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In this paper I tried to demonstrate that the British films depicting football hooliganism could be viewed as glorifying violence. A considerably great number of scenes and a great amount of time devoted to the presentation of violence, together with the unpunished, painless and heroic aspects of such presentations are just one side of the glorifying coin. The other side is occupied with the deeper meaning of particular scenes or the general overtones of the films which seem to develop a tendency to present a hooligan firm as a family-like community that offers happiness and produces a strong feeling of belonging and solidarity that adds spice to the boring working or middle class life. Violent confrontations are depicted as a source of pleasurable emotional arousal that surpass other forms of enjoyment. Moreover, confronting other hooligans helps hooligans to construct hard masculine identity based on physical prowess. Finally, being a good fighter is a fast track to earning a reputation that provides hooligans with a sense of power and importance. Real hooligans starring in the films, thus potentially encouraging viewers to become “wannabe warriors”, is also of great importance. However, the way the audiences react to the on-screen presentation of violence with all its aspects is a topic for much broader research.
In this article I reanalyze sibilant inventories of Slavic languages by taking into consideration acoustic, perceptive and phonological evidence. The main goal of this study is to show that perception is an important factor which determines the shape of sibilant inventories. The improvement of perceptual contrast essentially contributes to creating new sibilant inventories by (i) changing the place of articulation of the existing phonemes (ii) merging sibilants that are perceptually very close or (iii) deleting them. It has also been shown that the symbol š traditionally used in Slavic linguistics corresponds to two sounds in the IPA systemsystem: it stands for a postalveolar sibilant (ʃ) in some Slavic languages, as e.g. Bulgarian, Czech, Slovak, some Serbian and Croatian dialects, whereas in others like Polish, Russian, Lower Sorbian it functions as a retroflex (s). This discrepancy is motivated by the fact that ʃ is not optimal in terms of maintaining sufficient perceptual contrast to other sibilants such as s and ç. If ʃ occurs together with s and sj there is a considerable perceptual distance between them but if it occurs with ç in an inventory, the distance is much smaller. Therefore, the strategy most languages follow is the change from a postalveolar to a retroflex sibilant.
This paper evaluates trills [r] and their palatalized counterparts [rj] from the point of view of markedness. It is argued that [r]s are unmarked sounds in comparison to [rj]s which follows from the examination of the following parameters: (a) frequency of occurrence, (b) articulatory and aerodynamic characteristics, (c) perceptual features, (d) emergence in the process of language acquisition, (e) stability from a diachronic point of view, (f) phonotactic distribution, and (g) implications. Several markedness aspects of [r]s and [rj] are analyzed on the basis of Slavic languages which offer excellent material for the evaluation of trills. Their phonetic characteristics incorporated into phonetically grounded constraints are employed for a phonological OT-analysis of r-palatalization in two selected languages: Polish and Czech.
In this paper it is argued that several typologically unrelated languages share the tendency to avoid voiced sibilant affricates. This tendency is explained by appealing to the phonetic properties of the sounds, and in particular to their aerodynamic characteristics. On the basis of experimental evidence it is shown that conflicting air pressure requirements for maintaining voicing and frication are responsible for the avoidance of voiced affricates. In particular, the air pressure released from the stop phase of the affricate is too high to maintain voicing which in consequence leads to a devoicing of the frication part.
V německých gramatikách i speciálních studiích se často uvádějí prefigovaná slovesa, jako einschlafen, ausziehen aj., jako příklad sloves dokonavých (perfektivních, telických). Na druhé straně atributivním prézentním participiím (Partizip I) z nich tvořeným (einschlafende, ausziehende) se přisuzuje vid pouze nedokonavý. Na základě korpusového výzkumu se v této studii dokazuje, že prézentní atributivní participia mají v německých textech i význam dokonavý, i když se tento význam uplatňuje poměrně zřídka.
Grčke i semitske riječi u latinskome tekstu Ivanova evanđelja izražavaju specifične biblijske pojmove, gotovo potpuno nepoznate većini engleskog stanovništva do evangelizacije tijekom sedmoga stoljeća. Cilj je ovoga istraživanja ispitati na koje su sve načine one prevedene na staroengleski i srednjoengleski jezik te objasniti razloge takva prevođenja ondje gdje je to moguće. Komparativnom metodom istražit ćemo utjecaj porijekla riječi na njihov oblik i značenje i pokušati rasvijetliti kognitivne razlike u doživljaju biblijskih pojmova među autorima prijevoda i njihovih suvremenika, do kojih je došlo uslijed relativno dugoga razdoblja proteklog između triju prijevoda.
U radu se prvi put objavljuje jedina zasad pronađena inačica glagoljičke pasionske pjesme, koju smo nazvali Ja, Marija, glasom zovu, zapisane u Berčićevu kodeksu br. 5 s kraja 15. st. Donosi se latinička transkripcija teksta te njegove osnovne književnopovijesne, grafijsko-ortografske i jezično-stilske značajke.