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(Non)retroflexivity of slavic affricates and its motivation : Evidence from polish and czech <č>
(2005)
The goal of this paper is two-fold. First, it revises the common assumption that the affricate <č> denotes /t͡ʃ/ for all Slavic languages. On the basis of experimental results it is shown that Slavic <č> stands for two sounds: /t͡ʃ/ as e.g. in Czech and /ʈʂ/ as in Polish.
The second goal of the paper is to show that this difference is not accidental but it is motivated by perceptual relations among sibilants. In Polish, /t͡ʃ/ changed to /ʈʂ/ thus lowering its sibilant tonality and creating a better perceptual distance to /tɕ/, whereas in Czech /t͡ʃ/ did not turn to /ʈʂ/, as the former displayed sufficient perceptual distance to the only affricate present in the inventory, namely, the alveolar /t͡s/. Finally, an analysis of Czech and Polish affricate inventories is offered.
This paper contributes to the understanding of vocal folds oscillation during phonation. In order to test theoretical models of phonation, a new experimental set-up using a deformable vocal folds replica is presented. The replica is shown to be able to produce self sustained oscillations under controlled experimental conditions. Therefore different parameters, such as those related to elasticity, to acoustical coupling or to the subglottal pressure can be quantitatively studied. In this work we focused on the oscillation fundamental frequency and the upstream pressure in order to start (on-set threshold) either end (off-set threshold) oscillations in presence of a downstream acoustical resonator. As an example, it is shown how this data can be used in order to test the theoretical predictions of a simple one-mass model.
In many languages, a passive-like meaning may be obtained through a noncanonical passive construction. The get passive (1b) in English, the se faire passive (2b) in French and the kriegen passive (3b) in German represent typical manifestations. This squib focuses on the behavior of the get-passive in English and discusses a number of restrictions associated with it as well as the status of get.
It has been shown that visual cues play a crucial role in the perception of vowels and consonants. Conflicting consonantal stimuli presented in the visual and auditory modalities can even result in the emergence of a third perceptual unit (McGurk effect). From a developmental point of view, several studies report that newborns can associate the image of a face uttering a given vowel to the auditory signal corresponding to this vowel; visual cues are thus used by the newborns. Despite the large number of studies carried out with adult speakers and newborns, very little work has been conducted with preschool-aged children. This contribution is aimed at describing the use of auditory and visual cues by 4 and 5-year-old French Canadian speakers, compared to adult speakers, in the identification of voiced consonants. Audiovisual recordings of a French Canadian speaker uttering the sequences [aba], [ada], [aga], [ava], [ibi], [idi], [igi], [ivi] have been carried out. The acoustic and visual signals have been extracted and analysed so that conflicting and non-conflicting stimuli, between the two modalities, were obtained. The resulting stimuli were presented as a perceptual test to eight 4 and 5-year-old French Canadian speakers and ten adults in three conditions: visual-only, auditory-only, and audiovisual. Results show that, even though the visual cues have a significant effect on the identification of the stimuli for adults and children, children are less sensitive to visual cues in the audiovisual condition. Such results shed light on the role of multimodal perception in the emergence and the refinement of the phonological system in children.
A visual articulatory model and its application to therapy
of speech disorders : a pilot study
(2005)
A visual articulatory model based on static MRI-data of isolated sounds and its application in therapy of speech disorders is described. The model is capable of generating video sequences of articulatory movements or still images of articulatory target positions within the midsagittal plane. On the basis of this model (1) a visual stimulation technique for the therapy of patients suffering from speech disorders and (2) a rating test for visual recognition of speech movements was developed. Results indicate that patients produce recognition rates above level of chance already without any training and that patients are capable of increasing their recognition rate over the time course of therapy significantly.
The present article is a follow-up study of the investigation of labiodentals in German and Dutch by Hamann & Sennema (2005), where we looked at the perception of the Dutch labiodental three-way contrast by German listeners without any knowledge of Dutch and German learners of Dutch. The results of this previous study suggested that the German voiced labiodental fricative /v/ is perceptually closer to the Dutch approximant /ʋ/ than to the corresponding Dutch voiced labiodental fricative /v/. These perceptual indications are attested by the acoustic findings in the present study. German /v/ has a similar harmonicity median and a similar centre of gravity to Dutch /ʋ/, but differs from Dutch /v/ in these parameters. With respect to the acoustic parameter of duration, German /v/ lies closer to the Dutch /v/ than to the Dutch /ʋ/.
Four speakers repeated 8 times 15 sentences containing 'pVp' syllables (V being /a/, /i/ and /u/). The 'pVp' syllables were located in final, penultimate and antepenultimate position relatively to the Intonational Phrase (IP) boundary. They were embedded in lexical words of 1-3 syllables and were either word-initial or word-final. Results show that the closer the vowel in word-final position is to the IP boundary, the longer the duration and the higher the fundamental frequency of the vowel; it is also characterised by larger lip opening gestures. The potential reduction or coarticulation of vowels in wordinitial position compared to their counterparts in word-final position is discussed.
This study reports on the results of an airflow experiment that measured the duration of airflow and the amount of air from release of a stop to the beginning of a following vowel in stop vowel-sequences of German. The sequences involved coronal, labial and velar voiced and voiceless stops followed by the vocoids /j, i:, ı, ɛ, ʊ, a/. The experiment tested the influence of the three factors voicing of stop, place of stop articulation, and the following vocoid context on the duration and amount of air as possible explanation for assibilation processes. The results show that the voiceless stops are related to a longer duration and more air in the release phase than voiced ones. For the influence of the vocoids, a significant difference could be established between /j/ and all other vocoids for the duration of the release phase. This difference could not be found for the amount of air over this duration. The place of articulation had only restricted influence. Velars resulted in significantly longer duration of the release phase compared to non-velars. A significant difference in amount of air between the places of articulation could not be found.
In order to understand the functional morphology of the human voice producing system, we are in need of data on the vocal tract anatomy of other mammalian species. The larynges and vocal tracts of four species of Artiodactyla were investigated in combination with acoustic analyses of their respective calls. Different evolutionary specializations of laryngeal characters may lead to similar effects on sound production. In the investigated species, such specializations are: the elongation and mass increase of the vocal folds, the volume increase of the laryngeal vestibulum by an enlarged thyroid cartilage and the formation of laryngeal ventricles. Both the elongation of the vocal folds and the increase of the oscillating masses lower the fundamental frequency. The influence of an increased volume of the laryngeal vestibulum on sound production remains unclear. The anatomical and acoustic results are presented together with considerations about the habitats and the mating systems of the respective species.
In order to investigate the articulatory processes of the hasty and mumbled speech of clutterers, the kinematic variability was analysed by means of electromagnetic midsagittal articulography (EMMA). In contrast to stutterers, clutterers improve their intelligibility by concentrating on their speech task. Variability is an important criterion in comparable studies of stuttering and is discussed in terms of the stability of the speech motor system. The aim of the current study was to analyse the spatial and temporal variability in the speech of three clutterers and three control speakers. All speakers were native speakers of German. The speech material consisted of repetitive CV-syllables and foreign words, because clutterers have the most severe problems with long words which have a complex syllable structure. The results showed a higher quotient of variation for clutterers in the foreign word production. For the syllable repetition task, no significant differences between clutterers and controls were found. The extremely large and variable displacements were interpreted as a strategy that helps clutterers to improve the intelligibility of their speech.