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This essay follows the productive discussion of Giorgio Agamben's "The Open: Man and Animal" that took place as part of the 'Openness in Medieval Culture' conference at the ICI Berlin. The essay attempts to develop a speculative notion of openness within Agamben's work, in particular by connecting the question of openness to the question of the promise: the promise of the resolution of the question of man and animal ("The Open"); the promise of the Franciscans' vow, or 'sacramentum' ("The Highest Poverty"); and the promise of language ("The Sacrament of Language").
Johannes Fried saves the programmatic aim of his book for the last chapter, but I’ll begin with it: unlike their counterparts in China or India or really any other center of historical civilizations, Europe has a particular disdain neither for its oldest period nor for the most recent but for the middle age (507). Some, and Fried chooses his countryman Immanuel Kant as their chief, regard the middle ages as an age lacking in the beauty of the ancient world and without the dedication to reason that his modern counterparts share. He holds Gothic architecture in particular contempt (506). Just as bad, Fried notes, are those who would romanticize the middle ages, ignoring the truly radical thought of characters like Meister Eckhart and William of Ockham, whose philosophical explorations set the stage for the most radical thought of what Kant would regard as his own era’s Enlightenment (508). In his masterful book titled simply The Middle Ages, Fried begins with Boethius and wends his way to Machiavelli in a campaign against such dismissals and such flattening accounts, telling a tale of political thought and philosophical exploration and most importantly of complexity at every step, a journey through Western Europe’s middle millennium that encourages the reader to think of the period as a truly fruitful period of intellectual, political, and social transformation. ...
Historical scholarship on the sixteenth-century neo-scholastic debate about American Indians generally centers on the thought of Francisco de Vitoria. Focusing on Alfonso de Castro’s short treatise Utrum indigenae (1543), this paper challenges both an exclusive concentration on Vitoria as well as the received contention that the thought of the School of Salamanca rendered a single, unified view of Amerindians. In Utrum indigenae, Castro argued that American Indians should be instructed in liberal arts and theology thus constructing a strikingly different image of the peoples of the New World as compared to accounts by Vitoria or Francisco Suárez. While the historian Martin Nesvig has recently proposed an Erasmian humanist contextualization of Castro’s treatise, I argue that the image of American Indians presented in Utrum indigenae testifies to an alternative, novel way of writing about American Indians from within the framework of the School of Salamanca which has so far remained unnoticed.