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Selena Axelrod Winsnes has been engaged, since 1982, in the translation into English, and editing of Danish language sources to West African history, sources published from 1697 to 1822, the period during which Denmark-Norway was an actor in the Transatlantic Slave Trade. Five major books have been published. They describe all aspects of life on the Gold Coast [Ghana], the Middle Passage and the Danish Caribbean islands [US Virgin Islands], as seen by five different men. Each had his own agenda and mind-set, and the books, both singly and combined, hold a wealth of information - of interest both to scholars and lay readers. They provide important insights into the cultural baggage the enslaved Africans carried with them to the America's. One of the books, L.F. Rømer's 'A Reliable Account of the Coast of Guinea' was runner-up for the prestigious International Texts Prize awarded by the U.S. African Studies Association.
Selena Axelrod Winsnes has been engaged, since 1982, in the translation into English, and editing of Danish language sources to West African history, sources published from 1697 to 1822, the period during which Denmark-Norway was an actor in the Transatlantic Slave Trade. Five major books have been published. They describe all aspects of life on the Gold Coast [Ghana], the Middle Passage and the Danish Caribbean islands [US Virgin Islands], as seen by five different men. Each had his own agenda and mind-set, and the books, both singly and combined, hold a wealth of information - of interest both to scholars and lay readers. They provide important insights into the cultural baggage the enslaved Africans carried with them to the America's. One of the books, L.F. Rømer's 'A Reliable Account of the Coast of Guinea' was runner-up for the prestigious International Texts Prize awarded by the U.S. African Studies Association.
Theatre and drama are very much part of our every day lives. These four plays: Belonging by Mirirai Moyo, When I Meet my Mother by Kathleen McCreery, In the Continuum by Danai Gurira and Nikkole Salter, and Power Failure by Jide Afoylan reveal the dynamism and variety of theatre. They also reveal that from Zimbabwe to Brazil, Nigeria to the USA, societies despite their diversity share many common problems and challenges. Annotated for schools with questions and notes by Rory Kilalea, teachers and students will find this a richly accessible text.
Administrative law may best be defined by describing what it encompasses: it is that branch of law which deals with the individual versus governmental or administrative power. It covers court restraint of actions or inactions of public institutions, administrative processes of central and local government, parliamentary and subordinate legislat on and the means and procedures by which the rights of individuals are protected against abuse of power by public or local authorities, public corporations, tribunals and other bodies which discharge functions of public nature entrusted to them by law for the benefit of the citizen. It is hoped that this book will act as a wake-up call to all those who have been entrusted with the duty of making decisions affecting the rights of citizens to update themselves so as to discharge their duties correctly and in spirit of good governance. Administrative Law in Tanzania: A Digest of Cases covers high profile and landmark cases in topical areas of constitutional and administrative law from colonial days to present time, names, procedures in applying for prerogative remedies, constitutional principles and human rights, separation of powers between the Executive, the Legislature and the Judicature, natural justice and the rule of law, statutory ouster of jurisdiction of courts, and the right to legal representation.
The 'Washington consensus' which ushered in neo-liberal policies in Africa is over. It was buried at the G20 meeting in London in early April, 2009. The world capitalist system is in shambles. The champions of capitalism in the global North are rewriting the rules of the game to save it. The crisis creates an opening for the global South, in particular Africa, to refuse to play the capitalist-imperialist game, whatever the rules. It is time to rethink and revisit the development direction and strategies on the continent. This is the central message of this intensely argued book. Issa Shivji demonstrates the need to go back to the basics of radical political economy and ask fundamental questions: who produces the society's surplus product, who appropriates and accumulates it and how is this done. What is the character of accumulation and what is the social agency of change? The book provides an alternative theoretical framework to help African researchers and intellectuals to understand their societies better and contribute towards changing them in the interest of the working people.
The 2007 general elections in Kenya led to major unrest. The aim of this book is to examine and analyse the events that set the country on fire for several weeks. The situation has largely stabilised since April 2008, when the articles collected in this book were first individually published. Some political information has been updated post April 2008. The coalition government took shape with Mwai Kibaki remaining President while Raila Odinga became the Prime Minister. The country however remains in suspense, as do the donors who had made it possible for Kenya to restore a semblance of peace. But to what point will they be interested in investing in the country and to protect their place in it? The collection comprises a translation of a special issue of Les Cahiers d'Afrique de l'Est, n?37, the journal of the Institut Fran?ais de Recherche en Afrique (IFRA) and a collection of articles from Politique Africaine, n?109. On site researchers - Bernard Calas, Anne Cussac, Dominique Connan, Musambayi Katumanga, J?r?me Lafargue, and Patrick Mutahi; fieldwork carried out between December 2007 and February 2008 by Florence Brisset-Foucault, Ronan Porhel, Brice Rambaud; and in-depth country knowledge by Claire M?dard and Herv? Maupeu, combined to produce a mass of data within a short time. Whilst the tone of the book is not highly optimistic, the thrust is not intended to dampen the unanimous sense of hope in the country that the political and social situation will once more be more than just tolerable.
