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The following pages, initially prepared for limited circulation in 1961, contain brief extracts and summaries of those parts of Eugen ZintgraffÍs book Nord-Kamerun (1895), of most interest concerning the colonial Bamenda and Wum Division. ZintgraffÍs book, the first by a European about the Grassfields, has not been translated and is hard to get second-hand. In using these notes the following points should be borne in mind: ZintgraffÍs knowdie;ledge of Bali (Mungaka) and Hausa was very slight, and his discussions of character, motives and political institutions are consequently superficial and open to criticisms. He had no means of checking what he was told, or thought he was told. He had no previous knowledge of any similar culture and no training in ethnographical method. He was, however, a good observer, and his descriptions of tools, dress, weapons and the like, can be regarded as fairly reliable. Finally, it must be remembered that Zintgraff wrote the book to justify his own actions and to support that small but influential section of public opinion in Germany which favoured rapid imperial expansion. A full account of the actions and motives of ZintgraffÍs opponents in the Kamerun Governdie;ment and in the Colonial Bureau of the German Foreign Office has not been written: we only have one side of the story. But there are some suggestive points made in RudinÍs Germans in the Cameroons and others referred to in these notes. What is perhaps most striking about ZintgraffÍs account is the fact that the people of the Western Grassfields were not so isolated from one another or their neighbours as might be thought. A network of trade-friendships covered the country and big men exchanged gifts over long distances. These links must be set beside the insedie;curity due to raids and slave-catching, and are well worth investigation.
Poetry is fragments of music thrown into the air. The primary job and aim of a poet is to create these musical notes, to play these musical notes, and the wind will take these fragment notes, sounds, musics into the ears of listeners. Zimbolicious Poetry Anthology, Volume 2 is one of those winds among many others. As we all are aware of, when the wind travels it has no boundaries, it collects, it deposits, it mixes things up; you never know where that leaf you see the wind carrying will eventually be deposited, is there another wind, another element that is going to move that leaf to another place... We firmly believe it is a good wind. It will be able to push our poetry making in Zimbabwe into other frontiers. Zimbolicious Poetry Anthology, Volume 2 continues from where we left off with the first Zimbolicious Poetry Anthology we created in 2016. In this Volume 2, we have 77 poems from 30 poets and translators, which include among others; experienced poets, academic poets, street poets, emergent poets, beginning poets, all telling stories associated with what all these poets refer to as home, that is, Zimbabwe. It is an ongoing debate on what is Zimbabwe, what we want our Zimbabwe to be socially, culturally, politically, thus we allowed every opinion space in this anthology, whether us editors agree with them or not. We have poets tackling issues to do with poetry, writing in general, art, place, identity, tradition, struggle, culture, gender, collective understanding, religion, individual, human rights and love, among others.
Zimbabwe: The Urgency of Now
(2015)
Zimbabwe: The Urgency of Now, is a follow-up creative non-fiction book to Zimbabwe: The Blame Game. It goes further than The Blame Game and focuses on Zimbabwe in the GNU entity, the 2013 elections, post elections and post GNU Zimbabwe, and Now. They are a myriad number of problems, issues, limitations that still unbundles Zimbabwe's push towards multiparty democracy, social justice, economic sanity and growth, and The Urgency of Now focuses on the solutions to these. It also tackles the land reform in South Africa, how this could be its biggest problem going forward. It goes further and tackles the larger Africa problem toward democracy, growth, stability and unity, and why the progress towards the United States of Africa has been moribund.
Zimbabwe: The Blame Game
(2013)
The Blame Game is a cycle of creative non-fiction pieces, pulling the readers through the politics of modern day Zimbabwe. Like in any game, there are players in this game, opposing each other. The game is told through the eyes of one of the players, thus it is subjective. It centres on truthfully trying to find who to blame for Zimbabwe's problems, and how to undo all these problems. Finding who to blame should be the beginning for the search of solutions. It encourages talking to each other, maybe about the wrongs we have done to each other, and genuinely trying to embrace and forgive each other. In trying to undo the problems in Zimbabwe, it also offers insight or solutions on a larger platform - Africa: particularly South Africa; that it might learn from other African countries that have imploded before it, how to solve its own problems.
Three years after the advent of Zimbabwe's Inclusive Government in February 2009, the country still awaits the elections that people hope will lead to a more enduring political settlement. Zimbabwe: Mired in Transition reviews the experience of recent years assesses the progress that has been made. What is the public mood, and how has it changed? What steps have been taken to reform the media? How important is a new constitution. Although the economy has stabilised to some extent with the adoption of a multi-currency regime, industrial and agricultural production are depressed, and investment inflows are limited; what spaces exist for fiscal reform? Are local authority structures and the state bureaucracy equipped to handle the tasks that will ne asked of them? In terms of two important areas, the book extends its analysis further back than 2009. First, is the issue of emigration. Estimates of the number of Zimbabweans in the diaspora range from three to four million; what impact us this having on national development, and to what extent might the trend of migration be reversed? The second concerns young people, the chapter on which concludes: 'We already have a 'lost generation' - those who were once called the 'born frees'. Unless positive changes are made, we will still have another'. This collection of eleven essays examines in detail some of the pressing questions which Zimbabweans must ask as they chart a way forward.
At Independence in 1980, Julius Nyerere called Zimbabwe 'the jewel of Africa', and cautioned its new leaders not to tarnish it. Tragically, they paid no heed to Africa's esteemed elder statesmen. Arguably - and only if one ignores the carnage of Gukurahundi - the first decade was a developmental one, with resources being used prudently to benefit the formerly disadvantaged majority population. However, the 1990s witnessed a transition from a developmental to a predatory leadership which saw Zimbabwe cross the millennial line in crisis, where it has remained ever since. While many African countries have moved forward over the last three decades, Zimbabwe has gone relentlessly backwards, save for the four-year interregnum of the tripartite coalition government, 2009-2013. Virtually all development indicators point in the wrong direction and the crisis of poverty, unemployment, and the erosion of health. education and other public goods continues unabated. The imperatives of political survival and power politics supersede those of sound economics and public welfare. Moreover, unless good politics are conjoined with a sound people-first policy, the country will continue sliding downhill. Zimbabwe's Trajectory tells the story of the country's post-independence dynamics and its recent descent into becoming one of the three most unhappy countries in the world.
The ongoing crisis in Zimbabwe has led to an unprecedented exodus of over a million desperate people from all strata of Zimbabwean society. The Zimbabwean diaspora is now truly global in extent. Yet rather than turning their backs on Zimbabwe, most maintain very close links with the country, returning often and remitting billions of dollars each year. Zimbabwe's Exodus. Crisis, Migration, Survival is written by leading migration scholars many from the Zimbabwean diaspora. The book explores the relationship between Zimbabwe's economic and political crisis and migration as a survival strategy. The book includes personal stories of ordinary Zimbabweans living and working in other countries, who describe the hotility and xenophobia they often experience.
Zimbabwe's Cultural Heritage
(2005)
' Zimbabwe's Cultural Heritage won first prize in the Zimbabwe Book Publishers Association Awards in 2006 for Non-fiction: Humanities and Social Sciences. It is a collection of pieces of the culture of the Ndebele, Shona, Tonga, Kalanga, Nambiya, Xhosa and Venda. The book gives the reader an insight into the world view of different peoples, through descriptions of their history and life events such as pregnancy, marriage and death. ''...the most enduring book ever on Zimbabwean history. This book will help people change their attitude towards each other in Zimbabwe.'' - Zimbabwe Book Publishers Association Awards citation'
Zimbabwe Will Never be a Colony Again! : Sanctions and Anti-Imperialist Struggles in Zimbabwe
(2019)
This is a thought-provoking original book, based on a wealth of empirical case studies of how Zimbabwe experienced illegal economic sanctions. It is a study of how the humanly constructed obstructions - from external remittances/finance flows into the country to finance embargos or total financial blockages - are deliberately created by so-called 'powerful' governments to deal with an 'errand' country. The infamous Zimbabwe Democracy Economic Recovery Act of 2001 (ZDERA) is part of a raft of punitive measures and discourses that the USA, UK and Europe used to make the economy, in the words of US's Chester Crooker 'scream'. It is the same 'powerful' countries who allow their Multinational Corporations to loot while they impose sanctions against African governments and their peoples to make them scream. The book is an insightful contribution on Africa's contemporary post-colonial liberation politics of development economics. It focuses on Zimbabwe as a synthesis of microcosmic study that provides accessible in-depth analysis of key aspects of sanctions as a weapon of control wielded by the so-called 'powerful' governments of the Global North. Zimbabwe was clobbered with post-independence economic sanctions after its land reform programme, which benefitted its mostly colonially dispossessed African citizens. The land reform was intended as a reversal of colonial injustice and a counter restitutive measure against imperialism. The book invites the reader to see power differently: as compassion and the capacity to right past wrongs by protecting all and sundry from inequality and poverty. Sanctions, even when called targeted, are non-discriminatory as they affect ordinary citizens with the same ferocity and savagery as against intended target, albeit often missing the target. Sanctions are lethal. Sanctions are a graveyard for the poor, weak and vulnerable. This is an idea of power that the Global North failed to grasp when they decided to punish the Mugabe government for daring to contemplate justice and restitution.
