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The paper discusses the request of the Jewish Middle/ Middle-East-European immigrants for images, impressions, feelings and memories from their native lands, which Aaron Lebedeff masterfully captured in his American-Jewish musicals. The paper focuses on multiculturalism and multilingualism in overlapping regions of extended cultural areas, particularly in territories along the borders of Middle/Middle-East-European states, which don’t form any abrupt cultural barriers. Using the example of a in our time in Jewish milieus worldwide frequently played quadrilingual song from Aaron Lebedeff about Romania (with the German translation of the complete version from 1925), the paper conveys the role of Yiddish as a major dialect of the German as a worldwide carrier of this language as well.
Die literaturwissenschaftliche Germanistik in der Slowakei ist eine relativ junge Disziplin. Ihre Entfaltung ist seit einigen Jahrzehnten an mehreren germanistischen Zentren sowohl an Universitäten als auch im Rahmen der Slowakischen Akademie der Wissenschaften zu registrieren. Dieses qualitative Anwachsen vor und nach der Wende ist mit einigen Namen verknüpft. Der vorliegende Beitrag setzt sich zum Ziel, einige Aspekte der germanistischen Komparatistik nach 1990 zu beleucht
Die gesellschaftliche Wende 1989 hatte u. a. einen grundsätzlichen Umbau der bisherigen Verlagslandschaft in der Slowakei zur Folge. Wenn die Lage davor und danach verglichen wird, erscheinen markante Unterschiede, die neben anderen herausgegebenen Büchern auch die Übersetzungen aus der deutschsprachigen Literatur betreffen.
The early 20th century is associated with many terrible events in Europe's wartime history. The loss of historical awareness and the attempt to reconcile oneself with the wartime past is the subject of many novels. The theme of alienation and deracination as a result of the horrors of war is treated by W. G. Sebald in his novel 'Austerlitz'. The hero of the novel, having experienced the horrors of the Holocaust, is condemned to a lifetime of remembering, which uncovers terrible secrets that were never meant to be revealed.
Ubiquitin ligases and beyond
(2012)
First paragraph (this article has no abstract): In a review published in 2004 [1] and that still repays reading today, Cecile Pickart traced the evolution of research on ubiquitination from its origins in the proteasomal degradation of proteins through the revelation that it has a central role in cell cycle regulation and the recognition of regulatory roles for ubiquitin in intracellular membrane transport, cell signalling, transcription, translation, and DNA repair.
Grass savannas on lateritic crusts are characteristic landscape elements of the Sudanian savannas. In the W National Park and its surroundings in SE-Burkina Faso, plant diversity of savannas on and adjacent to bowé was assessed by a survey of 19 bowal areas with relevés along transects in each of these. The vegetation structure and species composition of the herb and shrub strata, soil depth, particle size and the concentration of Na+, K+, Mg2+, Ca2+, H+, C and N were recorded on each bowal and its surroundings. Our results show that soils on lateritic crusts are rather shallow and acidic compared to the surrounding savanna woodlands. Nutrient availability is hence comparatively low. The observed flora comprises 130 species mainly belonging to the families Combretaceae, Cyperaceae, Leguminosae and Poaceae with a predominance of therophytes and a comparatively high share of C4 species. In the pastures surrounding the National Park a higher species richness was found than inside the Park due to the occurrence of pioneers, ruderal and unpalatable plants. Savannas on lateritic crusts exhibit due to their extreme edaphic and hydrological conditions a specific flora distinct from their surroundings.
In der gewässerarmen Landschaft des Roßlau-Wittenberger Vorflämings sind Feldsölle wichtige aquatische Lebensräume. Einige dieser Feldsölle im Raum Rahnsdorf- Klebitz nördlich von Zahna (Lkr. Wittenberg), die nach der Klassifizierung von Klafs et al. (1973) als „Pseudosölle“ ausgebildet sind, wurden 1983 als FND ausgewiesen (RdK WB 1987) und nunmehr als FFH-Gebiet „Klebitz-Rahnsdorfer Feldsölle“ (FFH0234LSA) in das Schutzgebietssystem NATURA 2000 des Landes Sachsen-Anhalt integriert (Haslbeck 2010).
Die Schwarze Elster ist ein anschauliches Beispiel dafür, wie schnell ein biologisch total verödeter Fluss (Erfurt 2007) nach Wegfall ehemals ungehemmter Einleitung von stark verunreinigtem Abwasser wieder zu einem völlig intakten Fließgewässer regeneriert. Bereits 1992 wurden wieder 16, 1994 bereits 23 sowie 1997 und 2002 sogar jeweils 26 Fischarten nachgewiesen (Zuppke 2010). Mit Barbe, Döbel, Hasel, Schmerle, Zope, Rapfen, Gründling, Aland und Quappe kommen auch wieder rheophile Arten vor, also auf Strömung angewiesene Arten, bei denen entweder der gesamte Lebenszyklus oder zumindest große Lebensabschnitte im Fließgewässer verlaufen.
Bei einer Fischarten-Erfassung in der Schwarzen Elster bei Schweinitz (Lkr. Wittenberg) am 13.4.2012 durch H. Zuppke, L. Reichhoff und U. Zuppke konnte durch den Fang einer Zährte (Vimba vimba [Linnaeus, 1758]) eine weitere strömungsliebende Fischart nachgewiesen und zugleich der Erstnachweis dieser Art für diesen Flussabschnitt erbracht werden.
The four novels of Cătălin Dorian Florescu (Wunderzeit, Der kurze Weg nach Hause, Der blinde Masseur, Zaira) analysed here are interpreted in relation to the chronotope, a term developed by Michail Bachtin meaning the connectedness of time and space in narrative. Space knows two opposite dimensions in Florescu’s works: the West (Switzerland, USA) and the East (Romania). The Romanian space is represented by three different images corresponding to three different periods: Romania between the two world wars, during the communist period and after 1989. The main characters are Romanians who leave their country of origin during the communist period, hoping that they will find a better life in the West. After the revolt in 1989, the characters return to the space of their childhood, where they could find themselves and happiness once again. There are analyzed different aspects of the aesthetic space Romania: exotic space, space of discovery of oneself, spiritual space of traditions, but also space of disappointment and of perils. Space is in close connection with movement, the movement of the protagonists from one dimension to another, which is also the basis of the plot.
The study deals with the contacts between Princess Mechtilde Lichnowsky and the Prague German writer Franz Werfel in the years 1913–1914. The author outlines the friendly relationship between Mechtilde and Werfel, sketching the social and biographical background on the eve of World War I. In this context, attention is paid not only to Mechtilde Lichnowsky's drama "Ein Spiel vom Tod", but also to its reception by Werfel, by other authors, and not least by the contemporary press.