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A Fallen Citadel and Other Poems is a powerful collection of over forty prose poems. The poems cover an array of issues ranging from the crisis that ensued after the 2007-2008 elections in Kenya to other social issues: loss of identity, poverty, hopelessness, and AIDs. These poems are powerful, vivid, full of imagery, and delightful. Some begin tragically, but end with hope; they begin with an everyday event, but end with a philosophical question about the meaning of life; and others are not only disturbing, but also thought provoking. Abala's poetic maneuvers in this collection are bound to delight and fascinate any reader.
It is the aim of this book while clarifying doubts and misconceptions, to provide a thorough reappraisal of the intellectual and rich cultural heritage of Islam with regards to the principles and practice of medicine and its representation to the world in the language of today. In nine chapters a range of topics are discussed including: The Promotion of Medical Education and Health Services; Personal and Environmental Hygiene; Circumcision; Manners of Eating; Social and Mental Heath; Curative Medicine; The Provision of Adequate and Potable Water; Magic, Witchcraft, Enchantments and Charms; Euthanasia; Suicide; The Rehabilitation of the Sick and the Needy; The Source of Human Creation; Sex Differentiation and Determination; Healing through Miracles; Magic and Soothsaying; HIV Infection and AIDS; Abortion; Females in Medical Practice; and The Challenges of Modem Medicine to Muslims.
This inaugural Democracy Index for Botswana is intended to set a benchmark for democracy to be measured against. The tool, developed and honed by Idasa over many years, assesses the depth of democracy in a country through five focus areas: participation, elections, accountability, political rights, and human dignity. The research relies on expert analysis to answer a set of questions that interrogate how closely, in practice, democracy meets the broad ideal of self-representative government. More specifically, to what extent can citizens control elected officials and government appointees who make decisions about public affairs? And how equal are citizens to one another in this accountability process? The purpose of the scores is to assist citizens in making their own judgements, based on the information made available, to stimulate national debate and to provide democracy promoters with a tool for identifying issues and needs that can be addressed by education, advocacy, training, institution building and policy revision. Idasa's Democracy Index - initially developed for South Africa - is being expanded into Southern Africa in an effort to broaden the capacity of individuals and organisations monitoring and supporting democratic governance efforts in the region.
Making a Difference
(2012)
'Failure is not in my vocabulary' says Libertina Inaaviposa Amathila - medical doctor, leading member of Namibia's liberation movement SWAPO, and Cabinet Minister for 20 years. Insightful, candid and amusing, this book traces Libertina Amathila's journey from a village in western Namibia travelling alone to Dar es Salaam, Tanzania in 1962; medical training in Poland, Sweden and London; and the health and education centres in Zambia and Angola that she helped develop and run for Namibians in exile; to a victorious return home in 1989; service in the Cabinet of independent Namibia; and a leading role in the World Health Organisation. Courageous, committed, cutting through difficulties that deterred others, Libertina Amathila has assisted and empowered Namibian communities, particularly women, in exile and at home. As Minister of Regional and Local Government and Housing, Minister of Health and Social Services, and Deputy Prime Minister, she focused on those in need, such as squatters, street children, and those affected by HIV/AIDS, and undertook immediate practical measures to improve their lives. Packing her tent and supplies, she drove to remote areas and camped out until houses and clinics were built for marginalized communities, assisting in the design and construction process herself. An indomitable spirit drives this remarkable woman. This is her story.
The subject of revolutionary overthrow of constitutional orders in Africa is at the intersection of three disciplines: jurisprudence and legal philosophy, constitutional law and power politics, and civil-military relations, that is, military security policy which is one aspect of national security policy. The subject is of interest in at least four ways. It problematizes the inescapable question of governance in the African continent. It challenges the democratization agenda in Africa - how does one democratize not only political governance but also the instruments of violence in the state? It also challenges African constitutional lawyers and policy makers to seek a constitutional model that addresses the enduring menace of the power of the gun in African affairs and the changing role of the military in African politics. Finally, it underscores concerns about sovereignty and national security. This book contributes to a fuller understanding of the coup syndrome in African. To this end, it vigorously interrogates the place of coups in the governance of Africa, and explores the relevance of Kelsen's theory of revolutionary legality in the context of coup d'états in Africa. It is a major contribution by a leading thinker in the field.