Zhero
(2011)
An inspiring and intriguing tale of heroism, Zhero's quest for education and self-worth takes him from the rustic village of Amabra to the cities of Port Harcourt and Lagos. Armed with a determination to succeed against all odds, his quest unearths a malignant problem in the society, which is the degradation and loss of human values. Vincent Egbuson's book is compendium of issues pervading contemporary Nigerian society. It beckons on its readers to emulate acts of kindness and self-sacrifice.
Some requirements for a VERBMOBIL system capable of processing Japanese dialogue input have been explored. Based on a pilot study in the VERBMOBIL domain, dialogues between 2 participants and a professional Japanese interpreter have been analyzed with respect to a very typical and frequent feature: zero pronouns. Zero pronouns in Japanese texts or dialogues as well as overt pronouns in English texts or dialogues are an important element of discourse coherence. As to translation, this difference in the use of pronouns is a case of translation mismatch: information not explicitly expressed in the source language is needed in the target language. (Verb argument positions, normally obligatory in English, are rather frequently omitted in Japanese. Furthermore, verbs in Japanese are not marked with respect to features necessary for pronoun selection in English.)
Zero Point Soldier
(2019)
It took two years for this collection of poems to see the light of day. Two years. Two whole years. But two whole years of thinking, feeling and working through and from one of the strangest and certainly most torturous facts of life on Earth, and one of the least explored themes in the world of the modern woman of Africa, or my world, at least. This is the fact of Death. But not the fact of the death of all. Not the fact of the death of any. It is that of the modern man, the man, of Africa.
Youth, HIV
(2009)
The five research reports that constitute this monograph are a fruit of the collaboration between the Council for the Development of Social Science Research in African (CODESRIA) and the Social Science Research Council (SSRC), two institutions with a longstanding interest in the study of youth and social transformations in Africa. Under the collaboration, 12 young African researchers were able to benefit from fellowships, workshops and the expertise of resource persons. The studies contribute significant empirical insights from five different countries (Tanzania, Ethiopia, Mozambique, Zimbabwe and Cameroon) to ongoing debates on how youth and social processes in Africa shape, and are shaped, by the HIV/AIDS pandemic.
Youth movements
(2008)
Elections provide a tremendous opportunity for national transformation and the pursuit of democratic practice. They can be a moment of national renewal. However, in most of Africa elections are often characterized by violent conflict as politicians seek to capture or maintain power through ethnic mobilization, propaganda and misrepresentation. Considering opportunities offered by information technology especially mobile phones and the discovery of extensive natural resources, Africa has an opportunity to significantly change the lives of ordinary citizens. But this transformation requires that youth are fully 'present' in the political, economic, social and cultural arenas. They will need to marshal their energies and stay focused on the things that are important for the continent of Africa. In the case of Kenya, youth should not wait to be invited to take up political leadership. Instead, they will need to invite themselves to the table and take advantage of the opportunity provided in Constitution and demand accountability and transparency in the conduct of national affairs. This book is part of ongoing work at Twaweza Communications in the pursuit of democracy, peace and justice. Themes covered include youth and leadership; elections and peace; youth as peace makers; family and global values among other topics.
This meticulous and comprehensive documentation of Cameroonian Youth Day Messages and leadership discourse on youth from 1949 - 2009 is a gold mine for researchers, historians and anyone interested in studying youth, politics and society in Africa. The book presents and explores themes and content of Youth Day Messages: how these messages tied in with, or veered away from, key events and issues of the time; how they served as a platform for West Cameroon governments, and the Ahidjo and Biya regimes to articulate their political vision, justify their policies, sell their respective ideologies to the youth; and what lessons could be drawn from them on competing, conflicting and complementary perspectives on youth agency in Cameroon and Africa. Churchill links the Youth Day to ongoing discussions in Africa about the role and place of youths as agents of development in Africa. Most significantly, he finally puts Cameroon's controversial Youth Day in its appropriate historical context - not as a political device created by the Francophone politicians to distort Cameroonian history and erase 'plebiscite day' from the collective memory as Anglophone nationalists claim, but as a British Cameroons colonial legacy, successfully sold to the Ahidjo regime as a day to be commemorated throughout the federation, by leaders of the federated state of West Cameroon. Churchill Ewumbue-Monono, a senior career diplomat, is Minister Counsellor in the Cameroon Embassy in Moscow. A graduate of the International Higher School of Journalism, and the International Relations Institute of Cameroon in the University of Yaounde, he was a 1991-92 Fellow in Public Diplomacy in Boston University, USA. He has served in Cameroon in various professional capacities. Ewumbue-Monono has written extensively on Cameroon's political history, and his books include Men of Courage, published in 2005.
Youth and Higher Education in Africa : The Cases of Cameroon, South Africa, Eritrea and Zimbabwe
(2009)
Student activism in Africa, at least since the early 1990s, has been preoccupied with popular struggles for democracy in both their respective countries and institutions of higher learning. The changing socio-economic and political conditions in many African countries, characterized by the decline in economic growth and the introduction of multi-party politics, among several other factors, have had different impact on students and student political organizations in African universities. This book recounts the responses of students to these changes in their attempt to negotiate better living and studying conditions. The four case studies contained in the book - Cameroon, South Africa, Zimbabwe and Eritrea - clearly reveal the very important aspects of the situation in which African students find themselves in many countries, and underscores the need to understand the character and development of higher education on the continent. Ministries of Higher Education, Vice Chancellors, Deans of Students, Student Unions and parents will find this book very useful in terms of understanding the tensions that often arise at institutions of higher learning and why solutions seem to be elusive.
Writing Therapy
(2010)
Writing therapy is a varied collection of poems of a brisk, forward taste. The poet uses her poems as a form of expression of the harmonies and tensions that reassure and perturb the mind, heart and Spirit. This is a canvas of emotional expression from the frustration of the African youth to the declaration of the feminist, the desolation of the lovelorn and finally the weathered contentment of the Christian believer!
The history of Zimbabwe has always been reflected in its oral and written literature. Much of the serious fiction written in the 1980s and early 1990s focused on the effects of Zimbabwe?s war of liberation. Little has yet been written about post-independence Zimbabwe and the complex and challenging issues that have arisen in the last twenty years. This anthology of twenty-two short stories provides a representative sample of the range and quality of writing in Zimbabwe at the turn of the century, and an impressionistic reflection of the years since independence in 1980. Included are stories by established writers Shimmer Chinodya, Charles Mungoshi, Brian Chikwava; and some younger or less established writers, , Clement Chihota, Wonder Guchu, Chiedza Musengezi, Mary Ndlovu, Vivienne Ndlovu and Stanley Nyamfukudza. The collection also reflects a slightly broader perspective with stories by Alexandra Fuller, Derek Huggins, Pat Brickhill and Chris Wilson, who engage with historical memory of the conflicts out of which Zimbabwe arose, and the lessons to be drawn from living within a culture other than one?s own. Overall, the anthology reaffirms the persistent value attached to imaginative writing in Zimbabwe, and illustrates that the country?s literary tradition is alive and well, and reshaping itself for new times.
The sequel to the award-winning Writing Still, this new collection of stories paints an engaging - and sometimes challenging - picture of contemporary life and concerns in Zimbabwe. Like its predecessor, Writing Now combines well-established writers - Chinodya, Mupfudzi, Eppel, Chingono - with several new voices. Although the stories emerge from lives of economic hardship and privation, their tone is by no means uniformly. Zimbabwean writers continue to demonstrate that sharp humour and surreal fantasy can grow from the bleakest of roots.
Writing Namibia: Literature in Transition is a cornucopia of extraordinary and fascinating material which will be a rich resource for students, teachers and readers interested in Namibia. The text is wide ranging, defining literature in its broadest terms. In its multifaceted approach, the book covers many genres traditionally outside academic literary discourse and debate. The 22 chapters cover literature of all categories in Namibia since independence: written and performance poetry, praise poetry, Oshiwambo orature, drama, novels, autobiography, womens writing, subaltern studies, literature in German, Ju|hoansi and Otjiherero, childrens literature, Afrikaans fiction, story-telling through film, publishing, and the interface between literature and society. The inclusive approach is the books strength as it allows a wide range of subjects to be addressed, including those around gender, race and orature which have been conventionally silenced.
