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O objectivo deste livro é de inteirar pessoas que já sabem ler e escrever em português para também saberem ler e escrever a língua Kimwani. Em 1988 realizou-se o Primeiro Seminário da Padronizaçâo de Ortografia das línguas Moçambicanas, em Maputo. Naquele Seminário, o alfabeto nas letras latinas da língua Kimwani também foi aprovado. Esta ortografia, com poucas alteraçôes, é a base deste livro. Neste livro tratam-se só as letras que têm expressôes diferentes do que as mesmas letras na língua portuguesa, e certas letras como H, K e W que nâo existem no alfabeto português também sâo introduzidas neste livrinho. Cada página deste livro trata uma letra diferente: primeiro é dado uma lista de palavras em Kimwani com uma certa letra e depois é dada uma explicaçâo como é usada aquela mesma letra na língua portuguesa. No fim de cada página sâo dados exemplos como se escreve aquela letra correctamente, com algumas frases explicativas.
Nation, Power and Dissidence in Third Generation Nigerian Poetry in English is a theoretical and analytical survey of the poetry that emerged in Nigeria in the 1980s. Hurt into poetry, the poets collectively raise aesthetics of resistance that dramatises the nationalist imagination bridging the gap between poetry and politics in Nigeria. The emerging generation of poetic voices raises an outcry against the repressive military regimes of the 1980s and 1990s. Ingrained in the tradition of protest literature in Africa, the third-generation poetry is presented here as part of the cultural struggles that unseat military despotism and envisage a democratic society.
National Culture in Post-Apartheid Namibia : State-sponsored Cultural Festivals and their Histories
(2015)
National Culture in Post-Apartheid Namibia' addresses the challenges of creating a 'national' culture in the context of a historical legacy that has emphasised ethnic diversity. The state-sponsored Annual National Culture Festival (ANCF) focuses on the Kavango region in north-eastern Namibia. Akuupa critically examines the notion of Kavango-ness as a colonial construct and its subsequent reconstitution and appropriation. He analyses the way in which cultural representations are produced by local people in the postcolonial African context of nation building and national reconciliation by bringing visions of cosmopolitanism and modernity into critical dialogue with the colonial past. Competing cultural festivals are used as celebratory social spaces in which performers and local people participate whilst negotiating a sense of national belonging in an ongoing tension between the need to celebrate diversity, yet strive for unity. This is the first study to discuss the comprehensive role played by those cultural festivals, which were organised in the ethnic homelands during the time Namibia fell under South African control.
Nationalpolitische Erziehung
(1936)