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A commonly held view in the literature on Scrambling and Clitic Doubling is that both constructions are sensitive to Specificity. For this reason Sportiche (1992) proposes to unify the two, an approach which has become quite standard in the relevant literature ever since. However, the claim that clitic doubling is the counterpart of Germanic scrambling has never been substantiated. In this paper we present extensive evidence from Greek that Clitic Doubling has common formal properties with Germanic Scrambling/Object Shift. Our evidence consists mainly of binding facts observed when doubling takes place, which seem, at first sight, to be completely unexpected. On closer inspection, however, it turns out that these facts are strongly reminiscent of the effects showing up in Germanic scrambling. We propose that these properties can be derived under a theory of clitic constructions along the lines of Sportiche (1992) implemented into the framework of Chomsky (1995). Finally we suggest the that the crosslinguistic distribution of Scrambling as opposed to Clitic Doubling should be linked to a parameter relating to properties of Agr: Move/Merge XP vs. Move/Merge X° to Agr. We show that this parameter unifies the behaviour of subjects and objects within a language and across languages. The paper is organised as follows. In section 2 we present evidence from binding, interpretational and prosodic effects that doubling and scrambling display very similar properties. In section 3 we present Sportiches account and point out some problems for it. In section 4 we present our proposal.
This paper aims to investigate the dynamics of text-image interplay as exemplified by various text types applied to second language teaching and translation didactics. Based on examples of texts from the fields of Science, Technology, Literature and Language Teaching, the authors attempt to assess both successful and unsuccessful instances of the application of iconical resources in text production. Some didactic consequences are discussed.
Simplicity as a methodological orientation applies to linguistic theory just as to any other field of research: ‘Occam’s razor’ is the label for the basic heuristic maxim according to which an adequate analysis must ultimately be reduced to indispensible specifications. In this sense, conceptual economy has been a strict and stimulating guideline in the development of Generative Grammar from the very beginning. Halle’s (1959) argument discarding the level of taxonomic phonemics in order to unify two otherwise separate phonological processes is an early characteristic example; a more general notion is that of an evaluation metric introduced in Chomsky (1957, 1975), which relates the relative simplicity of alternative linguistic descriptions systematically to the quest for explanatory adequacy of the theory underlying the descriptions to be evaluated. Further proposals along these lines include the theory of markedness developed in Chomsky and Halle (1968), Kean (1975, 1981), and others, the notion of underspecification proposed e.g. in Archangeli (1984), Farkas (1990), the concept of default values and related notions. An important step promoting this general orientation was the idea of Principles and Parameters developed in Chomsky (1981, 1986), which reduced the notion of language particular rule systems to universal principles, subject merely to parametrization with restricted options, largely related to properties of particular lexical items. On this account, the notion of a simplicity metric is to be dispensed with, as competing analyses of relevant data are now supposed to be essentially excluded by the restrictive system of principles.
Die vorliegende Arbeit sieht sich im Rahmen der Diskursanalyse. Ihr Ziel ist es, einen Beitrag zu Fragestellungen zu leisten, die um die Strukturierung von gesprochener Sprache und Möglichkeiten ihrer Erfassung kreisen. Die in ihr untersuchte Sprache ist das Samoanische, eine der Sprachen, die aufgrund vielfacher linguistischer Forschung eher als 'bekannt' zu bezeichnen ist.
This paper focusses On the discussion of the preservation of expressive aspects in translation., Considerations are grounded on the HJELMSLEVian concepts of the isomorphy between the planes of content and expression, which are both constituted by-substance and form. The present study intends to show that the connotative equivalence of a text can only be achieved in the target language when attention is paid to both the formal-stylistic and the textual-normative dimensions. This involves the appropriation of the stylistic values of the linguistic expression in the source language and, mainly, the understanding of the tropes and the relationships between them. Thus, the present study draws on discourse analysis, comprehending "enunciation" theories and the rhetorical and pragmatic considerations on the level of expression. Considering that the literary text is privileged in providing stylistically marked choices, it is important to highlight the phonetic and semantic correspondences, that is, the close relationship between sound and meaning, which harbours one of the major difficulties in translation. The theory is applied to "Os Sertões" (English translation: "Rebellion on the Backlands") by Euclides da Cunha.
Coreference in dialogue
(1997)
Since the early days of discourse analysis coreference has always been considered a major factor in the formation of texts and dialogues. The repetition of nominal elements and the anaphoric use of pronouns in successive sentences is a fundamental cohesive pattern which ties sentences together and contributes to the coherence of sequences. "La coherence transphrastique trouve dans la pronominalisation un des procedes les plus efficaces" (Stati 1990, 160). The basic structural pattern on which linguists focused their interest in the early 1970s is captured by the following examples: (1) A man entered the house. After closing the door, the man sat down. He was tired. (2) Peter The man entered the house. He was tired. He ...
German particles usually bring great difficulties to German students. One of these particles, doch, is very often used, especially in conversation. In this paper its various uses are discussed, as well as eases where it can be replaced by other particles, adverbs or conjunctions, without changing the illocution (that is, the intention of the speaker). This study is based on the work of HELBIG, who differentiates eight varieties of doch. Each of them is discussed here according to syntactic, semantic and pragmatic criteria and made explicit through examples.