Writing Mystery and Mayhem
(2015)
This eighth anthology of twelve short stories from Weaver Press reveals again the range and variety, compassion and humour, irony and tragedy with which Zimbabwean writers observe the world around them. Several writers adopt a tongue-in-cheek approach to the subject: Naishe Nyamubaya takes us behind graphic newspaper headlines with a story of goblins, Jonathan Brakarsh turns the world inside out by constantly reversing our expectations, and Lawrence Hoba draws a situation both 'collateral and incompatible'. It is a characteristic of crime fiction to defy expectation, as Farai Mudzingwa, Bongani Sibanda and Valerie Tagwira do in exploring the ramifications of sudden death. But if we are surprised by some stories, we can only be moved those which draw on the pain and vulnerablity of both the victims and those left behind. Godess Bvukutwa, Isabella Matambanadzo and Donna Kirstein help us to reflect on injustice and loss. Reading this collection of stories, with subjects ranging from tokolosh to tsunami, and from ghosts to goldfish, reminds us that the world is crazier than we think.
Writing Lives
(2013)
Writing Lives, a collection of short stories, featuring Lawrence Hoba, Tendai Huchu, Tendai Machingaidze, Nevanji Madanhire, Daniel Mandishona, Christopher Mlalazi, Blessing Musariri, Chiedza Musengezi, Sekai Nzenza, Fungisayi Sasa and Emmanuel Sigauke. Writing Lives is the seventh of Weaver's anthologies of short stories following Writing Still, Writing Now, Laughing Now, Women Writing Zimbabwe, Mazambuko and Writing Free. As with the other anthologies, this vibrant collection reflects the lives and experiences of Zimbabweans as filtered through the lens of each author's perceptions. Writing Lives gives us stories that will make us laugh and bring tears to our eyes as it provides a focus on the past, the present and even the future.
Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.
Writing Free
(2011)
In this fifth anthology of Zimbabwean short stories from Weaver Press fifteen writers respond to the topic of writing free, and offer their thoughts about how and why they wrote as they did. The stories reflect a wide variety of freedoms: from tyranny, from hunger, from abuse, from the shackles of tradition, and even from the traditional constraints of narrative convention. But there are cautionary tales, too. Political change may be liberating for the adults who suffered for it, but will their children share in the euphoria of new-found freedom? Will a departure from domestic poverty to the calm waters of the diaspora deliver all that was hoped for it? Is the grass always greener beyond the fence of a stifling marriage? Zimbabwe has had more than its share of social and material deprivation in recent years, and people's responses have taken many forms. Writing Free offers an engaging and kaleidoscopic sample of these, and in doing so gives an intimate portrait of a country in transition.
Shigeko Kubota's pioneering video "Sexual Healing" (1998) presents an ambivalent take on her disabled husband Nam June Paik in physical therapy. Accompanied by Marvin Gaye's titular pop song, it considers love, sex, and care in old age within the much-debated field of Fluxus collaborations, and its ideal of working together as equals when fusing life and art. "Worlding Love, Gender, and Care" delves into the four decades of Kubota and Paik's time together, reflects on feminist worlding, and investigates the vital contribution of female Fluxus artists to art history.
Unique publication on the worldwide distribution of industrial robots based on company reports: about 40 country reports 2007 - 2012; by application areas; by industrial branches; by types of robots; and by other technical and economic variables. Data on production, exports and imports; Trends in robot densities, i.e. number of robots; per 10,000 persons employed in relevant sectors; Forecast 2013 - 2016; Special Features: Case Studies on Profitability of Robot Investments
This short story collection is the outcome of the writing residency for African women writers held in Jinja, Uganda, in January 2011. Writers from across English-speaking Africa contribute stories as diverse as the continent itself, stories that explore universal concerns in acutely individual ways. Among others, an upper-class Ghanaian confronts the irony of race from a prison cell; a Zambian mourns her sister and tackles the restrictions of tradition in a surprisingly humorous way; in Tanzania, two strangers go to extremes to seek elusive health; a Ugandan housewife reflects on personal and world politics as she watches a dog fight; another Ghanaian remembers a love affair that led her into an ancestor's embrace; two Nigerians shopping in London get more than they bargained for; and in a 2011 Caine Prize nominated story by Ugandan writer Beatrice Lamwaka, children cry tears of pain and happiness during an armed conflict.
This book addresses itself to mobilisation and involvement of rural people in development projects. It describes an imperfect but, nonetheless, exciting and thought-provoking exercise that drew social science researchers and students from four public universities in Kenya into an experiment in participatory research, community education and development in two locations. The experiment was grounded on the assumptions that the people of Kenya are a primary resource and that given proper roles and contribution of planners, researchers and programme implementers, self-sustainable development can become a reality. The contributors of this book have focused on the potential of the university to facilitate participation of the people in development. They have given specific suggestions on how this might be accomplished.
Words That Matter
(2019)
Words That Matter attempts to spark conversation around social issues that are often neglected either for their lack of beauty or sheer rigidity. These issues are mainly cultural and political. It further seeks to community hope in its purest form, unfailing and evermore willingly to rewrite situations brightly however dark initially. Find thusly sarcasm and humour, folly and wisdom, discord and harmony, and death and life, all interwoven in revealing just how sound existence can be (or should be henceforth). Above all, get lost and find new paths in these verses!
Words of wisdom within the African context, conjure the foundational thoughts of ancestors, thoughts which, today find themselves in the public sphere. With its focus on individual thoughts, this pan-African collection, among other things, amplifies the African-centred prism of knowledge as a collective creation, while stretching the boundaries of the concept of wisdom. They depict the intricate and unique African perception and relation to the universe. As Molefi K. Asante wonders, what could be any more correct for any people than to see with their own eyes? Collectively, these sayings constitute a pillar in the edification of a culture that departs from mere hearing, seeing and consumption to the creation of narratives and, hence, knowledge. They focus on the shared experiences and aspirations for freedom, a philosophical outlook heavily anchored on balance, as well as on community. Unfortunately, some are still tempted to dismiss words of wisdom as having no bearing on todays hi-tech and, even, post-modernist global village. Yet, if anything, these words have even more relevance in a cacophonic, estranged and even brutish world tightly in the grip of forces bent on twisting all thought processes toward a particular status quo. Each saying should be perceived as a coin with two sides and should, therefore, not be taken at face value. For, like virtue, each one is capable of turning into vice when stretched too far! As a vital prompt in the project of living, this collection proposes to the reader the advantage and a philosophy of balance as the worthwhile and healthy modus vivendi.
This poetry anthology offers a feast and face of poetry as it currently is in Uganda. It is all encompassing and presents a variety of writers ranging from seasoned voices to new ones of great promise. The voices are adventurous, reflective, provocative and even sassy. The poets explore with passion diverse themes from the private to the public realm reassuring the reader that poetry is about everything and is perhaps everything. The pages of this anthology pulsate with rhythmic variations that give unexpected pleasure and provoke the reader to be exceptionally alert. This is a welcome and priceless addition to Uganda Poetry Anthology 2000.
Women, visibility and morality in Kenyan popular media explores familiar constructions of femininity to assess ways in which it circulates in discourse, both stereotypically and otherwise. It assesses the meanings of such discourses and their articulations in various public platforms in Kenya. The book draws together theoretical questions on 'pre-convened' scripts that contain or condition how women can circulate in public. The book asks questions about particular interpretations of women's bodies that are considered transgressive or unruly and why these bodies become significant symbolic sites for the generation of knowledge on morality and sexuality. The book also poses questions about genre and representations of femininity. The assertion made is that for knowledges of femininity to circulate effectively, they must be melodramatic, spectacular and scandalous. Ultimately, the book asks how such a theorisation of popular modes of representation enable a better understanding of the connections between gender, sexuality and violence in Kenya.
This posthumous publication is a collection of essays some of which are based on the author's research work while others record her thoughts on issues she regarded as important. The materials, which were written between 1991 and 1996, cover a range of subjects that have been tied together under the theme of women, law and justice in Uganda. They represent the author's central concerns, interests and views as they developed over the years.
Women Writing Zimbabwe
(2008)
The fifteen stories in Women Writing Zimbabwe offer a kaleidoscope of fresh, moving, and comic perspectives on the way in which events of the last decade have impacted on individuals, women in particular. Several stories (Tagwira, Ndlovu and Charsley) look at the impact that AIDS has on women who become the care-givers, often without emotional or physical support. It is often assumed that women will provide support and naturally make the necessary sacrifices. Brickhill and Munsengezi focus on the hidden costs and unexpected rewards of this nurturing role. Many families have been separated over the last decade. Ndlovu, Mutangadura, Katedza, Mhute and Rheam all explore exile's long, often painful, reach and the consequences of deciding to remain at home. In lighter vein, but with equal sharpness of perception, Gappah, Manyika, Sandi, and Holmes poke gentle fun at the demands of new-found wealth, status and manners. Finally, Musariri reminds us that the hidden costs of undisclosed trauma can continue to affect our lives for years afterwards. All of the writers share a sensitivity of perception and acuity of vision. Reading their stories will enlarge and stimulate our own understanding.
