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On the basis of perceptual experiments we show that alveolo-palatal fricatives and palatalized post-alveolars are two separate sounds which are distinguished not only by Polish native speakers but also by German ones. This claim is partly attested by centre of gravity measurements of the two sibilants. In this paper we revise the claim made by Halle & Stevens [1] and Maddieson & Ladefoged [2] that the Polish alveolo-palatal fricatives [˛, ¸] are palatalized postalveolars [SJ, ZJ]. On the basis of perceptual experiments we show that alveolo-palatal fricatives and palatalized post-alveolars are two separate sounds which are distinguished not only by Polish native speakers but also by German ones. This claim is partly attested by centre of gravity measurements of the two sibilants.
In this article I reanalyze sibilant inventories of Slavic languages by taking into consideration acoustic, perceptive and phonological evidence. The main goal of this study is to show that perception is an important factor which determines the shape of sibilant inventories. The improvement of perceptual contrast essentially contributes to creating new sibilant inventories by (i) changing the place of articulation of the existing phonemes (ii) merging sibilants that are perceptually very close or (iii) deleting them. It has also been shown that the symbol š traditionally used in Slavic linguistics corresponds to two sounds in the IPA systemsystem: it stands for a postalveolar sibilant (ʃ) in some Slavic languages, as e.g. Bulgarian, Czech, Slovak, some Serbian and Croatian dialects, whereas in others like Polish, Russian, Lower Sorbian it functions as a retroflex (s). This discrepancy is motivated by the fact that ʃ is not optimal in terms of maintaining sufficient perceptual contrast to other sibilants such as s and ç. If ʃ occurs together with s and sj there is a considerable perceptual distance between them but if it occurs with ç in an inventory, the distance is much smaller. Therefore, the strategy most languages follow is the change from a postalveolar to a retroflex sibilant.
In this artiele I reanalyze sibilant inventories of Slavic languages by taking into consideration acoustic. perceptive and phonological evidence. The main goal of this study is to show that perception is an important factor which determines the shape of sibilant inventories. The improvement of perceptual contrast essentially contributes to creating new sibilant inventories by (i) changing the place of articulation of the existing phonemes (ii) merging sibilants that are perceptually very close or (iii) deleting them.
It has also been shown that the symbol s traditionally used in Slavic linguistics corresponds to two sounds in the IP A system: it stands for a postalveolar sibilant (ʃ) in some Slavic languages, as e.g. Bulagarian, Czech, Slovak, some Serbian and Croatian dialects, whereas in others like Polish, Russian, Lower Sorbian it functions as a retroflex (ʂ). This discrepancy is motivated by the fact that ʃ is not optimal in terms of maintaining sufficient perceptual contrast to other sibilants such as s and ɕ. If ʃ occurs together with s (and sʲ) there is a considerable perceptual distance between them but if it occurs with ɕ in an inventory, the distance is much smaller. Therefore, the strategy most languages follow is the change from a postalveolar to a retroflex sibilant.
This paper presents a descriptive overview of liaison, giving an idea of the scope of the phenomenon and possible approaches to its analysis. As for the contextual conditions on liaison, in many cases, the traditional notions of obligatory and prohibited liaison do not reflect speakers' actual behavior. It turns out that general syntactic constraints cannot determine the systematic presence or absence of liaison at a given word boundary. At best, specific constraints can be formulated to target particular classes of constructions. To express such constraints, I propose a system of representation in the framework of HPSG. The use of EDGE features (introduced by Miller (1992) for a GPSG treatment of French) provides the necessary link between phrasal descriptions and the properties of phrase-peripheral elements.
Bilabial stops undergoing Surface Palatalization (SP) were analyzed in an EMMA/EPG study. Articulatorily, the point of maximal palatal contact and the labial opening movement were analyzed. The acoustic analysis pertained to stop related timing and the point of the highest F2-value. Results show (i) that SP yields a higher F2 at vowel onset and a lengthened opening gesture and (ii) that morphemeinduced palatalizations are distinguished from word initial ones and sandhi-palatalizations articulatorily and acoustically by a shorter delay of palatal target position with respect to stop production; (iii) no differences are found between ‘repalatalized’ and plain segments in case of sandhi palatalization.
In this paper we provide an account of the historical development of Polish and Russian sibilants. The arguments provided here are of theoretical interest because they show that (i) certain allophonic rules are driven by the need to keep contrasts perceptually distinct, (ii) (unconditioned) sound changes result from needs of perceptual distinctiveness, and (iii) perceptual distinctiveness can be extended to a dass of consonants, i.e. the sibilants. The analysis is cast within Dispersion Theory by providing phonetic and typological data supporting the perceptual distinctiveness claims we make.
In this paper we provide an account of the historical development of Polish and Russian sibilants. The arguments provided here are of theoretical interest because they show that (i) certain allophonic rules are driven by the need to keep contrasts perceptually distinct, (ii) (unconditioned) sound changes result from needs of perceptual distinctiveness, and (iii) perceptual distinctiveness can be extended to a class of consonants, i.e. the sibilants. The analysis is cast within Dispersion Theory by providing phonetic and typological data supporting the perceptual distinctiveness claims we make.
S.R. Ramsey writes (1979: 162): "The patterning of tone marks in Old Kyoto texts divides the vocabulary into virtually the same classes as those arrived at by comparing the accent distinctions found in the modern dialects. This means that the Old Kyoto dialect had a pitch system similar to that of proto-Japanese. The standard language of the Heian period may not actually be the ancestor of all the dialects of Japan, but at least as far as the accent system is concerned, it is close enough to the proto system to be used as a working model. The significance of this fact is important: It means that each of the dialects included in the comparison has as much to tell, at least potentially, as any other dialect about Old Kyoto accent."