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Im Kontext des Wandels des fordistischen Wohlfahrtsstaates, hin zu einer neoliberalen Formation von Staatlichkeit, werden seit den 1980er Jahren Veränderungen der sozioökonomischen
Strukturen von Städten, wie auch innerhalb des Städtesystems, beobachtet. Das politische Argumentationsmuster der Städtekonkurrenz ist ein Resultat dieser Veränderung, wobei
es in die Verantwortungen der Städte verlagert wird, sich als Standort profilieren zu müssen, indem Aufwertungsmaßnahmen durchgeführt und städtische Potenziale ausgebaut werden
(Heeg und Rosol 2007: 492). Bob Jessop spricht in diesem Zusammenhang von einer Naturalisierung der neoliberalen Prinzipien, die auf der Ebene der Stadt zur Folge hat, dass Städte als chancengleich und damit selbstverantwortlich für ihre ökonomische Lage, d.h. für ihr Wohlergehen und die Möglichkeit attraktive Orte für Unternehmen und Bevölkerung zu sein, gesehen werden (Jessop 2002: 468). Folglich verschieben sich auch die Prioritäten der Stadtplanung,
so dass nicht mehr die Versorgung der Bevölkerung und der Abbau von sozialräumlichen Disparitäten als Ziel der Stadtplanung an erster Stelle stehen, sondern das Hauptziel
zunehmend darin besteht, die fiskalische und wirtschaftliche Wettbewerbsfähigkeit der Städte selbst zu erhalten (Schneider-Sliwa 1996: 318). Um im Wettbewerb zu bestehen, gilt es eine prosperierende, attraktive Innenstadt als Aushängeschild der Stadt vorweisen zu können bzw.
herzustellen.
In Rüsselheim wird die Situation der Innenstadt, gemessen an der wirtschaftlichen Lage, momentan sehr negativ beurteilt. Auch Zeitungsartikel zeichnen ein pessimistisches Bild der
Rüsselsheimer Innenstadt1: So druckt die Frankfurter Rundschau, um ein Beispiel heraus zu greifen, eine großformatige Kollage, bestehend aus den Schaufenstern der vielen leerstehenden Ladenflächen (Frankfurter Rundschau 27/28.02.10: R24). Die Sanierung der Innenstadt befindet sich bereits seit den 1990er Jahren in der Vorbereitung. Von der Stadt in Auftrag gegebene Studien attestieren dem gesamten öffentlichen Raum eine erhebliche Beeinträchtigung seiner Funktion als Geschäftsstandort, da die städtebauliche Gestalt nicht der für den Einzelhandel erforderlichen Aufenthaltsqualität und Atmosphäre gerecht wird. Dem soll mit umfassenden Sanierungsmaßnahmen begegnet werden, die als Antwort auf den Städtewettbewerb und die Standortkonkurrenz zu verstehen sind, in denen sich die Stadt besser aufstellen möchte. Die Planungen sind, so meine These, ausgerichtet auf eine Zielgruppe, die noch nicht vor Ort ist, d.h. Maßnahmen sollen die Stadt, insbesondere die Innenstadt, für eine „gewünschte Bevölkerung― erst attraktiv machen. Die derzeitigen Nutzungen und BewohnerInnen entsprechen nicht den Vorstellungen einer repräsentablen Innenstadt, worauf mit einer Umdefinition des Stadtraumes reagiert wird, um bestimmte Nutzungen zu verdrängen. In meiner Diplomarbeit möchte ich mich mit dem Diskurs um die Innenstadtsanierung in Rüsselsheim beschäftigen. Rüsselsheim erscheint mir für dieses Vorhaben sehr interessant, da sich die Diskussionen in dem großen Widerspruch zwischen Hoffnungen und Visionen für die Planung mit dem Ziel der Herstellung einer prosperierenden Stadt und der Ohnmacht, ob der unlösbaren (finanziellen) Situation, bewegen. Zudem spielt das Verhältnis der Stadt zu Opel eine Rolle, da die Wahrnehmung der Stadt verknüpft ist mit der Wahrnehmung der Situation
des Unternehmens Opel und auch Stadtentwicklung und Unternehmensentwicklung miteinander verschränkt sind, was sich im Stadtbild wieder findet. Womöglich lässt das den Diskurs um Planungen im Bezug auf den Wandel vom Fordismus zum Postfordismus besonders deutlich zu Tage treten, da Rüsselsheim zu Zeiten des Fordismus massiv expandierte und heute in diesem Zusammenhang stehende, strukturelle Probleme zu bearbeiten hat. Diese Situation ist mitbestimmend für die Diskussion um die durchzuführenden Sanierungsmaßnahmen.
