Refine
Year of publication
Document Type
- Part of a Book (3883) (remove)
Language
- German (2773)
- English (1056)
- French (20)
- Italian (12)
- Turkish (12)
- Multiple languages (5)
- mis (2)
- Hungarian (1)
- Portuguese (1)
- Spanish (1)
Has Fulltext
- yes (3883)
Keywords
- Literatur (196)
- Deutsch (180)
- Rilke, Rainer Maria (133)
- Rezeption (103)
- Syntax (101)
- Geschichte (90)
- Spracherwerb (72)
- Benjamin, Walter (70)
- Begriff (67)
- Lyrik (61)
Institute
- Extern (421)
- Sprach- und Kulturwissenschaften (59)
- Rechtswissenschaft (58)
- Universitätsbibliothek (53)
- Gesellschaftswissenschaften (51)
- Neuere Philologien (27)
- Erziehungswissenschaften (25)
- studiumdigitale (23)
- Geschichtswissenschaften (21)
- Kulturwissenschaften (18)
The interest of this work devotes itself to the repeating linguistic actions of the students in the DaF conversation lessons. Repetitions in the lesson discourse are functionally different than repetitions in the daily discourse. The support of repetitions by the students in the class discourse is tried to be demonstrated here on the basis of examples. Recordings from the DaF conversation lessons were transcribed and reconstructed according to Hiat. The kinds of the repetitions and their functions in these DaF conversation lessons are limited with this study. The findings of the study should be concerned consciously in order to accomplish a better understanding and reacting to these repeating actions of the students like inquiry, correction, confirmation, precautionary self-control, verification and confirmation in the conversation lessons –most of which are accomplished by the students for a certain aim however unconsciously.
Tief im Osten, gleichsam „am Rande der Welt“, in der Republik Burjatien (Russische Föderation), hinter dem Baikalsee gelegen und viele tausend Kilometer von europäischen Großstädten entfernt, hat der Erwerb der deutschen Sprache einen hohen Stellenwert – insbesondere für Deutschlehrer, Deutschlehrerausbilder und Deutschstudierende.
This article presents an analysis of German nicht...sondern... (contrastive not...but...) which departs from the commonly held view that this construction should be explained by appeal to its alleged corrective function. It will be demonstrated that in nicht A sondern B (not A but B), A and B just behave like stand-alone unmarked answers to a common question Q, and that this property of sondern is presuppositional in character. It is shown that from this general observation many interesting properties of nicht...sondern... follow, among them distributional differences between German "sondern" and German "aber" (contrastive but, concessive but), intonational requirements and exhaustivity effect sondern presupposition is furthermore argued to be the result of the conventionalization of conversational implicatures.
In order to investigate the empirical properties of focus, it is necessary to diagnose focus (or: “what is focused”) in particular linguistic examples. It is often taken for granted that the application of one single diagnostic tool, the so-called question-answer test, which roughly says that whatever a question asks for is focused in the answer, is a fool-proof test for focus. This paper investigates one example class where such uncritical belief in the question-answer test has led to the assumption of rather complex focus projection rules: in these examples, pitch accent placement has been claimed to depend on certain parts of the focused constituents being given or not. It is demonstrated that such focus projection rules are unnecessarily complex and in turn require the assumption of unnecessarily complicated meaning rules, not to speak of the difficulties to give a precise semantic/pragmatic definition of the allegedly involved givenness property. For the sake of the argument, an alternative analysis is put forward which relies solely on alternative sets following Mats Rooth´s work, and avoids any recourse to givenness. As it turns out, this alternative analysis is not only simpler but also makes in a critical case the better predictions.
We present the results of an experimental study which targets prosodic correlates of subclausal quotation marks. We found that written sentences containing passages enclosed by quotation marks were read aloud in a manner that significantly differs in prosody from spoken realizations of corresponding disquoted counterparts. However, we also observed that such prosodic marking of subclausal quotation wasn't strong enough to survive subsequent back-translation into written language: there was no correlation between the presence/absence of quotation marks in the original written examples, and the presence/absence of quotation marks in corresponding back-translations from oral renditions. We investigated three different kinds of uses of quotation marks and found no systematic difference between them with respect to prosodic marking.
