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In 2009, Anglophone Cameroon literature celebrated its fifty years of existence. Now at the mature age of fifty plus this literature has a great deal to write home about even if it still has a lot to do in its pursuit of excellence. Part of its maturity resides in the fact that although the scale of literary creativity and literary criticism is skewed in favour of the former, Anglophone Cameroon literary criticism is gradually waking up from slumber in an attempt to catch up with the rapidly expanding creativity. The essays in this book comment practically on some aspects of all the genres of written literature that the Anglophone Cameroon creative writers have produced so far: the novel, drama, poetry, the short story, the essay and children's literature. The essays, on the whole, are a testimony of the transition and reality from the apparent drought of Anglophone Cameroon literary paucity to the actual fruitful period of Anglophone Cameroon abundance of literary creativity. The Anglophone Cameroonians have appropriated an imperial language, English, to serve their postcolonial Cameroonian vision. Their various literary texts are vehicles of representations that are essentially cultural and ideological constructs. The works examined are initially anchored on Cameroonian experiences to take on social significance. As they are grounded on moving human experiences, these works necessarily make references to the immediate Cameroonian environment of their authors before taking on universal human significance. The book abundantly evidences and crowns Shadrach Ambanasom's achievements and reputation as a skilled pedagogue on the art of practical literary criticism.
This book brings to light work done in the area of gender with a penchant to language within the Cameroonian context. It looks at different domains of gender study where language is a significant variable. It is the very first edited collection that examines language and gender side by side. Contributors draw richly on their current theoretical leanings and on the current gendered discourses within the Cameroonian context to interrogate the interconnections between gender and language through social relationships and interactions. This is a pluri-disciplinary study informed by perspectives from anthropology, sociology and applied linguistics. The book hinges on gender, discourse and social change in historical perspective. Gender and language studies contribute to knowledge of new problems in view of a better understanding of relations between women and men, and its amelioration in the social space. Gender and language studies necessarily incorporate gender and discourse studies. Discourse serves as a unifying factor to these diverse disciplines which bring external support to pure linguistic studies, not only to deepen the understanding of gender but more so to describe how it works in discourse. Here, discourse is seen as being at the centre of gender ideology.
Shooting Snakes
(2013)
An old man is woken up by the wailing of a prophetess. Sitting on the veranda and staring into the dry veld he is beset with images of snakes hiding in the cellar beneath him. His peace is further disturbed by visits from his angry daughter, Susanna. Memories of his childhood on a remote mission station in Venda come flooding in. Johannes remembers his father's internment at Koffiefontein during World War II, leaving him and his sister free to make friendships, explore the mythical forests that surround their house and to connect with the spirit world of the Bavenda . On his return, the missionary tries to impose order on the mission station with tragic consequences.
This crowning collection brings together seven of Bole Butake's finest plays since 1984, namely: Dance of the Vampires; Family Saga; Lake God; Betrothal Without Libation; And Palm Wine Will Flow; The Rape of Michelle; and Shoes. More than an academic, Butake has distinguished himself as a playwright, unearthing and foregrounding the ills, travails and predicaments of a land and people trapped by the blood-dripping impunities of vampires in power. In his rich repertoire of over ten plays, Butake takes sides with the downtrodden, the wretched of the earth, the deprived and the underdogs. His jabs and jibes, aimed at the rulers, are scathing, at times vitriolic. He has excelled at a stubborn determination to ignore the sinecures, lure and allure of power without responsibility.
Maybe Tomorrow
(2013)
In Nomads, Emmanuel Fru Doh combines historical fact, legend, and rumour to emerge with a memoir charged with nostalgia. In the process, he merges scenes and events from several lives and the process of nation building as they all unfold and mature with the passing of time. It becomes obvious that these are somber moments in Doh's life and that of the Cameroon nation, a nation that in recent decades selfish and reckless leaders without goodwill, foresight, or true love for the fatherland have succeeded in destroying. It all boils down to one fact: indeed, there has always been a socio-political agenda by the Francophone-dominated regimes, but it had nothing to do with building a truly united Cameroon. The plan has always been to tactfully subdue and eventually neutralize the Anglophone dimension of the union.
This is a story of Nigeria, told from the inside. After a successful career in the private sector, Nasir El-Rufai rose to the top ranks of Nigeria's political hierarchy, serving first as the privatization czar at the Bureau for Public Enterprises and then as Minister of the Federal Capital Territory of Abuja under former President Olesegun Obasanjo. In this tell-all memoir, El-Rufai reflects on a life in public service to Nigeria, the enormous challenges faced by the country, and what can be done while calling on a new generation of leaders to take the country back from the brink of destruction. The shocking revelations disclosed by El-Rufai about the formation of the current leadership and the actions of prominent statesmen make this memoir required reading for anyone seeking to understand the dynamics of power politics in Africa's most populous nation.
During the 1990s, as the Internet in general and e-mail in particular grew in popularity as a means of communication, a number of Cameroonians residing in various parts of the world established a vibrant and lively electronic forum for the discussion of various issues related to their native land. The forum, known as Camnet, demonstrated that Cameroonians living abroad could actively participate in the political, economic and social processes taking place at home. This ability to remain actively engaged in the development of one's nation through the Internet is what Endeley calls 'virtual activism.' Camnet thus distinguished itself as the first and most influential breeding ground for Cameroonian 'virtual activism.' Although Camnet appeared to be dominated by political discussions, it was a truly multi-dimensional forum. No topic was explicitly forbidden and on some occasions the participants conducted extensive debates on issues that had nothing to do with Cameroon or with politics. In this publication, however, the author has chosen to present only a representative sample of his own contributions from the late 1990s with a direct bearing on Cameroon's development. Some of the contributions are in French and in order to reflect the bilingual nature of the debates that took place on Camnet, these have not been translated into English. The informed reader will be struck by the issues which were being debated over 15 years ago as well as by the fact that some of the predictions the author made in the 1990s are a reality today.
This book demonstrates the place of women's movements during a defining period of contemporary Zimbabwe. The government of Robert Mugabe may have been as firmly in power in 2000 as it was in 1995, but the intervening years saw severe economic crisis, mass strikes and protests, the start of land occupations, intervention in the war in the DRC, and the rise of the opposition Movement for Democratic Change. Shereen Essof shows how Zimbabwean women crafted responses to these and other events, and aimed for a feminist agenda that would prioritise the interests of the rural and urban poor. Rejecting both the strictures of patriarchy and the orthodoxies of established feminism, she demands that Zimbabwe's women be heard in their own voices and in their own contexts. In doing so she writes a book that combines scholarly integrity with a wild, joyous cry for liberation.
Duce Kingdom
(2013)
Duce Kingdom is a compelling mythical story of magic, sacrilege and violence, written in fine-styled first and third person dialogue and narration. The story commences with the rage of darkness into the official inauguration of the king, amid popular frustrations with the rigid laws and traditions of the kingdom. Sacrifice of virgins to gods, wars, romance and beheadings of criminals, make the future uncertain. The birth of Zalinda, a powerful sorcerer, redeems the kingdom from its woes.