Zhero
(2011)
An inspiring and intriguing tale of heroism, Zhero's quest for education and self-worth takes him from the rustic village of Amabra to the cities of Port Harcourt and Lagos. Armed with a determination to succeed against all odds, his quest unearths a malignant problem in the society, which is the degradation and loss of human values. Vincent Egbuson's book is compendium of issues pervading contemporary Nigerian society. It beckons on its readers to emulate acts of kindness and self-sacrifice.
Writing Free
(2011)
In this fifth anthology of Zimbabwean short stories from Weaver Press fifteen writers respond to the topic of writing free, and offer their thoughts about how and why they wrote as they did. The stories reflect a wide variety of freedoms: from tyranny, from hunger, from abuse, from the shackles of tradition, and even from the traditional constraints of narrative convention. But there are cautionary tales, too. Political change may be liberating for the adults who suffered for it, but will their children share in the euphoria of new-found freedom? Will a departure from domestic poverty to the calm waters of the diaspora deliver all that was hoped for it? Is the grass always greener beyond the fence of a stifling marriage? Zimbabwe has had more than its share of social and material deprivation in recent years, and people's responses have taken many forms. Writing Free offers an engaging and kaleidoscopic sample of these, and in doing so gives an intimate portrait of a country in transition.
This posthumous publication is a collection of essays some of which are based on the author's research work while others record her thoughts on issues she regarded as important. The materials, which were written between 1991 and 1996, cover a range of subjects that have been tied together under the theme of women, law and justice in Uganda. They represent the author's central concerns, interests and views as they developed over the years.
Within the Walls of Hell
(2011)
The Land of Eternal Discomfort is a place where no one wants to go. It is hot and dirty. One is sure to experience depression once there and sleep is a luxury no longer attainable in that place. Unbelievable though it may seem one enters the Land of Eternal Discomfort by choice. It is a place destined for those who did not live a righteous life according to the Creator. The kind of life one lives down below determines where they go thereafter. For the seven characters in this play, the love of power and the hatred for those different and inferior to themselves leads them to choose a life of luxury gained through deceit, theft, adultery and murder. Against all the Creator's commands, they chose to live lives of self-gratification ignoring their obligations to their fellow man. The choice they made was for their lives down there but they will forever live with the consequences in their lives thereafter. Life down there does not last forever and the characters are destined to meet the Messenger at which time the choice will have already been made. When you finally meet the Messenger, pray that he is ushering you into the Land of Eternal Happiness because in the other place you are doomed forever. In the Land of Eternal Discomfort the gate can only open to let someone in. It cannot open to let anyone out. Once you are in there you can never get out again.
Wena
(2011)
The collection of poems is an intriguing reflection of the sometimes torturous evolution of inner self which so many South Africans face as they struggle to find who they are in a multicultural society that espouses the values of traditional culture while reaching for the promise of a global community. Thus the blend of Xhosa and English as Ntsiki strives to merge her modern views with cultural roots. She feels strongly the need to reclaim her culture and language and blend them within the context of a cosmopolitan society. She captures the 'vibe and energy' of young South Africa and its blossoming as well as its quandaries. Ntsiki does not hesitate to deal with controversial and painful issues, such as rape, and her work challenges the reader to stop and think, really think. The quest for self expression and self-understanding echoes throughout the book and through it, she exhorts the reader to have the courage to explore and understand himself. Underlying many poems is the unspoken but burning desire that, by telling the truth, she will create possibilities for others to do the same. In many ways, 'Wena' is a celebration of life. The poems brim over with Ntsiki's own desire to drink to the full and then go out there and pour love and life out into the world. The manner in which she distills meaning and value from the negative is perhaps best expressed in her own words, from the poem, 'I choose life'.
