Refine
Year of publication
- 2013 (40) (remove)
Document Type
- Article (40) (remove)
Has Fulltext
- yes (40)
Is part of the Bibliography
- no (40) (remove)
Keywords
- Adorno (4)
- Critical theory (3)
- Staatskapitalismus (3)
- comparative capitalism (3)
- state capitalism (3)
- Democracia (2)
- Democracy (2)
- Education (2)
- Kant (2)
- Kantian ethos (2)
Institute
- Gesellschaftswissenschaften (40) (remove)
Pokračujúc v zámere predchádzajúceho príspevku tento text otvára znova problém recepcie Kantovho vymedzenia kategórie vznešeného. Variácie, ktoré vykonávajú Schopenhauer, Nietzsche a Adorno predstavujú inovatívne prístupy. Premostenie dejín tejto estetickej kategórie do 20.storočia v myslení sledovaných autorov predstavuje funkčnosť vznešeného v premenách umeleckého a estetického diskurzu a nabáda k jeho aktualizovaniu v súčasnosti.
Über Freiheit und Gleichheit
(2013)
The influence and power of some OECD states is under threat but China appears to remain astonishingly flexible, economically potent, and politically strong. How accurate is this view? To answer this question, major aspects of Chinese economic regulation that were adopted in the country’s progress towards capitalist modernization are examined. The analysis requires a historical reconstruction of how China changed the way it intervenes economically and politically, especially with regard to the institutions of the central state. Such a reconstruction reveals that, since the 1990s, the central state has indeed increased its steering capacities. These capacities have a distinctive basis that includes acceptance of a state-centered approach, idiosyncratic innovation policies taking place in the "shadow" of the state’s hierarchy, and the ongoing influence of the communist party. An all-embracing controlling power is, however, not detectable. What does exist in China’s competition-driven system of “statecapitalist” regulation, is a set of limits on the state’s capacity to govern.
The necessity of over-interpretation: Adorno, the essay, and the gesture of aesthetic experience
(2013)
This article is a discussion of Theodor W. Adorno’s comment, in the beginning of ‘The Essay as Form’, that interpretations of essays are over-interpretations. I argue that this statement is programmatic, and should be understood in the light of Adorno’s essayistic ideal of configuration, his notion of truth, and his idea of the enigmatic character of art. In order to reveal how this over-interpreting appears in practice, I turn to Adorno’s essay on Kafka. According to Adorno, the reader of Kafka is caught in an aporia: Kafka’s work cannot be interpreted, yet every single sentence calls for interpretation. This paradox is related to the gestures and images in Kafka’s work: like Walter Benjamin, Adorno means that they contain sedimented, forgotten experiences. Instead of interpreting these images, Adorno visualizes the experiences indirectly by presenting images of his own. His own essay becomes gestural.
Staatskapitalismus 3.0
(2013)
Die Herausbildung staatlich durchdrungener Marktökonomien in großen Schwellenländern wie Brasilien, China oder Indien ist ein mehr als überfälliger Anlass, den Westzentrismus der aktuellen Krisendiskussionsowie der Literatur zu den „Varieties of Capitalism“ zu verlassen und sich mit den Gemeinsamkeiten und Unterschieden des Kapitalismus in diesen Ländern zu beschäftigen. Wir sprechen hierbei vom Staatskapitalismus 3.0, also einer dritten Welle des Staatskapitalismus mit ihren länderbezogenen Variationen. Dieser in den Themenschwerpunkt einführende Beitrag gibt erstens einen Überblick über die historischen Wellen des Staatskapitalismus. Zweitens werden die weiteren Beiträge des Schwerpunktes vorgestellt und in den Kontext der dritten Welle des Staatskapitalismus gestellt. Schließlich folgen drittens einige Implikationen für die gegenwärtige Kapitalismusforschung, die aus der Untersuchung von politischen Ökonomien jenseits der OECD-Welt zu ziehen sind.
Die Art und Weise, wie das Verhältnis von Staat und Unternehmen in Indien seit den 1980er Jahren restrukturiert wurde, liefert wichtige Lektionen für das Verständnis des modernen Kapitalismus in großen Schwellenländern, auch im Kontrast zum traditionellen Modell des ostasiatischen Entwicklungsstaats. Ausgehend vom historischen Entstehungskontext entwickeln wir eine Charakterisierung des Staatskapitalismus in den indischen Ballungszentren als „staatlich durchdrungene Marktökonomie“, bevor wir die Schattenseiten dieses Modells, insbesondere gravierende Ungleichheit, skizzieren, die – trotz aller wirtschaftlichen Dynamik des Kapitalismus in großen Schwellenländern wie Indien – notwendig mit diesem Wirtschaftsmodell verbunden sind.
O objetivo principal deste artigo é desenvolver uma reflexão a respeito das relações entre a arqueogenealogia das relações entre verdade, poder e discurso, tal como a pratica Michel Foucault, por um lado, e a teoria crítica da sociedade, da Escola de Frankfurt, por outro lado. Essa aproximação é feita por meio de uma reconstrução da crítica de Jürgen Habermas a Michel Foucault, no livro O Discurso Filosófico da Modernidade.
The article focuses on the way events are connected with preceding events of the same type carrying out a participatory observation on a golden wedding celebrated in a small village in the middle of Germany. Events are formally connected by their participants. In contrast to participant networks, the chronological order of event-event networks is evident. Different models for the connection of events are discussed with reference to a classic dataset of the "Deep South" study DAVIS, GARDNER and GARDNER (1941). A stability of forms (in the sense of SIMMEL's "formal sociology" [1908]) was found with a variation of some elements. The main reason for the stability is the uncertainty that arises when people temporarily change their position from that of guest to host. They fall back on approved forms for their celebration. Professionals are the other important position. They ensure that events will take place as they did in the past. It is proposed that an analysis of the chronological order of networks between events can lead to a renaissance in the cultural analysis of forms. The analysis presented is an approach to an investigation of the development of culture.
O artigo propõe traçar a evolução da Teoria do Reconhecimento através da obra de seu autor, Axel Honneth, e apresentar sua recepção no Brasil acompanhada de suas críticas e interpretações. Na primeira parte do artigo é apresentado o conjunto da obra do autor, buscando evidenciar sua evolução interna e os diálogos que Honneth estabelece com seus antecessores. Na segunda parte, discute-se a pertinência, abrangência ou adaptabilidade da Teoria do Reconhecimento a partir de dois pontos principais apontados pelas diversas interpretações da obra do autor: 1) a concepção individualista da autonomia e as suas implicações sobre o entendimento do papel da ação coletiva na luta pelo reconhecimento; 2) as dificuldades de operacionalização teórico-metodológica do seu sistema conceitual em estudos empíricos, e ainda associadas aos parâmetros cívicos europeus, ou mesmo alemães, sobre os quais o autor constrói sua noção de normatividade. Como será desenvolvido, esses temas se encontram articulados entre si e explorados pelos diferentes artigos que compõem o presente dossiê.