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Rezension zu: E. T. A. Hoffmann, A janela da esquina de meu primo. Tradução: Maria Aparecida Barbosa, Ilustrações: Daniela Bueno, Posfácio: Marcus Mazzari. São Paulo, Cosac Naify, 2010
Nazım Hikmet’s fairy tale “Cloud in Love” (Sevdalı Bulut) enjoys a world-wide popularity: It has been already translated into many languages, has been filmed and staged several times. This even confirms the thesis of the poet that the fairy tale would appeal to every nation, every age and every cultural level. This article aims to examine Hikmet’s fairy tales under the aspect of the interculturality in his intersemiotic and interlingual translations. First, Hikmet’s perception of fairy tales will be studied, from which some clues are to be gained about the translations of his work. Afterwards, examples from intersemiotic translations of this fairy tale will be indicated. Finally, the German translation of this work will be analyzed, taking into account the transmission of cultural and stylistic elements.
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(2010)
Rezension zu Rainer Maria Rilke's The Book of Hours. A New Translation with Commentary. Translated by Susan Ranson. Edited with and Introduction and Notes by Ben Hutchinson. Camden House. Rochester New York. 2009. XLIV + 240 S.
At the end of the 18th century, German literature boasted a wide range of exemplary translations, especially from ancient literatures. When, a few decades later, translation theory began to flourish in Germany, translations like J.H. Voß’s “foreignizing” versions of Homer’s epic poems were considered as examples to be followed. Although today’s dominant translation theories – as, for instance, skopos theory – tend to advocate “domesticating” procedures, most translators of literary texts cling to the tradition established by (pre-) romantic German translators and philosophers like Voß or Schleiermacher, thus obviously meeting the expectations of the German reader.
In den folgenden Überlegungen geht es hauptsächlich um ein unpubliziertes Konvolut Rilkes von 26 Seiten mit dem Titel "Remarques à la suite de la traduction des 'Cahiers de M. L. Brigge'", das sich in der Stadtbibliothek von Colmar befindet. 'Unpubliziert' muss allerdings insofern eingeschränkt werden, als Auszüge daraus von Maurice Betz in seinem Erinnerungsbuch "Rilke vivant. Souvenirs, lettres, entretiens" (erschienen 1937 bei Emile-Paul frères in Paris, deutsch unter dem Titel "Rilke in Frankreich. Erinnerungen, Briefe, Dokumente" 1938 bei Reichner in Wien) verwendet wurden. Hier ist nicht der Ort, im Detail auf die Zitiermethode von Betz einzugehen. Es steht aber außer Zweifel, dass Betz bewusst die oft sehr kritischen Passagen von Rilkes Bemerkungen zur Übersetzung des Malte unterdrückt hat. Es geht ihm dabei offensichtlich um die Rechtfertigung seiner Übersetzung.
Rezension zu Victor Klemperer: LTI – A Linguagem do III Reich. trad. Miriam Ölsner. Rio de Janeiro: Contexto, 2009
This study examines the theory and practice of Kussmauls creative translating idea during the translating process of metaphors by Lakoff and Johnson. Creative translating could be functionalized for the process of literary translation. In this case it will be a vehicle for problem solving by the translation of the holistically metaphors defined by Lakoff/Johnson. These kinds of metaphors determine our live and are significant points of the language we use every day. Mostly they are very important for the receptively understanding of literary language and aims of the author and his text.