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S.R. Ramsey writes (1979: 162): "The patterning of tone marks in Old Kyoto texts divides the vocabulary into virtually the same classes as those arrived at by comparing the accent distinctions found in the modern dialects. This means that the Old Kyoto dialect had a pitch system similar to that of proto-Japanese. The standard language of the Heian period may not actually be the ancestor of all the dialects of Japan, but at least as far as the accent system is concerned, it is close enough to the proto system to be used as a working model. The significance of this fact is important: It means that each of the dialects included in the comparison has as much to tell, at least potentially, as any other dialect about Old Kyoto accent."
In this paper we provide an account of the historical development of Polish and Russian sibilants. The arguments provided here are of theoretical interest because they show that (i) certain allophonic rules are driven by the need to keep contrasts perceptually distinct, (ii) (unconditioned) sound changes result from needs of perceptual distinctiveness, and (iii) perceptual distinctiveness can be extended to a dass of consonants, i.e. the sibilants. The analysis is cast within Dispersion Theory by providing phonetic and typological data supporting the perceptual distinctiveness claims we make.
In this article I reanalyze sibilant inventories of Slavic languages by taking into consideration acoustic, perceptive and phonological evidence. The main goal of this study is to show that perception is an important factor which determines the shape of sibilant inventories. The improvement of perceptual contrast essentially contributes to creating new sibilant inventories by (i) changing the place of articulation of the existing phonemes (ii) merging sibilants that are perceptually very close or (iii) deleting them. It has also been shown that the symbol š traditionally used in Slavic linguistics corresponds to two sounds in the IPA systemsystem: it stands for a postalveolar sibilant (ʃ) in some Slavic languages, as e.g. Bulgarian, Czech, Slovak, some Serbian and Croatian dialects, whereas in others like Polish, Russian, Lower Sorbian it functions as a retroflex (s). This discrepancy is motivated by the fact that ʃ is not optimal in terms of maintaining sufficient perceptual contrast to other sibilants such as s and ç. If ʃ occurs together with s and sj there is a considerable perceptual distance between them but if it occurs with ç in an inventory, the distance is much smaller. Therefore, the strategy most languages follow is the change from a postalveolar to a retroflex sibilant.
In this article we propose that there are two universal properties for phonological stop assibilations, namely (i) assibilations cannot be triggered by /i/ unless they are also triggered by /j/, and (ii) voiced stops cannot undergo assibilations unless voiceless ones do. The article presents typological evidence from assibilations in 45 languages supporting both (i) and (ii). It is argued that assibilations are to be captured in the Optimality Theoretic framework by ranking markedness constraints grounded in perception which penalize sequences like [ti] ahead of a faith constraint which militates against the change from /t/ to some sibilant sound. The occurring language types predicted by (i) and (ii) will be shown to involve permutations of the rankings between several different markedness constraints and the one faith constraint. The article demonstrates that there exist several logically possible assibilation types which are ruled out because they would involve illicit rankings.
Glide formation, a process whereby an underlying high front vowel is realized as a palatal glide, is shown to occur only in unstressed prevocalic position in German, and to be blocked by specific surface restrictions such as *ji and *“j. Traditional descriptions of glide formation (including derivational as well as Optimality theoretic approaches) refer to the syllable in order to capture its conditions. The present study illustrates that glide formation (plus the distribution of long and short tense /i/) in German can better be captured in a Functional Phonology account (Boersma 1998) which makes reference to stress instead of the syllable and thus overcomes problems of former approaches.