This study investigates the experiences of women journalists during the last phase of Namibia's liberation struggle against South African rule. Black or white, women journalists in Namibia made significant contribu-tions to the liberation cause -including the founding of a high-profiled newspaper -whilst others worked for media sympathetic to the apart-heid government. Based on interviews and deploying feminist media theory, Maria Mboono Nghidinwa pays close attention to the gendered power relationships in the newsrooms of newspapers and radio stations at the time. She looks at the intense political intimidations which tar-geted women and, in particular, the constraints experienced by black women journalists.
Education is an important tool for the development of human potential. Organizations and individuals interested in development consider knowledge, skills and attitudes, obtained through formal, non-formal and incidental learning, as invaluable assets. Therefore, it is necessary to reflect on fundamental elements that shape the process through which education is attained: How do people learn, and what are the conditions that facilitate effective learning? Answers to these questions demonstrate that no education can be politically neutral, because there is no value-free education. The traditional or indigenous education systems in Nigeria, which covered (and still cover) physical training, development of character, respect for elders and peers, development of intellectual skills, specific vocational trainings, developing a sense of belonging and participation in community affairs, and understanding, appreciating and promoting the cultural heritage of the community were, and are, not value-free. In other words, the goals and purpose of education, the content, the entire process and the procedures chosen for evaluation in education are all value-laden. This book attempts to show that the teaching-learning process in higher education, and religion, taught and learned through non-formal and informal education (or the hidden curriculum), and other socialization processes within and outside the formal school system, all interface to determine the persons that women become. This education enhances or limits women's capabilities, whether in the civic-political sphere or in their attempts to resist violence. Hence, education and religion have ways of empowering or disempowering women.
WOMANDLA! Women Power!
(2018)
Rolene Miller registered Mosaic, Training, Service and Healing Centre to empower abused women, and like a Mosaic to put the broken pieces of their lives together and make their lives more beautiful, Womandla! Women Power! is an account of Mosaics Community Workers and Court Workers lives, training and services and Rolenes writings describing the journey. Their humour and laughter is present whilst constantly moving through the difficult days at Mosaic. This book describes Mosaics support from our caring God. It is a human story where honest values are realised and peoples lives are changed forever. It is for readers who want to know the Herstory of a ground-breaking and innovative Mosaic working with abused women for 25 successful years and still surviving today. Womandla! Women Power! belongs to everyone who in our patriarchal culture and society wants to prevent and stop Women Abuse and Domestic Violence and who needs to seriously and critically condemn it.
Within the Walls of Hell
(2011)
The Land of Eternal Discomfort is a place where no one wants to go. It is hot and dirty. One is sure to experience depression once there and sleep is a luxury no longer attainable in that place. Unbelievable though it may seem one enters the Land of Eternal Discomfort by choice. It is a place destined for those who did not live a righteous life according to the Creator. The kind of life one lives down below determines where they go thereafter. For the seven characters in this play, the love of power and the hatred for those different and inferior to themselves leads them to choose a life of luxury gained through deceit, theft, adultery and murder. Against all the Creator's commands, they chose to live lives of self-gratification ignoring their obligations to their fellow man. The choice they made was for their lives down there but they will forever live with the consequences in their lives thereafter. Life down there does not last forever and the characters are destined to meet the Messenger at which time the choice will have already been made. When you finally meet the Messenger, pray that he is ushering you into the Land of Eternal Happiness because in the other place you are doomed forever. In the Land of Eternal Discomfort the gate can only open to let someone in. It cannot open to let anyone out. Once you are in there you can never get out again.
This book is largely the personal account by Patrick Mbunwe Samba, of how life in his home village of Binshua has been permeated throughout by belief in witchcraft. The book not only provides a historical account informed by his reminiscences of his childhood, it shows as well that even today, belief in witchcraft is very widespread. Witchcraft exerts a profound influence on society in Binshua and in Cameroon in general. The book also provides accounts of the experiences of others, some of them very recent, and gives examples of what injustices and suffering can be caused by the notion that any misfortune must have been caused by witchcraft. For the overwhelming majority of people in village communities such as Binshua, Samba argues, anything not immediately understandable is witchcraft - which is synonymous with mystery. Many educated Africans, too, revert to such traditional attitudes in stressful situations. It may be thought surprising that in spite of the impact of Christianity, Western culture and the improved level of education, the majority of people still believe in witchcraft, and that this phenomenon not only persists but is actually increasing. The book perplexes and challenges by avoiding to provide simple answers to the question whether which witchcraft is real or imagined.
This is a comparative ethnographic study of witchcraft and associated violence between the kingdoms of Kom and Venda in Cameroon and South Africa respectively. The book shows why despite its prevalence in both societies, witchcraft does not lead to open violence in Kom, while such large-scale violence is commonplace in Venda. It reveals that this difference can be explained by factors such as the variations in local ideas on witches, differences in the role of traditional authorities, and various state interventions on witchcraft matters. The book demonstrates, through a rich collection of detailed cases, that contrary to anthropological theory that views witchcraft as a mechanism for the expression and resolution of social tensions and conflicts, witchcraft may at times become a disturbance of amicable social relations. Witchcraft accusations may occur in a context where strained social relations have not preceded them. The knowledge and experience that people have about witchcraft is sufficient to trigger an accusation and a violent reaction. Different forms of witchcraft account for variations in witchcraft attributions and accusations. This comparison provides a valuable contribution to ongoing witchcraft policy discourse amid widespread citizen anxiety over witchcraft, and the increasing call on the post-colonial state to intervene and protect its citizens against occult aggression.
Witch Girl
(2015)
This is modern Lusaka, Zambia, where the line between magic and religion is blurred, the arcane and the mundane muddle and nothing is what it seems. Luse is a sharp street child combing the gang-ridden city in a desperate search for Doctor Georgia Shapiro who she hopes can offer her a way back into her once-bright past. The doctor is trying to unravel the mystery of a friend's sudden death while attending to the AIDS crisis laying waste to the country around her. Meanwhile The Blood Of Christ Church and its enigmatic leader Priestess Selena Clark gain popularity with their murky promises of salvation and violent clandestine rituals. A small silver box links them in ways they cannot foretell. It will force Luse and Georgia to question who they trust, who they are and for whom they fight. Tanvi Bush's Witch girl is a crime thriller that juggles the past and the present effortlessly, blending AIDS activism, witchcraft, religious extremism and romance to create a well-paced narrative. Luse is so feisty, charming and resourceful that you'll miss her after you finish the book.
Over the past fifteen years, Weaver Press has published seven anthologies of some one hundred short stories giving voice to new and established Zimbabwean writers. In Windows into Zimbabwe Franziska Kramer and Jürgen Kramer have selected from these anthologies twenty-three stories, which they consider the best or most representative of a particular period in the Zimbabwean narrative since 1980. They present the stories within sections which frame certain themes such as Independence, Gukurahundi, Land, Gender Relations, Money Matters, Social Relations, Exile and Resilience. For the general reader, Windows into Zimbabwe contains some wonderful stories rich in insight, perception, nuance and humour. Writers such as Charles Mungoshi, Petina Gappah, NoViolet Bulawayo, Valerie Tagwira and Shimmer Chinodya are included as well as relative newcomers with new perceptions and fresh voices. The compilers have also provided an introductory overview casting light on the relationship between fiction and society; and for teachers(in schools, colleges and universities) each story is accompanied by explanatory notes, questions and study tasks to further the reader's understanding. Windows into Zimbabwe will positively deepen your appreciation of the country and its people.
Lack of transparency and accountability in the planning practice allow for misuse and abuse of the planning system to serve the interests of the more powerful and influential groups, including those entrusted with the powers of planning. The outcomes of a non-inclusive, non-transparent and insensitive planning include: insecurity of land tenure rights and subsequently investments in land; poverty; informal land subdivision and building; unplanned spatial growth and endless conflicts in land development. These are detrimental to the residents and erode their trust and confidence in the government. It takes an organized, informed, confident and courageous group of residents or community to reject the non-inclusive form of planning and cause adoption of inclusive and collaborative planning that allows them space in the planning process. The achievement of such an organized group ? a turn towards democratic planning practice ? leads to a conclusion that informed, organized, confident and courageous civil society is a pillar of democracy. This book therefore argues that ineffective planning results, among other things, from defective land policy and legislation, and planning inability to recognize and make use of opportunities for shaping the built environment.
