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The present study argues that variation across listeners in the perception of a non-native contrast is due to two factors: the listener-specic weighting of auditory dimensions and the listener-specic construction of new segmental representations. The interaction of both factors is shown to take place in the perception grammar, which can be modelled within an OT framework. These points are illustrated with the acquisition of the Dutch three-member labiodental contrast [V v f] by German learners of Dutch, focussing on four types of learners from the perception study by Hamann and Sennema (2005a).
Experimental data shows that adult learners of an artificial language with a phonotactic restriction learned this restriction better when being trained on word types (e.g. when they were presented with 80 different words twice each) than when being trained on word tokens (e.g. when presented with 40 different words four times each) (Hamann & Ernestus submitted). These findings support Pierrehumbert’s (2003) observation that phonotactic co-occurrence restrictions are formed across lexical entries, since only lexical levels of representation can be sensitive to type frequencies.
We show that loanword adaptation can be understood entirely in terms of phonological and phonetic comprehension and production mechanisms in the first language. We provide explicit accounts of several loanword adaptation phenomena (in Korean) in terms of an Optimality-Theoretic grammar model with the same three levels of representation that are needed to describe L1 phonology: the underlying form, the phonological surface form, and the auditory-phonetic form. The model is bidirectional, i.e., the same constraints and rankings are used by the listener and by the speaker. These constraints and rankings are the same for L1 processing and loanword adaptation.
All's well that ends well
(2009)
A few years ago, Jasanoff adopted the central tenet of my accentological theory, viz. that the Balto-Slavic acute was a stød or glottal stop, not a rising tone (cf. Kortlandt 1975, 1977, 2004, Jasanoff 2004a). Of course, nobody will believe Jasanoff’s claim that he arrived at the same result independently thirty years after I published it and ten years after we discussed it when he came to Leiden to visit us. Though at the time he haughtily dismissed “the tangle of secondary hypotheses and “laws” that clutter the ground in the field of Balto-Slavic accentology” (Jasanoff 2004b: 171), he has now recognized the importance of Pedersen’s law, Hirt’s law, Winter’s law, Meillet’s law, Dolobko’s law, Dybo’s law and Stang’s law and largely accepted my relative chronology of these accent laws, including the loss of the acute shortly before Stang’s law (cf. Jasanoff 2008). He has also accepted my split of Pedersen’s law into a Balto-Slavic and a Slavic phase (to which a Lithuanian phase must be added), my thesis that the tonal contours of Baltic and Slavic languages are post-Balto-Slavic innovations (cf. Jasanoff 2008: 344, fn. 10), and the rise of a tonal distinction on non-acute initial syllables before Dybo’s law which I discussed at some length in my review (1978) of Garde’s monograph (1976). This is great progress.
There is every reason to welcome the revised edition (2009) of Thomas Olander’s dissertation (2006), which I have criticized elsewhere (2006). The book is very well written and the author has a broad command of the scholarly literature. I have not found any mistakes in Olander’s rendering of other people’s views. This makes the book especially useful as an introduction to the subject. It must be hoped that the easy access to a complex set of problems which this book offers will have a stimulating effect on the study of Balto-Slavic accentology.
West Slavic accentuation
(2009)
At the time of the earliest reconstructible dialectal divergences, which belong to the Late Middle Slavic period of my chronology (stages 7.0 - 8.0 of Kortlandt 1989a, 2003, 2008), the West Slavic languages represented the most conservative part of the Slavic dialects (cf. Kortlandt 1982b: 191 and 2003: 231).
It appears that the complexity of Slavic historical accentology is prohibitive for most non-specialists in the field. It may therefore be useful to approach the subject from a number of different angles in order to render it more accessible to a wider audience. In the following I shall discuss the separate accent paradigms and their development from the Late Balto-Slavic system, which is structurally similar to that of modern Lithuanian, up to the end of the Proto-Slavic period, when the system resembled what we find in modern Serbo-Croatian. The numbering of the stages 1.0 through 10.12 is the same as in my earlier publications (1989, 2003, 2005, 2006a, 2008b). For the rise and development of the accentual system up to the end of the Balto-Slavic period I may refer to my discussion (2006b, 2008a) of Olander’s dissertation (2006). It resulted in a system of four major and two minor accent types.
The present paper offers a summary of the results of two earlier experiments (Nawrocki and Gonet 2004; Nawrocki 2004), in which acoustic properties of the voiceless velar fricative phoneme /x/ in Southern Polish were investigated.
As is found in both studies (Nawrocki and Gonet 2004; Nawrocki 2004), speakers of both genders favour glottal articulation, with partial or full voicing. Word final contexts are decisively in favour of [x]. The word initial, prevocalic positions seem to allow quite a number of allophonic variants of /x/ . These are: [x], [ɦ], [ç] and, additionally, the voiceless glottal, the pharyngeal or the epiglottal [h]/[ħ]/[ʜ]. Another factor taken into account is the coarticulation effect of the vocalic context on the choice of articulation. Based on the results of the experiments, a reformulated allophonic composition is proposed for Polish /x/. It makes room for previously unconsidered pharyngeal and glottal allophones.
In order to inspect the acoustic properties of the allophones of Polish /x/ further, their static and dynamic spectral features are compared to those of phonetically similar sounds in other languages where they have the status of independent phonemes. Special attention is paid to the distribution of spectral peaks and their intensity. The fact that in Polish there are no 'back' fricative phonemes that would contrast with /x/ creates a wide range of acceptable allophonic articulations that cannot be challenged from either articulatory or perceptual points of view.
The paper aims to present approach to HPSG phonology which would account for underlying forms of phonemes. It shows some of the issues arising in monostratal analyses of phonology, and proposes a solution based on a notion of underlying representations. The approach presented, partly inspired by Optimality Theory, resolves cases of neutralisation and opacity by formulating constraints which either restrict the surface representation or relate it to the underlying form.
This paper explores the use of HPSG for modeling historical phonological change and grammaticalization, focusing on the evolution of the pronunciation of word-final consonants in Modern French. The diachronic evidence is presented in detail, and interpreted as two main transitions, first from Old French to Middle French, then from Middle French to the modern language. The data show how the loss of final consonants, originally a phonological development in Middle French, gave rise to the grammaticalized external sandhi phenomenon known as consonant liaison in modern French. The stages of development are analyzed formally as a succession of HPSG lexical schemas in which phonological representations are determined by reference to the immediately following phonological context.