In this collection Ayuninjam attempts to capture his sentiments on many plains. He also takes the liberty to capture the sentiments of other persons in his life and in society as a whole as well as the sentiments of other creatures that are part of the chain of life. As a result, much of what follows is occasional poetry, as he has more often than not responded or reacted to his sensations while also being a surrogate for those who could (or would) not express theirs. Having lived abroad for as long as he lived in Cameroon, his perspective has, accordingly, been coloured, though not necessarily transmuted. The poems transcend space and time.
Universities and economic development in Africa: Pact, academic core and coordination draws together evidence and synthesises the findings from eight African case studies. The three key findings presented in this report are as follows: 1. There is a lack of clarity and agreement (pact) about a development model and the role of higher education in development, at both national and institutional levels. There is, however, an increasing awareness, particularly at government level, of the importance of universities in the global context of the knowledge economy. 2. Research production at the eight African universities is not strong enough to enable them to build on their traditional undergraduate teaching roles and make a sustained contribution to development via new knowledge production. A number of universities have manageable student-staff ratios and adequately qualifi ed staff, but inadequate funds for staff to engage in research. In addition, the incentive regimes do not support knowledge production. 3. In none of the countries in the sample is there a coordinated effort between government, external stakeholders and the university to systematically strengthen the contribution that the university can make to development. While at each of the universities there are exemplary development projects that connect strongly to external stakeholders and strengthen the academic core, the challenge is how to increase the number of these projects. The project on which this report is based forms part of a larger study on Higher Education and Economic Development in Africa, undertaken by the Higher Education Research and Advocacy Network in Africa (HERANA). HERANA is coordinated by the Centre for Higher Education Transformation in South Africa.
This is the story of the prolific professor Newit Anatole Lobe who after his studies and a failed marriage in the US decides to return home to Cameon, an imaginary post-colonial African state to take up a teaching job with the country's main university. When he refuses to join the machinations and antics of the power elites who want to hang on to power at all cost, he pays a heavy price. He plays a key role in the founding of an opposition party just to be betrayed by those in whom he placed his trust. He is arrested and detained on trumped up charges of subversion and complicity with external enemies of the state. He learns the hard way that life is larger than logic.
Nach 1989 ist Europa – wieder einmal – in Bewegung geraten und die Mitte des Kontinents hat sich "ostwärts" verlagert. Diese Verschiebung Europas, die Frage nach neuen und alten Grenzen und Zentren, ist Anlass, sich mit jener vergessenen Himmelsrichtung und ihren Gebieten zu befassen, die 'plötzlich' wieder auf der Landkarte und in den Köpfen aufgetaucht sind. Wird der Osten zum Standort gemacht, von dem aus Europa zu konturieren ist, so erschließt sich dieser Osten in seinen unterschiedlichen geographischen, historischen und imaginären Mehrdeutigkeiten. Europa wird dabei zu einem dezentralen Gebilde, für dessen kulturelle Semantiken gerade die Peripherien von entscheidender Bedeutung sind.
In den Beiträgen des Bandes werden diese "schmerzenden Nähte" (Jurij Andruchowitsch) aufgesucht: von Vilnius über den Balkan, den Kaukasus, die Schwarzmerregion bis nach Istanbul, Alexandria oder Beirut. Es eröffnen sich plurale Kulturen, deren Umgang mit Sprachen, Religionen, Bild- und Zeichensystemen in vielem quer zu westlich-europäischen Ordnungskonzepten liegen. Zugleich liegt die Brisanz dieser Kulturen darin, dass sie auf vielfältige Weise mit modernen kulturellen Homogenisierungsstrategien verbunden sind und immer wieder auf die auch diesen inhärenten, verdeckten oder getilgten Pluralitäten verweisen. Die Beiträge zeigen, wie die Vermessung dieser Orte zu allen Zeiten zu einem beträchtlichen Teil in Literatur und Kunst stattfindet. Hier werden territorial-kulturelle Zugehörigkeiten verhandelt, wird ein nuanciertes Spiel mit geopolitischen Verschiebungen, Verwerfungen und Umkodierungen von Topographien, mit ironischen oder melancholischen Wahrnehmungen "fremder" Räume und Gepflogenheiten betrieben.