Wholesome Whole Poetry
(2019)
Wholeness Living
(2010)
Wholeness Living is about recognizing the power that exists within us, in others and in the Higher Power. When these powers are in harmony we experience growth in the sense of physical health, high self-esteem, high social interest, and high optimism. Therefore, wholeness living is the openness to the truth about the relationship with the physical self, the psychological self, others and the Higher Power. Based on years of clinical practice, academic research and personal investigation, Dr Bonaventura Balige's approach to leading a full, rich and happy life focuses on four main areas - the physical, the psychological, the social and the spiritual - any one or more of which can be at the root of our difficulties. In this book are lessons and heartfelt advice to help us address the issues interfering with our enjoyment of life. While it is true that life is often difficult, we have the tools to deal with any situation. Dr Balige shows us that every person has the power to create the wholeness that can see us through the storms of life. Every person can find happiness by following the steps explaining what wholeness living entails.
'In Who's Afraid of Mongo Wa Swolenka? a book launch is planned which, from information given to His Royal Excellency Gbadarango Binyambutu Buthablaisi, by a traitorous intellectual seeking preferment; and by his security agents, is a campaign led by disgruntled writers and intellectuals of Nubialand for the return of their exiled colleague and international award winner, Professor Mongo Wa Swolenka. How the celebrated leader of Nubialand and master of gunocratic politics responds to the prevailing circumstances is the nerve centre of dialogue, action and morality in the play.' - John Nkemngong Nkengasong, Writer and critic, University of Yaounde I, Cameroon
'Do the erstwhile colonial settlers - who, unlike in most other parts of the postcolonial world, have decided in large numbers to make the country their permanent home - deserve equal recognition as members of the emergent nation?' South Africa has been reeling under the recent blows of an apparent resurgence of crude public manifestations of racism and a hardening of attitudes on both sides of the racial divide. To probe this topic as it relates to white South Africans, Afrikaans and Afrikaners, MISTRA, in partnership with the Friedrich Ebert Stiftung (FES) and the National Institute for the Humanities and Social Sciences (NIHSS), convened a round-table discussion. The discourse was rigorous. This volume comprises the varied and thought-provoking presentations from that event, including a keynote address by former president Kgalema Motlanthe, inputs from Melissa Steyn, Andries Nel, Mary Burton, Christi van der Westhuizen, Lynette Steenveld, Bobby Godsell, Dirk Hermann (of Solidarity), Ernst Roets (of Afriforum), Xhanti Payi, Mathatha Tsedu, Pieter Duvenage, Hein Willemse and Nico Koopman, and closing remarks by Achille Mbembe and Mathews Phosa. It deals with a range of issues around 'whiteness' in general and delves into the place of Afrikaners and the Afrikaans language in democratic South Africa, demonstrating that there is no homogeneity of views on these topics among white South Africans overall and Afrikaners in particular. In fact, in these pages, one finds a multifaceted effort to scrub energetically at the boundaries that apartheid imposed on all South Africans in different ways.
The post-2000 period in Zimbabwe saw the launch of a fast track land reform programme, resulting in a flurry of accounts from white Zimbabweans about how they saw the land, the land invasions, and their own sense of belonging and identity. In White Narratives, Irikidzayi Manase engages with this fervent output of texts seeking definition of experiences, conflicts and ambiguities arising from the land invasions. He takes us through his study of texts selected from the memoirs, fictional and non-fictional accounts of white farmers and other displaced white narrators on the post-2000 Zimbabwe land invasions, scrutinising divisions between white and black in terms of both current and historical ideology, society and spatial relationships. He examines how the revisionist politics of the Zimbabwean government influenced the politics of identities and race categories during the period 2000-2008, and posits some solutions to the contestations for land and belonging.
White Masks
(2019)
This collection of poetry both reflects and creates attitudes that we now regard as characteristic of our age - the crisis of nationhood and the burden of citizenship. Abi Yeibo's White Masks unambiguously exposes the dystopian nightmares of a nation and a people's willing detachment from humanity. While some poets of his generation are content with dreaming of an ideal world, in White Masks, Yeibo, through the resources of memory, experiments with the idea of a better world - Professor Ogaga Okuyade, Niger Delta University, Wilberforce Island, Bayelsa State, Nigeria.
White Man Crawling
(2007)
White Man Crawling is a collection of short stories and poems by the award winning Bulawayo writer John Eppel. His stories are uncomfortably funny; his poems uncomfortably sad. His stories speak first to all of us, then to his own quirky nature; his poems speak first to himself and to those few who know him nearly, and then to all of us. For more than forty years John Eppel has been a unique double-voice in the annals of Zimbabwean literature: the satirist and the lyricist.
White Gods Black Demons
(2018)
Irony and humour have always been used to counter frustration, despair and to expose double standards. In these ten sharply polished stories, Mandishona explores the dark comedy that lies just beneath the surface of tragedy in Zimbabwean society in the last decade. His perceptions leave few untouched: politicians, new farmers, exiles, stranded queues and inflation that renders the currency worthless... Truth and morality are dispensable in a society where wealth is rewarded with respect, integrity marred by untruth, rumour displaces fact, and power is only interested in its own survival. Mandishona holds a mirror up to reality and without equivocation asks us to look at what is real: the likeness or the distortion and what it is we want to see.
The slave trade, the conquest of the Americas and the invasion of Africa have deeply transformed the relations between Europeans and other groups. The jump from difference to superiority and racial hierarchy was so swift that it led to the moral collapse of Europe and North America. By shifting the devaluation of so-called 'inferior' beings from non-Whites to non-Aryans, Nazism committed the unforgivable crime of bringing into the heart of the European world a ferocity up to then reserved for other continents. In this book, White Ferocity: The Genocides of Non-Whites and Non-Aryans from 1492 to Date, Plumelle-Uribe investigates and demonstrates, with harrowing evidence and analyses, how Europeans justified the destruction of other peoples as unavoidable based on the officially declared belief of others being inferior.
Whiplash
(2009)
I'm gonna tell you all about it, Mom. I'm gonna tell it like I'm on the end of your bed, talking to you. I'm not gonna cover up, cause there's no need. You'll see how it's all a flippin miracle. The whole weird year. It's only one year in my life, Ma, but it's all the stuff you slept through when I was a kid. All the stuff you fished through when you got up. I'm warning you, Ma, this is the truth. Startling poetry in the grittiest of emotional word go ... raw, tender and laugh-out-loud Whiplash digs its nail into you from the funny - a kickarse gem of a book. Told with landscapes, Whiplash puts Farren on the map as a wordsmith of astonishing talent.
South Africa's provincial education departments have been reduced to provincial administrations, for reasons that include the powerful role national government plays in delivering education services. This book looks in detail at education spending and asks: Can we afford to maintain administrations that cannot possibly change the course of poor quality education and engineer a brighter future for our poor and deprived learners? The authors believe this question and the future role of provincial education departments need to be discussed, openly and publicly, without delay.
This is an original and innovative study of mobile phones in Africa from a theological perspective. The First and the Second Special Assemblies for Africa of the Synod of Bishops, held in Rome in 1994 and 2009 respectively, made an urgent appeal to the Church in Africa to employ various media forms of social communications for evangelization and the promotion of justice and peace. Evidently, electronic media are now increasingly used for evangelization across Africa. The proliferation of the mobile phone in Africa is a most welcome development to this end. On the basis of a thorough review of the growing literature on the mobile phone and the cultures it inspires, Goliama highlights the ambivalent nature of mobile cultures for the Roman Catholic Church's evangelization mission in Africa. He argues not only for the continued merits of face-to-face communication for the Church's pastoral approach in the African context. He points to how this could be enriched by a creative appropriation of the mobile phone as a tool for theological engagement, in its capacity to shape cultures in ways amenable to the construction of a Cell phone Ecclesiology. Such emergent mobile cultural values include the tendency of mobile users to transcend social divides, to promote social interconnectedness, and to privilege the question 'where are you?'. This informed and well articulated exploration of Cell phone Ecclesiology is thus envisaged to aid the Church in Africa to wrestle more effectively with challenges that diminish human life and promote instead qualities that are life-affirming to all categories of people in the Church and society.
When Clerics Kill
(2013)
The play depicts a troubled and violent society stoked by a vicious and violent culture of intolerance and extremism. It is about restiveness, puritanism and the politics of religiosity. The play gives a glimpse of the views and frustrations of young people, the supercilious and hateful perceptions of some clerics and the brigandage of law enforcers in such a given situation. The play points to the role courageous individuals could play in speaking out for peace and standing up to violence and in defiance of fear and for preservation of freedom.
Studies of Yoruba culture and performance tend to focus mainly on standardised forms of performance, and ignore the more prevalent performance culture which is central to everyday life. What the Forest Told Me conveys the elastic nature of African cultural expression through narratives of the Yoruba hunters' exploits. Hunters' narratives provide a window on the Yoruba understanding and explanation of their world; a cosmology that negates the anthropocentric view of creation. In a very literal sense, man, in this peculiar world, is an equal actor with animal and nature spirits with whom he constantly contests and negotiates space.
