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For reasons of space, we only discussed one text in which the metaphors used seem to take their root in the context in which it has been written. One text is definitely not enough to make any definite claims on how widespread this phenomenon is. Given what we know about the two domains - Food and taste - one has reasons to believe that when speakers/conceptualisers (e.g. journalists) describe something which stands in some relation to both, they may intuitively be reaching for taste metaphors of the kind described above on the premise that this kind of ‘ornamentation’ will add some spice to what the addressee might otherwise consider a trivial (and boring) topic. At the same time, taste is only one among many properties a particular item of food or a substance (e.g. sugar) has. In consequence, one may well imagine contexts in which it is not its taste, but other properties (e.g. what Harbottle [1997:183] refers to as its 'pure white and deadly’ image) that will make the conceptualiser reach for a particular linguistic or conceptual metaphor.
The aim of this article is to follow the changes that took place in the history of easy-to-please constructions. To fully apprehend that, we will begin by looking at Middle English infinitives and the change which affected them. Our attempt here is to prove that Early Middle English to was at its intermediate stage of development, i.e. it was neither a preposition nor inflection. In Late Middle English, to reached its final stage of a gradual evolution heading TR On account of the analysis of to and infinitives in Middle English, new constructions in which easv-to-please appear will be explained.
This article will attempt to suggest translation procedures necessary to translate culturally bound items in the referential level of a literary work illustrated with examples from two novels: “The Bluest Eye” by Toni Morrison and “Vineland” by Thomas Pynchon. First, the article will include a general description of the referential level in literary works offering possible avenues of 285 its rendition, then and finally suggest a translation methodology and techniques together with practical examples of the theory at work.
The cognitive framework seems to comply with the need of interdisciplinary outlook on the issue of emotions, as it itself draws upon findings of psychological, anthropological and philosophical research. Along with undertaking further studies on the conceptualization of emotions in different languages, from the detailed analysis of the repertoire of linguistic means used for talking about emotions to investigation into tendencies to use metaphors or metonymies to talk about emotions, some broader conclusions could be drawn. The greatest challenge seems to be establishing whether there are any cultural (social, economical, conventional, political, religious) conditions that may influence the relevant changes in conceptualizing emotions in different languages and whether it is possible to point to any laws or regularities that would govern these changes.
Diese Arbeit untersucht das Phänomen der Graduierung im Bereich der lexikalischen Semantik. Im lexikalischen System einer Sprache existieren Wörter, die durch verschiedene Grade eines Merkmals kontrastieren und eine besondere lexikalisch-semantische Gruppe konstituieren. Die Relation zwischen den Elementen derartiger Gruppen wird als Graduonymie bezeichnet. Diese Studie stellt Überlegungen zur Erweiterung lexikalisch-semantischer Ressourcen durch die Graduonymie dar. Insbesondere wird untersucht, wie graduonymisch aufeinander bezogene Wörter in lexikalischen Online-Ressourcen repräsentiert sind und welchen Stellenwert diese Relation in solchen Systemen aufweisen könnte. Durch einen Wörterbuchabgleich wird die Repräsentation der graduonymischen Paradigmatik von KIND im Online-Wörterbuch elexiko überprüft und mittels Korpusanalysen näher bestimmt. Es handelt sich dabei um eine korpusbasierte Untersuchung mit sowohl quantitativem als auch qualitativem Ansatz.