In response to the question "What is the nature of a philological practice that seeks to establish a spatial relationship between text and reader?" this essay compares the philologist Hans Ulrich Gumbrecht's contemporary account of aesthetic experience with the school of Empathy Aesthetics in the late nineteenth century with respect to the manner each emphasizes the spatial qualities of that relationship. Although employing different conceptual repertoires, both assert that the desire of an aesthetic recipient to be in the spatial vicinity of the object and experience the presence of the object with and upon his own body motivates an aesthetic experience, including the work of the philologist. Gumbrecht and the empathy aesthetician Robert Vischer characterize the desire to stand in a spatial relationship to the aesthetic object as the desire to be subsumed thereby, a characterization which entails the negation of the original philological standpoint.