The primary objective of What on Earth is a Ruling Party in a Multiparty Democracy? is to provoke thought and thereby stimulate debate. To this end, provocatively, this collection of topical issues ranges from 'The place of the miniskirt in sociocultural development' to 'Which citizen in Zambia should not take part in (partisan) politics?' The Author, Mubanga E Kashoki, is a Professor of African Languages at the institute of Economic and Social Research in the University of Zambia.
As Julius Nyerere once noted, Africa has largely been the continent of peace, though this fact has not been widely publicised. In reality, Africa possesses dynamic potentials for resolving contradictions and violent ruptures that colonial authorities, post-colonial states and global actors have failed to capture and capitalise upon. Drawing on the everyday experience of rural and urban people in Zimbabwe, South Africa, Namibia and Zambia, this book brings into conversation leading Japanese scholars of Southern Africa with their African colleagues. The result is an exploration in comparative perspective of the fascinating richness of bottom-up 'African potentials' for conflict resolution in Southern Africa, a region burdened with the legacy of settler capitalism and contemporary neoliberalism. The book is a pacesetter on how to think and research Africa in fruitful collaboration and with an ear to the nuances and complexities of the dynamic and lived realities of Africans.
What a Next of Kin!
(2010)
This psycho-anthropological and socio-cultural novel logically and succinctly x-rays the foundations and raison d'être of patriarchy through the implied questions - Is wealth the basis of patriarchy? Have women any role in the system? And how far can a patriarch protect his lineage from alien blood? The extremely wealthy father of eight daughters protagonist Ndi, says yes, to the first question; no, to the second; and in the third questions he says, through dogged pursuance of looking for a male heir by any means; but his lone son whom he unknowingly begot in a remote village in his early life and whom he accidentally stumbled upon and adopted as his heir in his odyssey of looking for a male heir through a series of marriages, says no, to the first question; yes, to the second and to the third question, he says fate is the umpire; and succeeds in convincing his father that he is right.
Namibias main liberation movement, the South West Africa Peoples Organisation (SWAPO), relied heavily on outside support for its armed struggle against South Africas occupation of what it called South West Africa. While East Germanys solidarity with Namibias struggle for national self-determination has received attention, little research has been done on West Germanys policy towards Namibia, which must be seen against the backdrop of inter-German rivalry. The impact of the wider realities of the Cold War on Namibias rocky path to independence leaves ample room for research and new interpretations. In West Germany and Namibias Path to Independence, 1969-1990: Foreign Policy and Rivalry with East Germany, Thorsten Kern shows that German division played a vital role in West Germanys position towards Namibia during the Cold War. West German foreign policy towards Namibia, at the height of the Namibian liberation struggle, is investigated and discussed against the backdrop of rivalry with East Germany. The two states deeply diverging policies, characterised in this context by competition for infuence over SWAPO, were strongly affected by the Cold War rivalry between the capitalist West and the communist East. Yet ultimately the dynamics of rapprochement helped to bring about Namibias independence. This book is based upon a doctoral dissertation presented to the University of Cape Town in 2016. Kern conducted research in the National Archives of Namibia and in German archives and his work draws on interviews with contemporary witnesses.
This monograph highlights the necessity for taking preventive measures in the form of peace-building as a sustainable and long-term solution to conflicts in West Africa, with a special focus on the Mano River Union countries. Apart from the Mano River Union countries, efforts at resolving other conflicts in say, Guinea Bissau, Senegal, C?te d'Ivoire and Nigeria, have suffered from a lack of attention on the post-conflict imperatives of building peace in order to ensure that sustainable peace is achieved. Given the often intractable and inter-related nature of conflicts in this region, it argues for the need to revisit the existing mechanisms of conflict resolution in the sub-region with a view to canvassing a stronger case for stakeholders towards adopting the peace-building strategy as a more practical and sustainable way of avoiding wars in the sub-region. Peace-building in consonance with its infrastructure is a more sustainable approach to ensuring regional peace and stability and, therefore, ensuring development for the peoples of West Africa. Dr Osita Agbu is currently a Senior Research Fellow at the Nigerian Institute of International Affairs, Lagos. His areas of specialization include Peace and Conflict studies, Governance and Democratization and Technology and Development. He was until recently, a Visiting Research Fellow at the Institute of Developing Economies, Chiba, Japan.
Wena
(2011)
The collection of poems is an intriguing reflection of the sometimes torturous evolution of inner self which so many South Africans face as they struggle to find who they are in a multicultural society that espouses the values of traditional culture while reaching for the promise of a global community. Thus the blend of Xhosa and English as Ntsiki strives to merge her modern views with cultural roots. She feels strongly the need to reclaim her culture and language and blend them within the context of a cosmopolitan society. She captures the 'vibe and energy' of young South Africa and its blossoming as well as its quandaries. Ntsiki does not hesitate to deal with controversial and painful issues, such as rape, and her work challenges the reader to stop and think, really think. The quest for self expression and self-understanding echoes throughout the book and through it, she exhorts the reader to have the courage to explore and understand himself. Underlying many poems is the unspoken but burning desire that, by telling the truth, she will create possibilities for others to do the same. In many ways, 'Wena' is a celebration of life. The poems brim over with Ntsiki's own desire to drink to the full and then go out there and pour love and life out into the world. The manner in which she distills meaning and value from the negative is perhaps best expressed in her own words, from the poem, 'I choose life'.
We Have Crossed Many Rivers: New Poetry from Africa is a fascinating anthology of some of the finest contemporary poetic voices from twenty-nine African countries. Inspired by the examples of first generation African poets like Wole Soyinka, Christopher Okigbo, Dennis Brutus, and Mazisi Kunene, the poets in this anthology display rootedness in, and preoccupation with, the discourses of identity and political freedom. At the same time, they engage the more contemporary themes of human and economic rights, governance, the natural environment, love, family and generational relations representative of the African continent. Poems from Tanure Ojaide, Yewande Omotoso, Reesom Haile and Frank Chipasula are inlcluded and in all there are contributions from 68 poets.
We Get Nothing from Fishing : Fishing for Boat Opportunities Amongst Senegalese Fisher Migrants
(2010)
The world is regularly confronted on television and in other mass media with dramatic images of African boat migrants. Seemingly desperate, these Africans, most of them males, are willing to risk a perilous journey at sea, hoping for a better life in Europe. And, even worse, hundreds more are believed to die each year, swallowed up anonymously by the choppy waters off Africa's coast. This book focuses on fishermen who have played a pivotal role in boat migration from Senegal to Spain's Canary Islands, advancing various reasons for the fishermen's prominent role. Besides their long history of migration, their proven experience with navigating, their family's push and investment, their perceptions and ideologies about Europe, there is also their growing marginalization as a result of the deepening crisis in the Senegalese fishing sector and the inadequate policies of the Senegalese government that prevents them from having good prospects of improving their standards of living. The book provides deep insights into the meaning of boat migration, and on the effects of success or failure on the migrants and their families. It goes beyond the usual economic explanations to convincingly situate boat migration within the long-standing West African culture of migration, and highlight the significance of socio-cultural and political factors. Among the fascinating findings are the perception of migration as status enhancing and a rite de passage in the Senegalese fishing communities, and the profound roles of the extended family, social networks and, above all, religion, especially the widespread influence of the marabout. The importance of information and communication technologies in sustaining transnational networks is equally highlighted.
This book approached water and sanitation as an African gender and human rights issue. Empirical case studies from Kenya, Malawi, South Africa and Zimbabwe show how coexisting international, national and local regulations of water and sanitation respond to the ways in which different groups of rural and urban women gain access to water for personal, domestic and livelihood purposes. The authors, who are lawyers, sociologists, political scientists and anthropologists, explore how women cope in contexts where they lack secure rights, and participation in water governance institutions, formal and informal. The research shows how women - as producers of family food - rely on water from multiple sources that are governed by community based norms and institutions which recognise the right to water for livelihood. How these 'common pool water resources' - due to protection gaps in both international and national law - are threatened by large-scale development and commercialisation initiatives, facilitated through national permit systems, is a key concern. The studies demonstrate that existing water governance structures lack mechanisms which make them accountable to poor and vulnerable water users on the ground, most importantly women. The findings thus underscore the need to intensify measures to hold states accountable, not just in water services provision, but in assuring the basic human right to clean drinking water and sanitation; and also to protect water for livelihoods.
