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International politics is characterized by a lack of women. The few women holding high political positions are more likely to be criticized and judged based upon, what the author calls, ‘the construction of masculinity in international relations’. Tracing the origin and logic of this construction, the article critiques the dominant theories of international relations (namely, realism and liberalism) and argues for the aptness of a radical feminist social constructivist approach to the study of international politics. The article also illuminates the strong focus on men and men’s perspectives of these influential mainstream theories on their conception and interpretation of war. An examination of the concept of war reveals how masculinity and femininity are portrayed on matters of war and national security and what side effects this has on women in politics, particularly women with political positions.
Theodor W. Adorno’s criticism of human beings’ domination of nature is a familiar topic to Adorno scholars. Its connection to the central relationship between art and nature in his aesthetics has, however, been less analysed. In the following paper, I claim that Adorno’s discussion of art’s truth content (Wahrheitsgehalt) is to be understood as art’s ability to give voice to nature (both human and non-human) since it has been subjugated by the growth of civilization. I focus on repressed non-human nature and examine Adorno’s interpretation of Eduard Mörike’s poem ‘Mausfallen-Sprüchlein’ (Mousetrap rhyme). By giving voice to the repressed animal, Mörike’s poem manages to point towards the possibility of a changed relationship between mice and men, between nature and humanity, which is necessary in order to achieve reconciliation amongst humans as well.
Feasibility, nationalism, migration, justification, and global justice : some further thoughts
(2011)
Brock and justification
(2011)