War and Peace in Contemporary Eritrean Poetry focuses on Eritrean written poetry from roughly the last three decades of the twentieth century. The poems appear in the anthology Who Needs a Story? Contemporary Eritrean Poetry in Tigrinya, Tigre and Arabic from which a selection is offered here in their original scripts of Ge'ez or Arabic, and in English translation. Who Needs a Story? is the first anthology of contemporary poetry from Eritrea ever published, and War and Peace in Contemporary Eritrean Poetry is the first book on the subject. Therefore, the groundbreaking effort of the former warrants a discussion of its means of cultural production. All of the poets in Who Needs a Story? participated in the Eritrean struggle for independence (1961-91) as freedom fighters and/or as supporters in the Eritrean diaspora. Thus, contemporary Eritrean poetry divides itself between experiences of war and peace, although one can contain the other as well. War and Peace in Contemporary Eritrean Poetry also includes an extended analysis of one of Eritrea's most famous contemporary poets Reesom Haile, as an example of the kind of extended analysis that many of the poets of Who Needs a Story? should stimulate and, last but not least, a meditation on how the author, a non-native speaker, personally becomes involved in Eritrean poetry translation.
This third volume of Tell Me, Friends collects stories and plays written by students and staff at the University of Dar es Salaam between 2006 and 2008. The stories in the collection are: 'Our Man' by Saida Yahya-Othman; 'The Window Seat' by Benjamin Branoff; 'The Concealed Project' by Zuhura Badru; 'The Total Crisis' by Simon Mlundi; and 'Testimony' by Emmanuel Lema. The plays are: 'The Monster' by Anna Chikoti; 'Love is...' by Kimberly McLeod; 'A Tanzanian Rooftop' by Benjamin Branoff; 'Judges on Trial' by Frowin Paul Nyoni; 'The Route to Success' by Yunus Ng'umbi; and 'The Mop' by Vincensia Shule. Read and share these stories and plays, and enjoy how they depict some of the social-economic and political factors that condition and shape our societies today.
Language is a tool used to express thoughts, to hide thoughts or to hide lack of thoughts. It is often a means of domination. The question is who has the power to define the world around us. This book demonstrates how language is being manipulated to form the minds of listeners or readers. Innocent words may be used to conceal a reality which people would have reacted to had the phenomena been described in a straightforward manner. The nice and innocent concept 'cost sharing', which leads our thoughts to communal sharing and solidarity, may actually imply privatization. The false belief that the best way to learn a foreign language is to have it as a language of instruction actually becomes a strategy for stupidification of African pupils. In this book 33 independent experts from 16 countries in the North and the South show how language may be used to legitimize war-making, promote Northern interests in the field of development and retain colonial speech as languages of instruction, languages of the courts and in politics. The book has been edited by two Norwegians: Birgit Brock-Utne is a professor at the University of Oslo and a consultant in education and development. From 1987 until 1992 she was a professor at the University of Dar es Salaam. Gunnar Garbo, author and journalist and former member of the Norwegian Parliament, was the Norwegian Ambassador to Tanzania from 1987 to 1992.
From Goatherd to Governor is Edwin Mtei's autobiography. It is a story of the journey a few Africans of his generation made, from humble beginnings to heights of success and power. Mr. Mtei was the first Governor of the Bank of Tanzania and the architect of Central Banking in Tanzania, Secretary General of the East African Community and Minister of Finance in Nyerere's Government. Born in 1932 in Marangu, Moshi, he was brought up in a grass-thatched conical hut by his mother, a single parent; he attended 'bush' school at Ngaruma Lutheran Parish Church, and herded goats after lessons finished; he attended Old Moshi Middle and Tabora Secondary schools and went on to Makerere University College in 1953. He graduated from there with a Bachelor of Arts degree in Political Science, History and Geography in 1957. In his own words he states: 'I have felt it worthwhile starting right at the beginning of my life. In this way, I aim to give some idea as to what it was like growing up in my birthplace, Marangu, in the tribal and colonial environment of Tanganyika in the 1930s, 1940s and 1950s. I touch on some of the traditions and beliefs of those days and on some colonial laws that impacted on our lives and surroundings.' But as he himself states: 'The most interesting part of my story is that relating to the events when I held senior positions in Nyerere's Government, and in the public service generally.' That includes his falling out with Mwalimu Nyerere over IMF and its policies, and his resignation from his post as Minister of Finance. For the first time he tells his side of that story. In 1992 Mr. Mtei threw himself deep into the waters of multiparty politics. He founded Chama cha Demokrasia na Maendeleo (CHADEMA) - the Party for Democracy and Development - and worked tirelessly to see it grow and emerge as an important party in the opposition, despite his own failure to win the parliamentary seat for Arusha Urban in the 1995 election. Even at 77 Mr. Mtei does not mince his words. He says what he believes and says it with courage and conviction. This is history, spanning well over half a century, written by someone who was involved in and who observed closely the key events of his time. He is retired and works on his farm, Ogaden Estate, but still manages to ruffle feathers whenever he is asked to comment on the economy and politics of Tanzania and East Africa.
