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Rezension zu A. Celinić; I. Kurtović Budja; A. Čilaš Šimpraga; Ž. Jozić: Prinosi hrvatskoj dijalektnoj fonologiji. Split – Zagreb: Književni krug Split – Institut za hrvatski jezik i jezikoslovlje, 2010.
Seit mehr als 60 Jahren dominiert in der historisch-phonologischen Umlaut-Landschaft EIN Aufsatz, eine vierseitige Skizze des althochdeutschen Umlauts von W. Freeman Twaddell. Keller (1978: 160) nennt diese Theorie 'one of the finest achievements of American linguists'. Ähnliche Lobsprüche findet man mehrmals in der Literatur und der Artikel bleibt bis heute noch DER Eckpfeiler der Umlaut-Debatte (s. Krygier 1997, Schulte 1998).
In den letzten paar Jahren haben wir mit einigen Kollegen – Anthony Buccini, Garry Davis, David Fertig, Dave Holsinger, Robert Howell, Regina Smith – einen neuen Ansatz entwickelt, die wir "ingenerate Umlaut" nennen. "Ingenerate" heißt hier ungefähr 'vorprogrammiert, inhärent, angeboren' und deutet darauf hin, daß wir die Wurzeln vom Umlaut in der Phonetik – noch genauer: in der Koartikulation – suchen. Auch meinen wir, die allmähliche Entfaltung des Prozesses in den "Ausnahmen" zum Umlaut sehen zu können, mit anderen Worten genau in den umlautlosen Formen, die in der Twaddellschen Tradition als willkürliche Ergebnisse der Analogie gesehen werden müssen.
Cìlem tohoto článku je ukázat, ņe je nutné při jazykovém rozboru středověkého německého textu, chceme-li se alespoņ přiblìņit jeho zvukové podobě, vņdy vycházet přìmo z rukopisu. Normalizovaná edice totiņ často stìrá fonetické zvláńtnosti a namnoze tìm dokonce ztěņuje i porozuměnì. Z analýzy nańeho textu např. jasně výplývajì rozdìy ve fonetické realizaci dvojhlásek ai/ay a ei/ey vzniklých kontrakcì -age- a -ege-, které K. Bartsch ve své edici přepisuje jako ei, a tìm zvyńuje počet homografických slov. Naproti tomu rozlińovánì s (germánské s) a z(z) (germánské t) a restaurace počátečnìho s ve skupině sw- nemá v jazyce rukopisu ņádnou oporu a archaizuje tak neņádoucìm způsobem jazykovou podobu celého textu.
This article deals with the Tashlhiyt dialect of Berber (henceforth TB) spoken in the southern part of Morocco. In TB, words may consist entirely of consonants without vowels and sometimes of only voiceless obstruents, e.g. tft#tstt "you rolled it (fem)". In this study we have carried out acoustic, video-endoscopic and phonological analyses to answer the following question: is schwa, which may function as syllabic, a segment at the level of phonetic representations in TB? Video-endoscopic films were made of one male native speaker of TB, producing a list of forms consisting entirely of voiceless obstruents. The same list was produced by 7 male native speakers of TB for the acoustic analysis. The phonological analysis is based on the behaviour of vowels with respect to the phonological rule of assibilation. This study shows the absence of schwa vowels in forms consisting of voiceless obstruents.
O conceito de Witz, como aparece nos fragmentos de Friedrich Schlegel, publicados entre 1798 e 1800, está ligado ao entendimento estético e foi recuperado por Walter Benjamin em O conceito de crítica de arte no romantismo alemão. O Witz faz parte da "terminologia filosófica" romântica, é um instante na reflexão crítica sobre uma obra de arte onde se dá o conhecimento súbito. O Witz opera na obra uma iluminação de diferentes níveis: semanticamente, aparece na obra como as figuras de estilo da subitaneidade, ou como parabase, a ruptura que autoexplica a obra. Witz, etimologicamente, seria uma corruptela de wissen (saber), e representado pela metáfora da luz. O termo original Witz mantém uma relação sonora com Blitz (relâmpago), é o saber que emerge à consciência subitamente, como um relâmpago, uma iluminação súbita da cena. Witz/Bliz constituem-se em um par conceitual, ou seja, a sonoridade dos termos permite um permuta visual e fonética que vem ao encontro das possibilidades semânticas, compondo um par de opostos.
