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The Bucharest author Oscar Walter Cisek (1897-1966) does not write about the interests of the German minority in Romania to which he himself belongs, but describes the life of the Romanian, Turkish and Tartar population in the first half of the twentieth century. The aim of the present article is to determine foreign-cultural signs in the German versions of the novella Die Tatarin (1928/29) and to analyse how an internal linguistic cultural transfer is achieved. From the evaluation of the reviews to the novella Die Tatarin appeared in the German press between 1929-1930 arise three aspects of ”otherness”: the exotic space, the foreign culture and the oriental woman. The present article analyses especially the representation of the foreign culture in Cisek’s novella.