Talking Tales
(2009)
In Talking Tales a variety of women tell their stories in prose and poetry. They cast their nets wide, hauling in themes that celebrate as much as they castigate and mourn. There is the delight of discovering oneself on the cusp of womanhood, and of hearing about success in the fight for women's emancipation. There is also the wonder at the restorative power of love. However, the murkier side of human life is explored too: the failed search for love, unwanted advances, misunderstood affinities, incest, betrayal, disillusionment, unfruitful enterprise, domestic violence, corruption, brutality, injustice, the capriciousness of fortune...The realistic, the near-fantastic and the bizarre all find their place here. The themes are handled with forthrightness and humour as the writers take full advantage of the possibilities inherent in the different ways of telling tales: poetic, epistolary, expository, and straightforward narrative.
Female genital mutilation is the excruciating and damaging experience that Beyond the Dance a lot of women in many cultures across Africa and in many other parts of the world suffer. Even when the women find themselves, for one reason or another, relocate in what should be safe havens, this practice frequently follows them like a vengeance ghost. Beyond the dance is a compilation of testimonies and poems about the humiliation of female genital mutilation, and about the resulting deprivation and loss. It encompasses accounts, factual in some cases and lyrical in others, of the experience of this practice lived or witnessed, and the visceral responses to the practice. The anger is palpable, the bafflement tangible. Beside the pain, though, is the hope borne of the voices raised by governments, organisations, institutions and individuals, urging a stop to the practice and coaxing oft-unwilling communities into abandoning it or transforming it into a meaningful ritual that builds up rather than ruins. Through the pages of this volume we share the pain, thoughts, views and feelings of the victims of female genital cutting and of people concerned about the debilitating practice. We share the hope that they hold out for a firm and final end to the practice.
The traumatised woman who dies of grief, the girl whose dream to become a doctor is thwarted, the little girl who raises a vulnerable family of little children because her parents and all her relatives have been killed by LRA rebels, and many other harrowing tales comprise this collection of Farming Ashes These are real life experiences told by women of Northern Uganda about the atrocities that they have endured for over two decades at the hands of the notorious rebel leader, Joseph Kony and his vicious lieutenants. Farming Ashes offers cogent and explosive tales of the LRA exploits that are disturbing and baffling in the extreme and leave the reader asking the question: 'Why?' and longing for 'the world of no war', as one of the storytellers puts it.
The names of those who penned the writings in this impressive collection alone tell half the story. They tell their stories in different modes. They run the whole gamut - they tell of defiance, and spin hilarious tales of elopement and wry tales of despair, loss and lovelessness. Some of the poems lift up the heart, and others peel back the blinkers that blind our eyes. There is the romantic, the macabre and the surreal. The writings never leave you indifferent - you are likely to take sides, to get angry, to laugh, to cry, and to think of a lot that goes on inside the human heart.
Creative Writing In Prose
(2009)
Creative Writing In Prose is centered on novel writing but touches on other prose forms. It covers the process from the germination of the story to the submission of the manuscript for publication. Plot, narrative methods, the recording of dialogue and the subtle relationship between story and theme are all examined.
This book is an appraisal of law and practice in light of International Human Rights Law and Best Practices book is essential reading for anyone who wants to grasp the scope of the freedom of speech for Members of Parliament and even the general populace in a democratic setting. The book provides valuable insights into why the freedom of speech for Members of Parliament is so important. One of the most important pivotal statements alluded in this book is that, freedom of speech is crucial in any democracy, because open discussions of members are essential for voters to make informed decisions during elections.
Strathmore University organised the Fifth Annual Ethics Conference on Governance, Institutions and the Human Condition. Research papers were presented in four sessions, corresponding to four key milestones in the crisis that almost tore Kenya apart in January - February 2008: Constitutional law, Institutions, Education and the Land Issue. This book compiles the papers presented at the Conference by outstanding scholars and renowned personalities.
The narratives collected by Twaweza Communications in this volume tell yet another side of the story about the violence that engulfed Kenya towards the end of 2007 and the beginning of 2008. The narratives are part of a Daraja Initiative involving media monitoring, reflections and documentation of the traumatic post-election violence period often associated with the contested presidential results of 2007. The goal of the project is to contribute to the protection of constitutional rights of all Kenyans and to the development of a just and democratic country. Because violent conflicts constitute ruptures and continuities and are often preceded by tensions over the uncomfortable co-existence of political, economic, social and cultural systems and relations of power as well as what is perceived as valuable, mobilisation for violence is driven by narratives of the legality and correctness of action such that notions of history, justice and memory are functions of narrative construction, power and authority. Narratives of violent conflict, such as happened in Kenya, are not absolute: they are contested, contradictory and incomplete. But they must be told so that the multiple voices from the citizens are heard.