich mach dich Messer“ manifestiert sich ein spezifisches Zusammenwirken syntaktischer und semantischer Phänomene, das ich im folgenden als sprachliche Arbeitsteilung nach dem Muster von Funktionsverbgefügen beschreiben werde.
Cele două nume de origine germanică, Gerhard şi Konnerth (ultimul fiind o formă derivată locală din Transilvania a numelui Konrad) sunt folosite ca paradigme pentru prezentarea interdependenţei dintre numele proprii ca şi clasă specială a substantivelor şi conotaţiile culturale ale antroponimelor. Rezultatul este o scurtă schiţă istorico-culturală pe o perioadă de studiu de peste 1000 de ani cu referinţă la persoana purtătoare a acestor nume, profesor dr. Gerhard Konnerth din Sibiu.
In the 1930s and 40s the leading political figures of the German minority in Romania embraced a pro-fascist attitude. Therefore, after the WWII, Germans had to suffer expropriation, deportation and privation of civil rights. Since 1949 they were permitted to rebuild their cultural life which – according to the communist paradigm – had to be „Marxist in its content and national in shape“. In 1956 an Institute for Social Studies and the Humanities of the Romanian Academy was created in Sibiu in order to continue important scientific projects of the German minority, and since 1959 the review Forschungen zur Volks- und Landeskunde appeared as a tribune of Transylvanian studies. Although the editorial staff had to make concessions to the communist regime, its members tried to keep high scientific standards. Therefore the review Forschungen, the sole scientific periodical of the Romanian Academy published in German, was one of the most important reviews of the time.
„Der rechte Weg geht über Steine” : zur romantischen Dimension der Lyrik von Frida Binder-Radler
(2010)
In order to argue my hypothesis of the romantic dimension of poetry written by Frida Binder-Radler, a very little known Romanian-German author (1908-1986), better known as „poetess of the Saxon world”, I am referring to the poems of the author edited 2006 by her son Wolfgang Binder in Augsburg under the title Licht ins Dunkel (second enlarged edition). The volume contains fifty poems of which the first twenty-one were written in the German language, the other twenty-nine poems were translated from Transylvanian-Saxon dialect into German, most of them by the author herself, and published 1947 in the volume Gedichte. The idea of infinity that characterises romantic poetry, expressing itself as longing („Sehnsucht”) for a lost paradise, justifies the poems of love of Frida Binder-Radler. The elements of nature (flowers and birds, clouds and fog, moon, night and shadow), the melancholic atmosphere of her poems, but also the vivid imagery of her poetic language, its simplicity without being simple are diagnosed and interpreted as elements of a romantic-poetical arsenal.
Beyond the communicative function of death notices, to informe about a death case, one will be repeatedly surprised by auxiliary functions of this category of private notices. The following article analizes from an intercultural perspective the representation of the (professional) identity in obituaries and death notices pertaining to a Romanian and a German corpus – the achievements attained to in the job environment and – in case of a blurred or merely outlined professional identity – on interests outside of one’s job, which were cherished by the deceased to the effect of shaping and defining him.
Ao apelo da Universidade de Coimbra para que, no âmbito da sua semana Cultural, as Faculdades e outros organismos que nela se acolhem glosem o tema da “Imaginação”, responde o Instituto de Estudos Alemães com o colóquio Imaginação do mesmo: a diferença na repetição. No texto que enquadra o conjunto de contributos que hoje aqui se apresentam, se afirma, a dado passo, que “Há inovação e transformação não na impossível invenção de uma origem, mas sim na capacidade de articulação produtiva”. Pode esta ser uma boa síntese daquilo que a moderna descendência da espécie homo leva a cabo, enquanto homo sapiens (sapiens) e, portanto, homo loquens, no exercício da faculdade que é, a um tempo, o seu mais poderoso instrumento de cognição e o mais eficaz e económico veículo de comunicação – competição e cooperação são, recordo, os principais pilares em que assenta o processo da sua sobrevivência enquanto espécie.
Criadas as línguas, de que espaço de manobra dispõe o “homem que fala”, que é também um homo socialis, para as recriar, reinventar, adaptando-as às sempre renovadas coordenadas sociológicas em que se situa e de que ele próprio é o arquitecto?
Der georgischen Sprache fehlt es nicht an mehr oder weniger alltäglich gebrauchten deutschen Fremdwörtern. Den meisten haftet ihr Umweg durch das Russische an, den sie während der kaiserlichen und späteren sowjetischen Herrschaft über Georgien gemacht haben. [...] Allerdings stößt man in dem prägenden sowjetgeorgischen Fremdwörterbuch, das zwischen 1964 und 1989 dreimal aufgelegt wurde, gerade beim Eintrag 'schtraikbrecheri' auf eine durchaus seltsame Bestimmung: "schtraikbrecher-i (dt. 'Streikbrecher') - in kapitalistischen Ländern: eine Person, die während des Streiks arbeitet und den Streik stört." Die stillschweigende Voraussetzung, Streikbrecher existierten nur "in kapitalistischen Ländern", weil es in den sozialistischen keine Streiks gebe, wirft in ihrer Verlogenheit erst recht die Frage nach der Vor- und Nachgeschichte dieses Begriffs auf.