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Background: Dengue fever (DF) is the most rapidly spreading mosquito-borne viral disease in the world. In this decade it has expanded to new countries and from urban to rural areas. Nepal was regarded DF free until 2004. Since then dengue virus (DENV) has rapidly expanded its range even in mountain regions of Nepal, and major outbreaks occurred in 2006 and 2010. However, no data on the local knowledge, attitude and practice (KAP) of DF in Nepal exist although such information is required for prevention and control measures.
Methods: We conducted a community based cross-sectional survey in five districts of central Nepal between September 2011 and February 2012. We collected information on the socio-demographic characteristics of the participants and their knowledge, attitude and practice regarding DF using a structured questionnaire. We then statistically compared highland and lowland communities to identify possible causes of observed differences.
Principal findings: Out of 589 individuals interviewed, 77% had heard of DF. Only 12% of the sample had good knowledge of DF. Those living in the lowlands were five times more likely to possess good knowledge than highlanders (P<0.001). Despite low knowledge levels, 83% of the people had good attitude and 37% reported good practice. We found a significantly positive correlation among knowledge, attitude and practice (P<0.001). Among the socio-demographic variables, the education level of the participants was an independent predictor of practice level (P<0.05), and education level and interaction between the sex and age group of the participants were independent predictors of attitude level (P<0.05).
Conclusion: Despite the rapid expansion of DENV in Nepal, the knowledge of people about DF was very low. Therefore, massive awareness programmes are urgently required to protect the health of people from DF and to limit its further spread in this country.
Mannov román Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn erzählt von seinem Freunde (Doktor Faustus. Život nemeckého skladateľa Adriana Leverkühna rozprávaný jeho priateľom, 1947) je jeden z najznámejších literárnych diel 20. storočia. Základom jeho vzniku bolo stretnutie T. Manna s filozofom a muzikológom T. W. Adornom v americkom exile počas 2. svetovej vojny. Mannov román je poetizáciou a narativizáciou, či literarizáciou a fikcionalizáciou Adornovej hudobnej teórie a estetiky ako ich nachádzame v rôznych Adornových prácach, najmä v knihe Philosophie der neuen Musik (1949).
Neste artigo, pretende-se apontar para uma tensão dialética entre o racional e o irracional, entre o conceito e o não conceitual, atualizando o sentido do não idêntico. Essa atualização configura-se na necessidade de potencializar uma filosofia da educação crítico-formativa com base na perspectivada “expressividade estética”. A questão que se coloca é a seguinte: como podemos compreender o sentido do não idêntico, a partir das necessidades de uma educação crítico-formativa e das condições para efetivá-la no âmbito das reflexões filosófico-educacionais? Desse modo, faz-se uma breve incursão no que consiste o papel da dialética negativa do filósofo Theodor W. Adorno para se pensar o sentido da “razão” (ou das razões) na perspectiva do “não idêntico”. Partindo disso, busca--se apontar as possibilidades da crítica imanente adorniana, cujo escopo manifesta na dialética do sofrimento no âmbito do capitalismo. Por fim, pretende-se assinalar e discutir a potencialidade da “expressividade estética” do não idêntico, articulada com algumas possibilidades para a educação no contexto atual.
Mannov román Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn erzählt von seinem Freunde (Doktor Faustus. Život nemeckého skladateľa Adriana Leverkühna rozprávaný jeho priateľom, 1947) vznikol v úzkej spolupráci spisovateľa Th. Manna a Th. W. Adorna. Adorno bol Mannovi nielen odborným konzultantom v otázkach dejín hudby, hudobnej estetiky a hudobnej teórie, ale bol do istej miery aj spoluautorom románu: hudobné analýzy a charakteristiky skladieb ktoré sa viažu na fiktívne románové postavy hudobníkov Kretzschmara a Leverkühna, ako aj na Mefista, pochádzajú od Adorna. Špecifickým problémom románu v tomto zmysle je „fiktívna hudba“. Adorno vytvoril fiktívne hudobné skladby fiktívneho skladateľa Leverkühna, podľa Mannových predstáv. Východiskom tejto literárnej fikcie boli skladby A. Schönberga, I. Stravinského a G. Mahlera. Mannove/Adornove fiktívne skladby sú predmetom pozornosti v analýzach Mannovho románu, a sú témou aj tejto štúdie.
Štúdia Fiktívne hudobné kompozície Th. W. Adorna v románe Thomasa Manna „Doktor Faustus“vychádza z autorovej staršej štúdie Theodor W. Adorno a román Th. Manna ´Doktor Faustus´. In: Slovenské pohľady, č. 7-8, 2013, roč. 129, s. 136-147.
