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La entrevista con Dario Azzellini se inició con mucha prisa en vista de que el autor de libro „El negocio de la guerra“, recientemente publicado por Monte Avila Editores, debia tomar un vuelo con destino a su pais de origen, Alemania. Aùn así, el Correo del Orinoco tuvo la oportunidad de conversar en exclusiva con el escrito acerca de su titulo y algo mas. ...
Interview with Dario Azzellini, author of The Business of War and the new documentary film, Comuna Under Construction. What is it about Venezuela that is so interesting? Since 2003 I have practically lived in Venezuela. What motivates me is that I am interested in the social transformation process happening here. It’s a different type of revolution, a new left that draws from all the experiences of the 60s, 70s, 80s and 90s. ...
The focus of this contribution is on the mode of capitalism within the industrialized sectors of "emerging markets". Particularly in the context of the rise of the BRIC (Brazil, Russia, India and China) this question has gained considerable importance, also for the development of the world economy as a whole. The core question is whether the type of capitalism within these economies is similar to the capitalist variety of the triad, or diverges in more or less permanent ways. The article gives a preliminary answer to this question, by developing a rough sketch of a "BRIC" model of capitalism and illustrating this model with the case of Brazil. In terms of theory, the article extends the Comparative Capitalism (CC) perspective to the BRICs. On the one side, the focus is on the classical questions of CC, i.e. the determinants of economic development and the differences to other types of capitalism, on the other side the relationship between these varieties and social inequality. It argues that the "state-permeated market economies" of the BRICs rely on clans as a mode of social coordination. As demonstrated by the case of Brazil, this type of capitalism can be quite successful, but is based on a highly unequal distribution of economic and political resources.
O artigo apresenta os argumentos centrais da política deliberativa de Jürgen Habermas (1), e as perspectivas críticas de Axel Honneth (2) e Nancy Fraser (3) de forma a conferir à política habermasiana uma dimensão mais realista, um conteúdo político de vínculo mais concreto com a orientação emancipatória da práxis, e capaz de lidar melhor com a diferença, a diversidade e o conflito.
O presente trabalho tem como foco o conceito de esclarecimento e sua relação com a autonomia ou engajamento da arte contemporânea. Trataremos da relação entre mito e esclarecimento e localizaremos a indústria cultural frente a esses dois conceitos. Em seguida discutiremos a posição da arte contemporânea diante da indústria cultural, e finalmente traremos dois exemplos do teatro brasileiro.
Migranten werden in politischen Debatten oft als festgefügte Gemeinschaft betrachtet, die in ihrer eigenen nach außen abgeschotteten Welt leben – in einer Parallelgesellschaft. Doch ist das wirklich so? Wie gestalten insbesondere junge Leute mit Migrationshintergrund ihre sozialen Bindungen, wenn sie sich in der urbanen Clubszene europäischer Großstädte bewegen? Das Team um die Soziologin und Kulturanthropologin Kira Kosnick untersucht die Dynamiken dieser Prozesse.
This study points out the methodological centrality assumed by the notion of “physiognomy”, both in Benjamin and in Adorno, namely the idea that the forms of the works of art, and generally those of the visual phenomena, are direct “expression”, in a micro-monadological way, of an historical-social sense, not otherwise attainable. On the one hand Benjamin’s physiognomy shows a particular interpretative “openness” to its objects, on the other that of Adorno remains subjected to an epistemological model of “totality”, from the Hegelian-Marxian tradition, which risks compromising the hermeneutic efficacy of its own original philosophical approach.