From its very inception, detective fiction has enjoyed a great popularity among the young and the old, the learned and the not so learned. By some unfortunate stroke of irony, its respect has not kept pace with its enormous popularity. For over half a century now, it has remained the bane of creative writing. In strict intellectual circles, it is very rare to find people talk defensively and interestingly about the genre. Yet Asong has chosen to do just that. He has stoutly defended the weak by putting up a good case for its continued existence. He has also shown how irresistible key elements of the genre are to even the best respected novelists. Finally he has demonstrated for the first time, how the genre has been domesticated by African writers of very great repute such as Ngugi, Sembene and Lessing. That he has been able to prove that these writers have used techniques of detective fiction is a significant broadening of the horizons for appreciating creative writing in Africa.
This book is the fascinating study of Christian enclaves in the Southern Cameroons of the colonial era. The Christian enclaves came into being with absolute spontaneity as a modus vivendi. Oblivious of the danger in store both colonial governments and traditional authorities provided the conditions in which these Christian villages took root and flourished. However what had taken root in the territory as a self-protection mechanism, soon unleashed its lethal, enticing tentacles luring both the wives of royals and commoners into their bosom. This disruptive influence of Christian villages threatened the survival of ethnic groups, arousing the rancour of traditional authorities and civil administrators. In many ways the Christian enclaves inhibited the potential of colonial governments to administer the territory. These states within a state propagated by the missionary in the most insidious and perfidious of all manners sowed within their own bosom the seed of self-destruction. The whole issue of runaway wives of royals and commoners alike who took refuge in the Christian villages troubled both the colonial and traditional authorities. By offering a safe haven to these runaway wives and welcoming women who were outside the traditional male authority in a tribal setup, the missionaries began sowing within the Christian communities the seeds of their own self destruction. Records of wives of Fons and commoners escaping into these enclaves, eloping with a man and returning pregnant remained the regular subject of several colonial intelligence reports. Highhanded methods by missionaries in these villages brought both the missionaries and their work into disrepute. In less than a quarter of a century these enclaves had lost the war of attrition waged by colonial and traditional authorities. Worn out by endless strife and dissension within and without and forced by contingency, what had been conceived to be ideal Christian communities with snowballing effects, saw its premature demise.
The Cowrie Necklace is a graphic account of the struggle for meaning in life. The poems are a carefully woven sizzling and cracking attempt to mirror society. The poet runs a long and wide gamut of poetic themes which include the intricacies of joy and sadness, God and the devil, nature and nurture, good and evil, love, deceit and treachery. The narrative style is reminiscent of Wole Soyinka, Francesco Nditsouna and D.H. Lawrence. The Cowrie Necklace is a "must read".
A comprehensive revision of the Subfamily Parandrinae (Coleoptera, Cerambycidae) from the Afrotropical Region is presented. Two new genera are described: Adlbauerandra and Meridiandra. The known species from the Afrotropical Region are excluded from Parandra Latreille, 1802, which resulted in the following new combinations: Acutandra beninensis (Murray, 1862), A. comoriana (Fairmaire, 1895), A. gabonica (Thomson, 1858), Adlbauerandra morettoi (Adlbauer, 2004) and Meridiandra capicola (Thomson, 1861). Eighteen new species are described: Acutandra amieti, A. barclayi, A. camiadei, A. dasilvai, A. delahayei, A. gaetani, A. garnieri, A. grobbelaarae, A. hugoi, A. jolyi, A. leduci, A. leonardi, A. lucasi, A. noellae, A. oremansi, A. plenevauxae, A. quentini, and A. vingerhoedti. The species Parandra comoriana Fairmaire, 1895 is revalidated and a lectotype is designated. Parandra beninensis Murray, 1862 and Parandra conradti Kolbe, 1893 are revalidated. A lectotype is designated for Parandra gabonica Thomson, 1858 as the designation by Quentin and Villiers (1975) was considered as invalid. Keys are presented to separate genera and all species of African Parandrinae from each other. Illustrations are provided for all the species including many special characters used in the keys.
My Brother, My Sister
(2012)
The fiery passion and epigrammatic terseness with which Loretta Burns re-enacts her experiences and observations as an African American woman in contemporary America reveal her as a poet of life who transcends the labels African American, feminist, and/or womanist. Her poetry captures moments and scenes of living that echo her impressions and intuitions of a world trapped between appearance and reality, illusion and disillusion, expectation and realization, the material and the spiritual. Through her deceptive simplicity of diction, she explores the nooks and crannies of her psyche as well as her society's. It is a poetry written from the depths of the heart that calls attention to the mystery and sacredness of the everyday. It therefore comes as no surprise that Loretta Burns and Bill F. Ndi, the Cameroonian-born poet with a fierce drive for global peace and the oneness of humanity, should collaborate on a collection of poems. With vibrancy and a sense of urgency, their lines evoke humanity's perpetual struggle for freedom and its search for meaning.