Die Akademie der Arbeit in der Universität a.M. : ein vergessenes Stück Universitätsgeschichte
(2014)
In den Umbruchjahren der Weimarer Republik entwickelte sich in der Goethe-Universität eine Institution, die oft in Vergessenheit gerät: "Die Akademie der Arbeit in der Universität Frankfurt am Main" – so auch der offizielle Titel. Sie war und ist mehr als eine Fortbildungsstätte für Arbeitnehmer. Hier studieren jährlich 40 Arbeitnehmer, aus allen Branchen der Wirtschaft und Verwaltung ausgewählt, um sich auf verantwortliche Tätigkeiten in Unternehmen, Verbänden und öffentlichen Institutionen vorzubereiten.
For more than two decades, the National Planning Office for Philosophy and Social Sciences (NPOPSS) has been managing official funding of social science research in China under the orbit of the Communist Party of China’s (CPC) propaganda system. By focusing on “Major Projects”, the most prestigious and well-funded program initiated by the NPOPSS in 2004, this contribution outlines the political and institutional ramifications of this line of official funding and attempts to identify larger shifts during the past decade in the “ideologics” of official social science research funding – the changing ideological circumscriptions of research agendas in the more narrow sense of echoing party theory and rhetoric and – in the broader sense – of adapting to an increasingly dominant official discourse of cultural and national self-assertion. To conclude, this article offers reflections on the potential repercussions of these shifts for international academic collaboration.
O trabalho pretende discutir o duplo caráter das obras de arte a partir da obra de Theodor W. Adorno. Pretende-se examinar os argumentos sustentados pelo autor sobre o caráter social das obras, principalmente, no caso da música, em que se pode percebercomo o desenvolvimento do próprio material musical expressa as aporias encontradas na sociedade. Por meio de uma crítica dialética, modo pelo qual as obras de arte respondem às contradições da sociedade, colocando-se, assim, como força de resistência à reificação, quanto a influência negativa que sofrem, porexemplo, no contexto da indústria cultural. Além disso, o artigo pretende se dedicar à reflexão sobre a autonomia das obras de arte, qualidade que as mantém fechadas, desenvolvendo-se apenas segundo leis formais internas, sem que atendam a uma função social. É nesse sentido quese coloca a exigência de uma determinada forma de recepção dasobras, orientada não pela fruição, mas pela possibilidade de interpretar seu teor de verdade. Assim, a dialética presente no modo como as obras se relacionam com a sociedade torna possível concebê-las como possibilidade de crítica à realidade e de resistência à reificação.
Global Governance ist in: Klingt neuartig, global ist eigentlich auch alles und wer will sich schon vorwerfen lassen, noch im „methodologischen Nationalismus“ verhaftet zu sein? Dies ist überspitzt formuliert, doch wie sich zeigte nicht ganz unberechtigt. Nichtsdestotrotz waren die OrganisatorInnen des ersten Weltkongresses der International Association of Political Science Students (IAPSS) wohl selbst überrascht als zur Tagung mit dem Titel „The Limits of Global Governance“ rund 200 Anmeldungen von Studierenden kamen. In Thessaloniki, der europäischen Jugendhauptstadt 2014, wurde vier Tage über Global Governance debattiert und in den insgesamt sieben studentischen Panels, zahlreichen Vorträgen von etablierten WissenschaftlerInnen und weiteren Veranstaltungen zeigte sich vor allem die Vielfalt und Breite des Themas. Wir werden daher im Folgenden Schlaglichter auf interessante Veranstaltungen und Inhalte werfen und abschließend ein kritisch-konstruktives Fazit der Tagung ziehen.
The debate about the Sustainable Development Goals (SDGs), which are to replace the Millennium Development Goals (MDGs) when they expire in 2015, is moving very quickly. Weighing in on this debate, we argue that if the SDGs are to be as effective as they can realistically be, concrete responsibilities must be assigned to specific competent actors, measurement methods involved in development targets must not be allowed to be changed midway, and the tracking of progress must be left to independent experts. New development goals should aim for inequality reduction, a more comprehensive view of poverty, and, most importantly, systemic reforms of global institutions. The world will not make decent progress against poverty until the most powerful agents accept real action commitments, not only in the marginal area of development assistance, but in all their policy and institutional design decisions, at both the domestic and especially the supranational level. We end with eight examples of institutional reform goals – ranging from deterring trade barriers to mitigating the effects of lost corporate tax revenues on poor populations – that should be included in the new list.