Kerry Hammerton is a poet, writer and alternative health practitioner. She is a graduate of The University of the Witwatersrand (Johannesburg) and The College of Integrated Chinese Medicine (Reading, UK). Her poetry has been published in South African literary journals such as Carapace, New Contrast and New Coin, online at Litnet and Incwadi. She has also been a contributor to The Empty Tin Readings (May 2010) and The Poetry Project. These are the lies I told you is her fi rst poetry collection. Kerry has fewer wrinkles than she should have at her age - or so her friends tell her.
UNICEF estimates that Tanzania has over three million orphans. The Bethsaida Orphan Girls Secondary School seeks to help the ?most vulnerable of Tanzania?s children. Founded by Mrs. Anna Machary in 2005 under the auspices of the non-governmental organization, the Olof Palme Orphans Education Center, the school currently enrolls over 130 orphan girls from all over the country, providing them with free housing, meals, psychological support and a quality secondary education. This book features short stories by thirteen students and has the dual purpose of being a fundraiser for the school and giving the girls a voice. It is a unique and enthralling work of fiction, Their Voices: Their Stories ranges from magical realism to fable, from historical fiction to bildungsroman. Under the professional and passionate editorial guidance of Maryland professor Julie Wakeman-Linn, this collection sings of the fears, anxieties and dreams of young Tanzanian women, who pray their education will be the golden ticket out of lives filled with poverty and abuse.
The Weeping Triangle
(2011)
The Weeping Triangle portrays a country that has been overtaken by corruption. This country had been awarded the most corrupt country in the world two times in a row and a third time is increasingly likely. In a world where money talks and violence is a way of life, most people succumb to the way things are lest they become victims of the system. Smith, however, is one of a kind. As a teacher entrusted with the lives of his students, Smith sees the need to curb the current direction of his country. Frustrated with the way things are, curious as to how things got so bad and motivated to make a change for the better, he stands out among the rest determined to make a difference no matter how small. Branded a fool for his bravery and incessant inquisitiveness, Smith stands up to those in authority; most of whom are bound by corruption. He refuses to partake in this illegal way of life. Encouraging his friends and anyone else to do the same proves difficult but does not deter his intentions. What hope does one have in a country full of lies, secrets, deceptions and bribery? The Weeping Triangle takes you through the journey of Smith and his friends making the most of what little hope there is.
There is a general agreement that piracy; counterfeiting and passing off are unfair. However, there is often surreptitious - or even open - sympathy for, say, those who purchase counterfeit designer fashions or the latest technical gadgets. The pirate is even sometimes represented as a daring evil hero. In this book, Prof. Dora Nkem Akunyili, Director General of Nigeria's National Agency for Food and Drug Administration and Control, presents a unique study of a global phenomenon in which law-breaking and profiteering prevail at the cost of human health and life - and of the ways in which this can be fought by appropriate legislation, regulation and enforcement.
The Power to Succeed
(2011)
This is the fascinating story of a young girl from a very poor family who raised her head high and raised the dignity of women through her own personal and determined effort. She did not yield to the victimizations of corrupt minds, nor to the temptations of apathy and pessimistic thinking; rather she saw everything optimistically and through many hardships achieved her life's ambitions.
The Power To Make A Choice
(2011)
Is it possible to make a difference in your life that no one else has ever made? What difference will you make as an individual in your life's situations? Have you ever considered yourself a possible obstacle to your future plans? Some people toil and amass knowledge and fame to make a difference. Some engage in a life of politics where they believe they can make a difference. Still, there are some who make a difference in a quiet way and move the world on. The difference you make may lead to negative or positive results and both ways have a price. It is worth exploring the powers you have and discovering the real you. Life is full of surprises. Life around you might be ignorant but you have the potential to move to a better understanding. This story portrays and affirms the uniqueness of each person: how one moves on in life amidst all the difficulties that life presents. Life is beautiful if we are able to challenge what we can and accept what we cannot change. The Power to Make a Choice is a powerful story on how to look within ourselves to make a difference.