What governs phonology
(2000)
The goal of this paper is to survey the accent systems of the indigenous languages of Africa. Although roughly one third of the world’s languages are spoken in Africa, this continent has tended to be underrepresented in earlier stress and accent typology surveys, like Hyman (1977). This one aims to fill that gap. Two main contributions to the typology of accent are made by this study of African languages. First, it confirms Hyman's (1977) earlier finding that (stem-)initial and penult are the most common positions, cross-linguistically, to be assigned main stress. Further, it shows that not only stress but also tone and segment distribution can define prominence asymmetries which are best analyzed in terms of accent.
Die deutsche Wechselflexion besteht hauptsächlich im e -> i- und im a -> e-Wechsel in der 2. und 3. Person Singular im Präsens starker Verben (z.B. ich gebe vs. du gibst/sie gibt oder ich fahre vs. du fährst/sie fährt). Dieser binnenflektierende, modulatorische Person/Numerus-Ausdruck galt bisher als konservativer Zug des Deutschen und wurde von der Linguistik kaum beachtet, möglicherweise weil sein Erhalt theoretisch schwer zu begründen ist. Manche Linguisten haben sogar schon seinen Abbau prognostiziert. In diesem Beitrag wird dieses marginalisierte Phänomen synchron wie diachron dargestellt und mit dem Luxemburgischen verglichen. Beide Sprachen verfügen über einen stabilen Bestand an über fünfzig häufig verwendeten Wechselflexionsverben. Im Gegensatz zum Deutschen hat sich die luxemburgische Wechselflexion von den starken Verben gelöst und wurde sekundär auch auf schwache und athematische Verben übertragen. Dabei kommt es zu über zwanzig verschiedenen Vokalalternanzen. Dieser massive Aus- und Umbau der luxemburgischen Wechselflexion wird dokumentiert und, zusammen mit der deutschen Wechselflexion, einer theoretischen Fundierung unterzogen.
I argue in this study that consonantal strength shifts can be explained through positional bans on features, expressed over positions marked as weak at a given level of prosodic structure, usually the metrical foo!. This approach might be characterized as "templatic" in the sense it seeks to explain positional restrictions and distributional patterns relative to independently motivated, fixed prosodic elements. In this sense, it follows Dresher & Lahiri's (1991) idea of metrical coherence in phonological systems, namely, "[T]hat grammars adhere to syllabic templates and metrical patterns of limited types, and that these patterns persist across derivations and are available to a number of different processes ... " (251). [...] The study is structured as follows: section 1 presents a typology of distributional asymmetries based on data from unrelated languages, demonstrating that the stress foot of each of these languages determines the contexts of neutralization and weakening of stops. Section 2 elaborates the notion of a template, exploring some of its formal properties, while section 3 presents templatic analyses of data from English and German. Section 4 explores the properties of weak positions, especially weak onsets, in more detail, including discussion of templates in phonological acquisition. Section 5 summarizes and concludes the study.
Weak function word shift
(2004)
The fact that object shift only affects weak pronouns in mainland Scandinavian is seen as an instance of a more general observation that can be made in all Germanic languages: weak function words tend to avoid the edges of larger prosodic domains. This generalisation has been formulated within Optimality Theory in terms of alignment constraints on prosodic structure by Selkirk (1996) in explaining thedistribution of prosodically strong and weak forms of English functionwords, especially modal verbs, prepositions and pronouns. But a purely phonological account fails to integrate the syntactic licensing conditions for object shift in an appropriate way. The standard semantico-syntactic accounts of object shift, onthe other hand, fail to explain why it is only weak pronouns that undergo object shift. This paper develops an Optimality theoretic model of the syntax-phonology interface which is based on the interaction of syntactic and prosodic factors. The account can successfully be applied to further related phenomena in English and German.