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The idea that human beings are inextricably bound to one another is at the heart of this book about African agency, especially drawing on the African philosophy Ubuntu, with its roots in human sociality and inclusivity. Ubuntu's precepts and workings are severely tested in these times of rapid change and multiple responsibilities. Africans negotiate their social existence between urban and rural life, their continental and transcontinental distances, and all the market forces that now impinge, with relationships and loyalties placed in question. Between ideal and reality, dreams and schemes, how is Ubuntu actualized, misappropriated and endangered? The book unearths the intrigues and contradictions that go with inclusivity in Africa. Basing his argument on the ideals of trust, conviviality and support embodied in the concept of Ubuntu, Francis Nyamnjoh demonstrates how the pursuit of personal success and even self-aggrandizement challenges these ideals, thus leading to discord in social relationships. Nyamnjoh uses a popular Ivorian drama with the same title to substantiate life-world realities and more importantly to demonstrate that new forms of expression, from popular drama to fiction, thicken and enrich the ethnographic component in current anthropology.
Die Sowjetunion unter Stalin war ein Ort, an dem Terror und Gewalt herrschten, in der öffentlichen Propaganda aber wurde sie zeitgleich als Hort der "Brüderlichkeit" und "Völkerfreundschaft" inszeniert. Die Kulturpolitik jener Jahre zielte auf eine sowjetweite Repräsentation der nationalen Kulturen und die Etablierung einer "multinationalen" Sowjetliteratur bzw. Sowjetkultur. Ungeachtet der ideologischen Gleichschaltung war das Arsenal von Figuren des Nationalen keineswegs für alle gleich, sondern hing von den jeweiligen geschichtlichen und (religions-)kulturellen Traditionen der einzelnen Völker ab. Am Beispiel Georgiens lassen sich kulturelle Phänomene - wie etwa die Kolchis, das georgische Pantheon nationaler Heroen oder die Figur des mittelalterlichen Dichters Šota Rust'aveli - als "Figuren des Nationalen im Sowjetimperium" untersuchen. Georgien ist nicht nur deshalb ein interessantes Beispiel, weil Stalins Heimat in den offiziellen Diskursen viel Aufmerksamkeit erhielt. Die georgische Kultur - und damit gleichsam die Sowjetkultur generell - ließ sich auch durch ihre weit in die Vergangenheit zurückreichende kulturelle Tradition als eine besonders alte Kultur inszenieren.
Contents:
Yuki Chiba, Santiago Escobar, Naoki Nishida, and David Sabel, and Manfred Schmidt-Schauß : Preface:
The Collection of all Abstracts of the Talks at WPTE 2015 xi
Brigitte Pientka : Mechanizing Meta-Theory in Beluga
Giulio Guerrieri : Head reduction and normalization in a call-by-value lambda-calculus
Adrián Palacios and Germán Vidal : Towards Modelling Actor-Based Concurrency in Term Rewriting
David Sabel and Manfred Schmidt-Schauß : Observing Success in the Pi-Calculus
Sjaak Smetsers, Ken Madlener, and Marko van Eekelen : Formalizing Bialgebraic Semantics in PVS 6.0
Contributions collected here discuss the experiences of the citizens of Angola, Cape Verde, Guinea-Bissau, Mozambique and Sao Tome and Principe, and suggest some answers to the challenges they face. Each of the authors presents studies that carefully examine the situation and the political, social and economic context suggest that the progress made in recent decades in women's rights and empowerment, democratic governance, Human rights, access to employment, education and health, are still very modest on the long journey our countries must make to win the welfare of citizens. Therefore imperative that dynamic and competent social movements favour process processes and more effective and sustainable development.
In twenty-five chapters this book covers phonology, morphology, syntax and semantics. The chapters are organized in four discrete parts: phonology, morphology, syntax and semantics. They are uneven in terms of scope covered, length, the density of their contents and their degrees of difficulty. Each chapter ends with ?Some References? relevant to both the topic(s) treated in the chapter, in Igbo linguistics, and in general linguistics.
