Double take : palimpsestic writing and image-character in Benjamin's late prose

It is no accident that the figuration of rewriting as copying is an image from "One Way Street". This apparently casual assemblage of small, rather belletristic texts - still some of the least explored terrain in all of 
It is no accident that the figuration of rewriting as copying is an image from "One Way Street". This apparently casual assemblage of small, rather belletristic texts - still some of the least explored terrain in all of Benjamin - is in important ways the key to all of Benjamin’s later writing, and especially that writing based on the form of the "Denkbild" or figure of thought. In what follows, I will concentrate on one set of paired examples in order to demonstrate in a more focused way the practice of rewriting and its effects: on the relationship between "Berlin Childhood around 1900" and "One Way Street".
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Metadaten
Author:Michael W. Jennings
URN:urn:nbn:de:hebis:30:3-424094
ISBN:978-3-7705-5071-5
Parent Title (German):Benjamin-Studien, 2.2011, S. 33-44
Publisher:Wilhelm Fink
Place of publication:München
Document Type:Article
Language:English
Date of Publication (online):2016/12/01
Year of first Publication:2011
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2016/12/01
SWD-Keyword:Benjamin, Walter; Berliner Kindheit um neunzehnhundert; Einbahnstraße; Erinnerung; Literaturproduktion; Textproduktion
Pagenumber:16
First Page:33
Last Page:44
HeBIS PPN:416581625
Dewey Decimal Classification:800 Literatur und Rhetorik
809 Geschichte, Darstellung, Literaturwissenschaft und –kritik
Sammlungen:CompaRe | Allgemeine und Vergleichende Literaturwissenschaft
Leibniz-Zentrum für Literatur- und Kulturforschung, Berlin
BDSL-Classification:BDSL-Klassifikation: 01.00.00 Allgemeine deutsche Sprach- und Literaturwissenschaft > 01.08.00 Zu einzelnen Germanisten, Literaturtheoretikern und Essayisten
Licence (German):License Logo Veröffentlichungsvertrag für Publikationen

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