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Mind Searching
(2007)
In Mind Searching Nyamnjoh has attempted to do something rather clever - to expose, through the attitudes, feelings and thoughts of one man and a very simple story, the hypocrisy and corruption of Cameroon society and humanity in general, often using understatement and irony in good effect. The commentary is unremittingly cynical and returns again and again to corruption, callous squandering, exploitation, prostitution, and other fairly worn butts. The book depicts a society where basic freedoms are shackled, and thinking aloud treasonable. Hence the mental ramblings of the narrator and central character Judascious Fanda Yanda, in the form of an extended monologue full of observations, anecdotes and asides written from the point of view of an apparently insouciant naive. The basic method is to foreground the opinions and conversational elegance of the narrator, while having events going on as a background to his thoughts. We trace the narrator's progress from a disenchanted 'Damn? de la Terre' to a comfortably well off Private Secretary to a Vice Minister over a number of years. It is a clear illustration of how the system perpetuates its mediocrity and buys off any spark of initiative. Nyamnjoh has a good command of ironic tone and sound control over form and structure. He employs a very fluent style, and often has very urbane and neat turns of phrase. He captures the bored, superior, cynical and ultimately predatory tone of voice of his narrator extremely well.
Stories from Abakwa
(2007)
Childhood and growing up in Mimboland, Cameroon are infused with fascinating stories and adventures. Discover life in Abakwa with Tom and his friend, as they are chased through an orchard for secretly harvesting avocadoes and mangoes. Smile as Mathias Chi's overloaded canoe almost loses balance. Shiver as Roland runs through the dark streets and bleeding corridors of Mvog Mvog. And cry when Big Brother discovers how his siblings suffered when he was away at school. What happens to Esther when she finds the courage to make an announcement at the Abakwa Mountain Foot Radio Station about her husband's disappearance? Will Prudencia and Collette kill or give life? How does Prisca Lum deal with her dwarf husband? Some characters will remind you of people you know - or even of yourself. Drum beats and church bells, thunder and lightning, princes and princesses, visions and deceptions fill the pages. Discover your favorite stories waiting to be told and retold, again and again.
The Convert : A Two-Act Play
(2007)
' ''This play tackles the theatrically attractive but ethically complex issue of Christian fundamentalism. Nyamnjoh, as a sociologist is well qualified to explore the social problems and psychological pressures which give rise to the born-again phenomenon, and the strong appeal of fundamentalist religion. The Convert, however is no schematic sociological tract. It deals with the conflicting imperatives in 21st century West Africa, which push ordinary people into extraordinary situations, and provides no easy solutions to the issues raised. Although the play revolves around the Ultimate Church of Christ and the four main characters affected by it, the audience is given a deftly sketched picture of a corrupt world beyond it, lacking in spiritual or community values. [..] The characterization. is remarkable for its avoidance of any obvious protagonist; the audience is allowed no clear character with whom to identify. The four main characters . have both virtues and flaws, each providing insights into ways the consumer-oriented materialism of modern life impacts upon African spirituality and community values. - David Kerr, Professor in Literature and Drama, University of Botswana ''''At the core of the implicit philosophy in Nyamnjoh's The Convert . is the theatrical manifesto that contemporary society has not only to liberate itself, and its productive powers from 'Pentecostal', freak religions and distortion, it also has to liberate these same productive capacities from their present prostration. There is a deep, engaging humanism that pervades The Convert, but it is a humanism emblematic, to speak analogously, of the Aeschylean variety.'''' - Bate Besong, Africa Review of Books.'''
The Disillusioned African
(2007)
This humorous tale of the na?ve and curious African student-cum-philosopher wandering between North and South, the rural and the urban, has been in gestation for a period of nearly two decades. With allusion to traditions of the philosophical novel and the picaresque, Nyamnjoh's protagonist travels from his African village to the sharply divided and socially cruel world of 1980s Britain. By casting aside his disillusion and the traps of servitude and victimhood, The Disillusioned African reveals his creative potential for curiosity and adventure. He brings a bird's eye view, always affectionate, gently mocking, to the cultural idiosyncrasies of the new world he encounters, which throws his own African culture, politics and socio-economic realities into light relief. Praise for The Disillusioned African 'Whatever the imagined future for Africa, this courageous book will certainly provide, for both its foreign readers and the young generation of Cameroonians, a provocative insight into the complex web of despair, frustration, paradox and hope . on the eve of the 21st century.' - Louise Cuming, Catholic University of Central Africa 'In his characteristically humorous style, Nyamnjoh portrays the various social ills in society and castigates the political elite he holds largely responsible.' - Piet Konings, African Studies Centre, Leiden, The Netherlands. 'Francis Nyamnjoh . has a particular way of saying very serious things in the most unserious manner. He entertains, and in the process he moralises, he teaches, he gives you lessons. learning experience and philosophy to give you a view of the dilemma of the African.' - Sammy Beban Chumbow, Professor of Linguistics, University of Yaounde I