This book is a biography based on a qualitative ethnographic study of adaptation to climate by Mr Zephaniah Phiri Maseko, an award-winning smallholder farmer from Zvishavane, rural Zimbabwe. Ethnographic data provides insight and lessons of Mr Phiri Maseko and other farmers' practices for rethinking existing strategies for adaptation to climate change. The concept of adaptation is probed in relationship to the closely related concepts of vulnerability, resilience and innovation. This study also explores the concept of conviviality and argues that Mr Phiri Maseko's adaptation to climate hinges on mediating barriers between local and exogenous knowledge systems. The book argues that Mr Phiri Maseko offered tangible adaptive climate strategies through his innovations that 'marry water and soil so that it won't elope and run-off but raise a family' on his plot. His agricultural practices are anchored on the Shona concept of' hurudza'(an exceptionally productive farmer). This book explores the concept and practices of 'uhurudza,'to suggest that the latter-day 'hurudza' (commercial farmer)'as embodied by Mr Phiri Maseko offers an important set of resources for the development of climate adaptation strategies in the region. This study of smallholder farmers' adoption of innovations to climate highlights the 'complex interplay' of multiple factors that act as barriers to uptake. Such interplay of multiple stressors increases the vulnerability of smallholders. The study concludes by arguing that in as much as the skewed colonial land policy impoverished the smallholder farmers, Mr Phiri Maseko nonetheless redefined himself as a latter-day 'hurudza and thus breaks free from the poverty cycle by conjuring ingenious ways of reducing vulnerability to climate. The book does not suggest that Mr Phiri Maseko's innovations offer a silver bullet solution to the insecure rural livelihoods of smallholder farmers; nevertheless, they are a source of hope in an environment of uncertainty. His steely tenacity in the face of a multi-stressor environment is to be treasured.
Waste Not Your Tears
(2018)
Wowed by the lights and prospects of city life, Loveness leaves her small mining town in search of a new life in Harare. She imagines herself falling for a hot-shot city man becoming his wife and spending her life in luxury while tending to her city children. The man she considers the love of her life is anything but a hot shot, and he is abusive and uncaring. To top all this off, he his HIV positive. Loveness is at a crossroads. She must consider her choices. Although, Waste Not Your Tears does not shy away from misfortune, it is also a novel of forgiveness and hope. Loveness is an unlikely heroine on a stage set during the crisis of HIV/AIDS in Zimbabwe. She lives, however, amongst us, and reading this sensitive and thoughtful novel provides insights into the challenges of making the wrong choices, but having the strength to move forward.
Was Nyakeera my Father
(2014)
Eavesdropping on his parents, James Kirika, a fifteen-year-old teenager, hears a conversation that suggests that he is not the biological son of the man he calls 'Father'. This realisation sends him into a tortured search for the man who brought him into this world. Things get complicated when the chief source of information, his old and hallucinating grandmother, gives him a fuzzy lead. Does he ever find out the truth?
War and Peace in Contemporary Eritrean Poetry focuses on Eritrean written poetry from roughly the last three decades of the twentieth century. The poems appear in the anthology Who Needs a Story? Contemporary Eritrean Poetry in Tigrinya, Tigre and Arabic from which a selection is offered here in their original scripts of Ge'ez or Arabic, and in English translation. Who Needs a Story? is the first anthology of contemporary poetry from Eritrea ever published, and War and Peace in Contemporary Eritrean Poetry is the first book on the subject. Therefore, the groundbreaking effort of the former warrants a discussion of its means of cultural production. All of the poets in Who Needs a Story? participated in the Eritrean struggle for independence (1961-91) as freedom fighters and/or as supporters in the Eritrean diaspora. Thus, contemporary Eritrean poetry divides itself between experiences of war and peace, although one can contain the other as well. War and Peace in Contemporary Eritrean Poetry also includes an extended analysis of one of Eritrea's most famous contemporary poets Reesom Haile, as an example of the kind of extended analysis that many of the poets of Who Needs a Story? should stimulate and, last but not least, a meditation on how the author, a non-native speaker, personally becomes involved in Eritrean poetry translation.
Walking, Falling
(2017)
Walking, Falling is Kelwyn Soles seventh collection of poetry. It extends and deepens themes that emerged in his earlier books: love and human relationships; the exposing of false and clichéd perspectives in our socio-political life; our relationship as South Africans to land and landscape. Rustum Kozain has written about his work: Whether the theme is the end of a relationship or the murder of immigrants, there is the calm look of analysis, a voice, like a conscience, that threatens to disturb the readers complacency, but a voice simultaneously gentle with empathy and sincerity.
Wading the Tide
(2009)
Wading the Tide is an expression of profound emotions touching on a wide range of issues-personal and political-from the birth of the Cameroon nation, her political meandering, until the state of emergency declared on the North West Province in 1992. Accordingly, Doh complains, ridicules, and pays tribute, even as he instructs and guides on timeless matters of life, all in an effort to draw attention to his country's gradual, downward spiral into anomy.
The history of the subalterns, also known as the history of the voiceless, took currency in the early 1980s in South East Asia and has been dominated by scholars from that region. Despite its popularity, the history of the voiceless has not gained the attention it deserves in Cameroon historiography. In other parts of Africa and beyond this type of history has already taken root and animated scholarly production and debate. Cameroon history has been replete with studies that focus mostly on political history and the actions and intentions of top politicians of the day, with scant regard for the historical importance of the everyday life of ordinary Cameroonians as makers and breakers. This book takes a bold step in the direction of subaltern studies in Cameroon, and makes a clarion call for the institutionalization of voicing the voiceless. Nkwi - innovative and stimulating in his blend of history and ethnography of the everyday - offers fresh insights into the contextual understandings of subaltern Cameroon between 1958 and 2009. This is a welcome contribution to closing gaps in social history, from a leader amongst a budding new generation of historians of Cameroon and Africa.
Ever since the modern state of Malawi came into existence more than a hundred years ago, religion has played its role in the history of the country, and has interacted with politics and society in many ways, such as with the early Blantyre Mission, the Chilembwe Rising, and the struggle against the Federation of Rhodesia and Nyassaland. This book presents two preachers, Elliot Kamwana and Wilfred Gudu, who, in their different ways and at different times, challenged British colonial power which ruled over Malawi at that time.
In this collection Ayuninjam attempts to capture his sentiments on many plains. He also takes the liberty to capture the sentiments of other persons in his life and in society as a whole as well as the sentiments of other creatures that are part of the chain of life. As a result, much of what follows is occasional poetry, as he has more often than not responded or reacted to his sensations while also being a surrogate for those who could (or would) not express theirs. Having lived abroad for as long as he lived in Cameroon, his perspective has, accordingly, been coloured, though not necessarily transmuted. The poems transcend space and time.
The increasing digitization of the world of work is associated with accelerated structural changes. These are connected with changed qualification profiles and thus new challenges for vocational education and training (VET). Companies, vocational schools and other educational institutions must respond appropriately. The volume focuses on the diverse demands placed on teachers, learners and educational institutions in vocational education and training and aims to provide up-to-date results on learning in the digital age.
Annette Schemmel provides a highly illuminating case study of the major actors, discourses and paradigm that shaped the history of visual arts in Cameroon during the second part of the 20th century. Her book meticulously reconstructs the multiple ways of artistic knowledge acquisition - from the consolidation of the 'Système de Grands Frères' in the 1970s to the emergence of more discursively oriented small artists' initiatives which responded to the growing NGO market of social practice art opportunities in the 2000s. Based on archival research, participant observation and in depth interviews with art practitioners in Douala and Yaoundé, this study is a must read for everyone who wants to better understand the vibrant artistic scenes in countries like Cameroon, which until today lack a proper state-funded infrastructure in the arts.
Yves R. Simon (1903-1961), one of the greatest contemporary philosophers, gives a modern formulation for many classical philosophical concepts such as authority, the common good, and natural law. These topics have received extensive attention from scholars. Simon also discusses the nature of human virtue, moral and intellectual, but this topic has been less studied until now. The idea of virtue, and in our case virtue in political life, runs through Simon's works. Through a close study of Simon's works and the relevant secondary literature, this book explores Simon's definition of virtue in order to highlight its originality, and show how he weaves the need for it into the fabric of three facets of political life, namely, the common good, the virtue of the ruler and the ruled, and the law. These ideas are important for the ruler-ship of any country and especially of developing nations which are populated by sit-tight dictators. Philosophy can be dry and abstract, yet in this case we deal with one of its more practical manifestations.
Through a contrastive comparison between the classic detective Sherlock Holmes and contemporary research agencies such as Forensic Architecture, this paper examines a recent shift in the "evidential paradigm" (Ginzburg). Based on the role that the "evidential paradigm" plays for critical literary and cultural studies, the state-supporting positivism of Sherlock Holmes is distinguished from the state-critical constructivism of Forensic Architecture: Whereas Holmes conceived of the trace as a positive datum, in Forensic Architecture's virtual investigations it becomes an emergent from data. However, this juxtaposition needs to be differentiated when critically examining the "aesthetics of objectivity" (Charlesworth) of the animated videos Forensic Architecture use to present their findings. The essay closes by asking what conclusions can be drawn from the new forms of knowledge generation for the methodology of literary and cultural studies.
