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Cìlem tohoto článku je ukázat, ņe je nutné při jazykovém rozboru středověkého německého textu, chceme-li se alespoņ přiblìņit jeho zvukové podobě, vņdy vycházet přìmo z rukopisu. Normalizovaná edice totiņ často stìrá fonetické zvláńtnosti a namnoze tìm dokonce ztěņuje i porozuměnì. Z analýzy nańeho textu např. jasně výplývajì rozdìy ve fonetické realizaci dvojhlásek ai/ay a ei/ey vzniklých kontrakcì -age- a -ege-, které K. Bartsch ve své edici přepisuje jako ei, a tìm zvyńuje počet homografických slov. Naproti tomu rozlińovánì s (germánské s) a z(z) (germánské t) a restaurace počátečnìho s ve skupině sw- nemá v jazyce rukopisu ņádnou oporu a archaizuje tak neņádoucìm způsobem jazykovou podobu celého textu.
Článek pojednává o zlomku lékařského receptu z 15. stoletì, který je v současné době uchováván pod signaturou I E a 16 v Oddělenì rukopisů a starých tisků Knihovny Národnìho muzea v Praze, a zabývá se dìlčìmi aspekty textové analýzy v oblasti grafematiky, fonetiky, morfologie, syntaxe a slovnì zásoby.
West Slavic accentuation
(2009)
At the time of the earliest reconstructible dialectal divergences, which belong to the Late Middle Slavic period of my chronology (stages 7.0 - 8.0 of Kortlandt 1989a, 2003, 2008), the West Slavic languages represented the most conservative part of the Slavic dialects (cf. Kortlandt 1982b: 191 and 2003: 231).
The present study argues that variation across listeners in the perception of a non-native contrast is due to two factors: the listener-specic weighting of auditory dimensions and the listener-specic construction of new segmental representations. The interaction of both factors is shown to take place in the perception grammar, which can be modelled within an OT framework. These points are illustrated with the acquisition of the Dutch three-member labiodental contrast [V v f] by German learners of Dutch, focussing on four types of learners from the perception study by Hamann and Sennema (2005a).
Ausgehend von den Zielen des Ausspracheunterrichts wird dargestellt, dass das Verstehen und Verstandenwerden in der Fremdsprache Deutsch gut entwickelte Aussprachefertigkeiten voraussetzt. Analysen an Deutschlernenden haben gezeigt, wo die Hauptschwierigkeiten liegen, diese werden im Beitrag aufgelistet. Um den oft schwierigen Lernprozess zu unterstützen und Lernende zu motivieren und zu sensibilisieren, können im Unterricht spielerische Übungen zu verschiedenen phonetischen Themen eingesetzt werden. Im Beitrag werden die Besonderheiten spielerisch angelegter, d.h. mit Spielelementen versehener Übungen erläutert und Beispiele für solche Übungen gegeben.
It appears that the complexity of Slavic historical accentology is prohibitive for most non-specialists in the field. It may therefore be useful to approach the subject from a number of different angles in order to render it more accessible to a wider audience. In the following I shall discuss the separate accent paradigms and their development from the Late Balto-Slavic system, which is structurally similar to that of modern Lithuanian, up to the end of the Proto-Slavic period, when the system resembled what we find in modern Serbo-Croatian. The numbering of the stages 1.0 through 10.12 is the same as in my earlier publications (1989, 2003, 2005, 2006a, 2008b). For the rise and development of the accentual system up to the end of the Balto-Slavic period I may refer to my discussion (2006b, 2008a) of Olander’s dissertation (2006). It resulted in a system of four major and two minor accent types.
This paper explores the use of HPSG for modeling historical phonological change and grammaticalization, focusing on the evolution of the pronunciation of word-final consonants in Modern French. The diachronic evidence is presented in detail, and interpreted as two main transitions, first from Old French to Middle French, then from Middle French to the modern language. The data show how the loss of final consonants, originally a phonological development in Middle French, gave rise to the grammaticalized external sandhi phenomenon known as consonant liaison in modern French. The stages of development are analyzed formally as a succession of HPSG lexical schemas in which phonological representations are determined by reference to the immediately following phonological context.
O ensino/aprendizagem da metafonia do português como língua estrangeira por aprendizes alemães
(2009)
The present article deals with a phenomenon of the portuguese language which is well-known and yet rather neglected in brazilian schools as well as in schools abroad: metaphony. Since this regular vowel change is a phenomenon that foms part exclusively of speech and is not represented in writing, it constitutes a problem for foreign learners, in our case speakers of German. We therefore propose a strategy by the help of which the phenomenon of metaphony in Portuguese can be explained, based on analogies with a similar regular sound change in the German language, called Umlaut. Our study is based upon data collected among students at Christian-Albrechts-Universität in Northern Germany.
Experimental data shows that adult learners of an artificial language with a phonotactic restriction learned this restriction better when being trained on word types (e.g. when they were presented with 80 different words twice each) than when being trained on word tokens (e.g. when presented with 40 different words four times each) (Hamann & Ernestus submitted). These findings support Pierrehumbert’s (2003) observation that phonotactic co-occurrence restrictions are formed across lexical entries, since only lexical levels of representation can be sensitive to type frequencies.