A la tète du client is a vitriolic indictment of the unsettling myths and stereotypes surrounding the HIV/AIDS pandemic in Cameroon. It problematizes and lampoons the unethical practices of medical personnel that have made this disease an intractable ailment in Cameroon and beyond. The English translation of A la tète du client titled Fly over the Crooks' Crooked Nest denounces and scourges the predatory behaviour of the wicked who take advantage of the weakest in a context of HIV/AIDs. When two rascals decide to open their own laboratory for medical analysis, without any skills or equipment, the least harmful results amount to 'Obama... blood type O, Axelrod...blood type A...'
A Pebble In The River
(2015)
Akli is an old man now. He is in prison. It is from there that he begins telling his story of the colonisation of Northern Africa. Of his village especially, Thadarth. It is a narrative of revolution, war, torture, dispossession, corruption, intolerance, betrayal, terrorism, religious extremism but, above all, resistance. A narrative of inevitability and loss. The loss of faith in a higher power. The loss of those closest to him, which he would endlessly try, in vain, to prevent since his adolescence. He would forever carry the burden of their death and absence, the regret of not having been able to protect them, to be with them. This forged him into a cynic, a man without hope for a better future, a man who wishes for death every day that passes. But his is also a story of love. Unconditional. Pure love. The ineffable kind which he has for his country, his land, the mountains, his family, his friends, his people. A story of his life's first love, Martine, daughter to the French settler, Fino, who left him with a lot of frustrations but also good remembrances. If his story begins in gloom, it is one through which secretly, intimately and ultimately runs the thread of hope. Hope because he is released from prison at the time of the narration. Hope that his daughter, Zira, the fruit of the rape of his wife by terrorists, brings back into his life. It is a story about the persistence of beauty, of good and goodness, even in the face of chaos. It is a story about truth. His truth. Eternal even when obscured. No man can be broken badly enough to not feel love, to not see and enjoy beauty. No man can tear the world apart so much that love and beauty no longer exist. Once this truth is accepted, however chaotic or scary the outside world can be, peace can be found. Peace within one's own being. Peace which Akli finds too.
Adorno und die Kabbala
(2015)
Im neunten Band der Reihe geht Ansgar Martins kabbalistischen Spuren in der Philosophie Theodor W. Adornos (1903–1969) nach. Der Frankfurter Gesellschaftskritiker griff im Rahmen seines radikalen materialistischen Projekts gleichwohl auch auf "theologische" Deutungsfiguren zurück. Vermittelt durch den gemeinsamen Freund Walter Benjamin (1892–1940) stieß Adorno dabei auf das Werk des Kabbala-Forschers Gershom Scholem (1897–1982). Zwischen Frankfurt und Jerusalem entwickelte sich eine lebenslange Korrespondenz.
Für Adorno erscheint vor dem Hintergrund lückenloser kapitalistischer Vergesellschaftung jede religiöse Sinngebung in der Moderne als unmöglich. Der Tradition der jüdischen Mystik schreibt er hingegen eine innere Affinität zu dieser hoffnungslosen Logik des "Verfalls" zu. Sie scheint ihm zur unumgänglichen Säkularisierung religiöser Gehalte aufzufordern. Adornos kabbalistische Marginalien beziehen einen breiten Horizont jüdisch-messianischer Ideen ein. Er verleugnet dabei nie, dass es ihm um eine sehr diesseite Verwirklichung geoffenbarter Heilsversprechen zu tun ist: Transzendenz sei als erfüllte Immanenz, als verwirklichte Utopie zu denken. In diesem Anliegen sieht Adorno selbst jedoch gerade seine Übereinstimmung mit der Kabbala.
Adornos kabbalistische Motive, die auf Scholems Forschungen zurückgehen, werden hier ausführlich an seinen Schriften und Vorlesungen untersucht. In seinem Verständnis der philosophischen Tradition sowie im Modell der Metaphysischen Erfahrung suchte er etwa explizit Anschluss an Deutungen der Kabbala: Das unerreichbare Urbild der Philosophie sei die Interpretation der geoffenbarten Schrift. Wie säkularisierte heilige Texte wurden Werke von Beethoven, Goethe, Kafka oder Schönberg so zum Anlass für "mystische" Interpretationen. Deren detaillierte Untersuchung erlaubt, das viel beschworene jüdische Erbe von Adornos Philosophie zu konkretisieren und bedenkenswerte Einzelheiten von der Negativen Dialektik zur Ästhetik in den Blick zu nehmen.