During the 1990s, as the Internet in general and e-mail in particular grew in popularity as a means of communication, a number of Cameroonians residing in various parts of the world established a vibrant and lively electronic forum for the discussion of various issues related to their native land. The forum, known as Camnet, demonstrated that Cameroonians living abroad could actively participate in the political, economic and social processes taking place at home. This ability to remain actively engaged in the development of one's nation through the Internet is what Endeley calls 'virtual activism.' Camnet thus distinguished itself as the first and most influential breeding ground for Cameroonian 'virtual activism.' Although Camnet appeared to be dominated by political discussions, it was a truly multi-dimensional forum. No topic was explicitly forbidden and on some occasions the participants conducted extensive debates on issues that had nothing to do with Cameroon or with politics. In this publication, however, the author has chosen to present only a representative sample of his own contributions from the late 1990s with a direct bearing on Cameroon's development. Some of the contributions are in French and in order to reflect the bilingual nature of the debates that took place on Camnet, these have not been translated into English. The informed reader will be struck by the issues which were being debated over 15 years ago as well as by the fact that some of the predictions the author made in the 1990s are a reality today.
This volume critically interrogates, from different angles and dimensions, the resilience of conflict and violence into 21st century Africa. The demise of European colonial administration in Africa in the 1960s wielded fervent hope for enduring peace for the people of Africa. Regrettably, conflict alongside violence in all its dimensions physical, religious, political, psychological and structural remain unabated and occupy central stage in contemporary Africa. The resilience of conflict and violence on the continental scene invokes unsettling memories of the past while negatively influencing the present and future of crafting inclusive citizenship and statehood. The book provides fresh insightful ethnographic and intellectual material for rethinking violence and conflict, and for fostering long-lasting peace and political justice on the continent and beyond. With its penetrating focus on conflict and associated trajectories of violence in Africa, the book is an inestimable asset for conflict management practitioners, political scientists, historians, civil society activists and leaders in economics and politics as well as all those interested in the affairs of Africa.
Violence in its various proportions, genres and manifestations has had an enduring historical legacy the world over. However, works speaking to approaches aimed at mitigating violence characteristic of Africa are very limited. As some scholars have noted, Africans have experienced cycles of violence since the pre-colonial epoch, such that overt violence has become banalised on the African continent. This has had the effect of generating complex results, legacies and perennial emotional wounds that call for healing, reconciliation, justice and positive peace. Yet, in the absence of systematic and critical approaches to the study of violence on the continent, discourses on violence would hardly challenge the global matrices of violence that threaten peace and development in Africa. This volume is a contribution in the direction of such urgently needed systematic and critical approaches. It interrogates, from different angles and with inspiration from a multidisciplinary perspective, the contentious production and resilience of violence in Africa. It calls for a paradigm shift an alternative approach that forges and merges African customary dispute resolution and Western systems of dispute resolution towards a framework of positive peace, holistic restoration, sustainable development and equity. The book is a welcome contribution to students and practitioners in security studies, African studies, development studies, global studies, policy studies, and political science.
The purpose of this book is to show that the possession cult of Vimbuza presents itself as an oral genre which is part and parcel of African Oral Literature. The ethnolinguistic study which we undertake will permit us to catch a glimpse of its whole complexity. The analysis has a bearing on four principal aspects. Historical developments: a certain number of facts concerning the birth of possession among the Tumbuka; possession: the study attempts to show how the cult articulates itself with its beliefs and the use of divination; the social role: analysis of social functions; the style: an analysis of the linguistic procedures which are characteristic of Vimbuza songs. The presence of rhetorical figures would confirm that we are talking about an oral literary genre.
This book makes a rare contribution towards the preservation and promotion of ukhaliro wa bene Malawi (Malawian culture) that is fast waning. This dilution of culture was put in motion by the British colonial masters and got exacerbated with the inception of democratic governance in 1994. There is need for concerted efforts amongst various practitioners and stakeholders, led by the government itself, if the situation is to be put under control. Otherwise, sooner or later, it will simply be remote history that long time ago, there was a unique culture in Malawi. The book is a collection of twenty short stories that generally promote such themes as nkharo yiwemi (good behaviour); uheni wa chigolo na sanje (the bad side of selfishness and jealousy); kulimbikira pa vinthu (hard working spirit); and uheni wa mitala (the folly of polygamy), among others. The strength of the book lies in the fact that there is room for the reader to draw their own lessons based on their understanding of a particular story, in addition to the lesson already highlighted there-in. The book is a must read for all, young and old, especially those interested in understanding the societal values, not only about Malawi, but of Africa as a whole.
The Video Vortex Reader is the first collection of critical texts to deal with the rapidly emerging world of online video – from its explosive rise in 2005 with YouTube, to its future as a significant form of personal media. After years of talk about digital convergence and crossmedia platforms we now witness the merger of the Internet and television at a pace no-one predicted. These contributions from scholars, artists and curators evolved from the first two Video Vortex conferences in Brussels and Amsterdam in 2007 which focused on responses to YouTube, and address key issues around independent production and distribution of online video content. What does this new distribution platform mean for artists and activists? What are the alternatives?
From his first research there in 1959 until shortly before his death in 2010, Victor Le Vine was a major Cameroon scholar. What he wrote during Cameroon's first half-century of independence carries implications for the years ahead. This volume introduces and presents eight of his short writings, 1961-2007, five never previously published. They demonstrate his mastery of the intricacies and the sweep of the country's governance history, and both his own and Cameroon's importance for African Studies at large.
Vestiges
(2013)
The poems in this collection are adequate, with great lines. The rhythm is stimulating to all the five senses thanks to the use of multiple images. A lot of imagery in Vestiges gives a picture of a war front after a ferocious battle. The objects, animals, and images in the poems disorient and lead the reader to focusing on putting flesh to the bones than just getting the juice of the poems... The rhythm more than anything else carries the reader through this chaotic tableau painted in Vestiges. In a way, this comes across as a substantiation of the poet's vision of our world and an explanation as to why he considers this collection as a skeleton; and precisely skeletons left by the ravages of war. Is the poet's world and ours a field of ruins and topsy-turvydom to which we are all blind? The answer is yours.
Verses From My Roost
(2016)
'...this collection is both poetry and a reflection on poetry, on the creative process. In deceptively minimalist style characteristic of seasoned bards and a diction charged with intricate conceits, John Ngong Kum Ngong launches a scathing onslaught on the ruling barons of post-colonial nations who have privatised the nations' wealth and power.' Dr. Gilbert Ndi Shang, Bayreuth University, Germany
Development has been on Africa's agenda for a long time but progress has been both varied and limited, partly due to the diverse levels of the discussions on the challenges and the interventions for tackling them. Africa's greatest challenge is the uneven development within and between its countries, and the pressing issues of extreme poverty in southern Africa, and the continent as a whole. Poverty causes its victims to suffer social exclusion and political repression. In addition, societies that experience poverty are also mostly under continuous threat of ecological disasters and diseases. All poor people are therefore plagued by loss of freedom and dignity, and are often unable to participate effectively in the political, economic, legal and social processes of their countries. This book focuses on the social and cultural dimensions of development dynamics and, in particular, the role of values in shaping development. Values are at the core of the hopes and aspirations of individuals, communities and societies. The book therefore explains the values that motivate and inform African communities and societies, with a view to facilitating a dialogue about sustainable development in Africa among academics, intellectuals, policy and, and the communities. It also investigates the social and cultural dynamics of development in Africa, as a better alternative to earlier studies that blame African culture for poverty and exclude the people of Africa in their definition of developments in the continent. The significance of this book lies in its provision of a theoretical argument, from empirical perspective, on the role of values in the development of Africa; an argument that is capable of facilitating a dialogue about African development, which obviously proves more useful than either the imposition of a technical process or the announcement of a normative framework.
In a tribute to Hon. Justice Iorhemen Hwande CFR, Chief Judge of Benue State this book includes contributions from a variety of scholars from Nigeria. 14 essays cover a wide range of topics such as: Insider Dealing by Company Directors and the Nigerian Capital Market; United Nations Conventions on the Law of the Sea as a Tool for the Resolution of Climate Change Disputes; Is a Practicing Christian Lawyer/Judge in Nigeria an Anachronism?; The Justiciability and Enforcement of Social Rights; and International Economic Law and Development.
This book addresses the key issues of reinstating the veritable nature of African values and most specifically those of the Bamilikes that had been discarded since Western Christianity came into contact with black Africa considered animist. This task is warranted by the malaise experienced in churches by some African Christians. This is further made necessary and even pressing by the sense failure that the first wave of evangelisation, which has proven incapable of incorporating the Words of God in the African religious belief systems. This analysis takes into account the exigencies of the present context. The media as well as educated men talk ceaselessly of globalisation and the global village. The question we should be asking is to know if globalisation can be attained without due consideration of African values. This work aims at showing the scientific, sociological and cultural bases of African values so far castigated by colonial discourse. One of the ways to make this known is to expose it, analyse it and show its importance at various levels.