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Before turning to the essay on the experiment from 1793, which is unavoidable when discussing series, but does not exhaust the varied functions of seriality in Goethe’s morphology, a few words about the purpose of reconstructing Goethe’s practice of seriality are necessary. I want to argue that Goethe’s morphology is the site of a massive transformation of the notion of form, the scope and implications of which resurface after long latency at the beginning of the 20th century, for example, with Georg Simmel’s sociological notion of form-processes and the related idea of "reciprocity" ('Wechselwirkung') (cf. 265). My interest lies in interpreting what looks like a theory of organisms and nature as a more general theory of formation and transformation.