Vor rund 25 Jahren bemerkte David Wells in einem Aufsatz, in dem er die mittelalterliche Literatur hinsichtlich allegorischer Verfahren untersuchte, der Löwe in Hartmanns von Aue Iwein brülle geradezu nach seiner Interpretation. Ausführlich verzeichnet er die zuvor versuchten Deutungen, die sich bis zum Erscheinen des Aufsatzes im Jahre 1992 auf knapp 20 belaufen. Seine kleine Anmerkung illustriert die große Unsicherheit im interpretativen Umgang mit Dingen in der mittelalterlichen Literatur, aber ebenso ihr großes interpretatorisches Potential.
EINKANTER, un des derniers poèmes de Paul Celan, se penche sur Rembrandt et traduit sensiblement non seulement les traits visibles, mais également les effets et la signification de sa remarquable peinture. Les stratégies rhétoriques et poétiques de son poème répondent aux exigeances du genre de l'Ekphrasis, mais elles poursuivent en même temps le développement de sa poétique. Selon Celan, le but suprême de la poésie est de rendre possible le mystère d'une recontre avec autrui. En parlant simultanément de l'oeuvre du peintre et du poème lui-même, EINKANTER est la réalisation parfaite de cette rencontre, c'est-à-dire entre la peinture de Rembrandt et la poésie de Celan. L'article est une lecture précise du poème qui révèle les différentes procédures linguistiques de l'Ekphrasis et les conditions dans lesquelles le mystère de cette rencontre se produit.
Kagbeni and its irrigated oasis are surrounded by subdesert dwarf scrubland. In the present study, a list of 78 species of vascular plants is presented for Kagbeni and its immediate surroundings, supplemented with data on the distribution of the species within the entire Mustan District. The data are arrived from own investigations and the geobotanical literature. A phytogeographical analysis shows the prevalence of western over eastern elements. Species with a wide distribution in Eurasia, which constitute one third of the total flora of Kagbeni, are of great importance as weeds on arable fields and in ruderal places within the irrigated oasis. Their occurrence is closely related to human activity. Presumably, most of these weeds have reached the area under study in connection with agriculture a long time ago. Weeds from the New World, although recorded in other villages of Mustan District, have not been found in Kagbeni. The weed vegetation of Kagbeni is documented by nine vegetation releves, and is compared to releves from Jomsom and Mzrpha. A floristic gradient from south to north that has been detected by earlier investigations throughout the whole district can be reproduced at the local scale. With regard to the weed flora, the effects of different crops are minimal, compared to effects of altitude and other factors related to altitude.
In ihrer einführenden Studie versucht Ingrid Kasten (durch die Vorstellung neuerer methodologischer und literaturtheoretischer Konzepte), den Begriff der Wahrnehmung als epistemische Kategorie der Literaturwissenschaft weiter zu fundieren indem sie Anknüpfungsmöglichkeiten in anderen, benachbarten Forschungsgebieten sucht (u.a. in der Sprechakttheorie, in der philosophischen Phänomenologie und im Forschungs-paradigma ‚Theatralität’ / ‚Szenographie’); Kasten betrachtet die Kategorie der Wahrnehmung als eine „kulturtheoretisch argumentierende Literaturwissenschaft“.
Die komplementäre Funktion, welche der (…) besprochene Frauenlied-Typus im Blick auf die Männerlieder Reinmars erfüllt, zeigt sich besonders deutlich in dem Lied „Lieber bote nu wirp alsô“, in dem das Moment der artistischen Selbstdarstellung im Unterschied zu den anderen Liedern der Sequenz nicht in besonderer Weise ausgeprägt ist. Denn in dem hier gezeichneten Schwanken der Frau zwischen Reden und Schweigen, zwischen Sagen und Versagen, vollzieht sich eine Bewegung, die auch für viele Männerlieder Reinmars charakteristisch ist, in denen ein Entschluß oder eine Aussage am Ende des Liedes in einer „revocatio“ wieder zurückgenommen wird.