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The paper discusses the request of the Jewish Middle/ Middle-East-European immigrants for images, impressions, feelings and memories from their native lands, which Aaron Lebedeff masterfully captured in his American-Jewish musicals. The paper focuses on multiculturalism and multilingualism in overlapping regions of extended cultural areas, particularly in territories along the borders of Middle/Middle-East-European states, which don’t form any abrupt cultural barriers. Using the example of a in our time in Jewish milieus worldwide frequently played quadrilingual song from Aaron Lebedeff about Romania (with the German translation of the complete version from 1925), the paper conveys the role of Yiddish as a major dialect of the German as a worldwide carrier of this language as well.
Two hypotheses have been proposed in order to account for velar softening, i.e., a process through which /k/ changes to an affricate. Whereas one hypothesis states that for the process to apply the velar stop has to be realized as an (alveolo) palatal stop (articulation-based hypothesis), the other claims that velar softening is triggered by acoustic similarity between the input and output segments (acoustic equivalence hypothesis). The present paper investigates the acoustic equivalence hypothesis by comparing several acoustic properties of /k/ in various vowel contexts with those of /ts , ts , tc / for three languages differing in stop burst aspiration, i.e., German, Polish and Catalan. Results suggest that the acoustic equivalence hypothesis could account for velar softening in aspirated velar stops but not in unaspirated velar stops. The results also provide an explanation as to why aspirated velar stops are prone to undergo softening more easily when followed by front vocalic segments than in other contexts and positions
On the basis of perceptual experiments we show that alveolo-palatal fricatives and palatalized post-alveolars are two separate sounds which are distinguished not only by Polish native speakers but also by German ones. This claim is partly attested by centre of gravity measurements of the two sibilants. In this paper we revise the claim made by Halle & Stevens [1] and Maddieson & Ladefoged [2] that the Polish alveolo-palatal fricatives [˛, ¸] are palatalized postalveolars [SJ, ZJ]. On the basis of perceptual experiments we show that alveolo-palatal fricatives and palatalized post-alveolars are two separate sounds which are distinguished not only by Polish native speakers but also by German ones. This claim is partly attested by centre of gravity measurements of the two sibilants.
In this article I reanalyze sibilant inventories of Slavic languages by taking into consideration acoustic, perceptive and phonological evidence. The main goal of this study is to show that perception is an important factor which determines the shape of sibilant inventories. The improvement of perceptual contrast essentially contributes to creating new sibilant inventories by (i) changing the place of articulation of the existing phonemes (ii) merging sibilants that are perceptually very close or (iii) deleting them. It has also been shown that the symbol š traditionally used in Slavic linguistics corresponds to two sounds in the IPA systemsystem: it stands for a postalveolar sibilant (ʃ) in some Slavic languages, as e.g. Bulgarian, Czech, Slovak, some Serbian and Croatian dialects, whereas in others like Polish, Russian, Lower Sorbian it functions as a retroflex (s). This discrepancy is motivated by the fact that ʃ is not optimal in terms of maintaining sufficient perceptual contrast to other sibilants such as s and ç. If ʃ occurs together with s and sj there is a considerable perceptual distance between them but if it occurs with ç in an inventory, the distance is much smaller. Therefore, the strategy most languages follow is the change from a postalveolar to a retroflex sibilant.
This paper evaluates trills [r] and their palatalized counterparts [rj] from the point of view of markedness. It is argued that [r]s are unmarked sounds in comparison to [rj]s which follows from the examination of the following parameters: (a) frequency of occurrence, (b) articulatory and aerodynamic characteristics, (c) perceptual features, (d) emergence in the process of language acquisition, (e) stability from a diachronic point of view, (f) phonotactic distribution, and (g) implications. Several markedness aspects of [r]s and [rj] are analyzed on the basis of Slavic languages which offer excellent material for the evaluation of trills. Their phonetic characteristics incorporated into phonetically grounded constraints are employed for a phonological OT-analysis of r-palatalization in two selected languages: Polish and Czech.
In this paper it is argued that several typologically unrelated languages share the tendency to avoid voiced sibilant affricates. This tendency is explained by appealing to the phonetic properties of the sounds, and in particular to their aerodynamic characteristics. On the basis of experimental evidence it is shown that conflicting air pressure requirements for maintaining voicing and frication are responsible for the avoidance of voiced affricates. In particular, the air pressure released from the stop phase of the affricate is too high to maintain voicing which in consequence leads to a devoicing of the frication part.
U radu se prvi put objavljuje jedina zasad pronađena inačica glagoljičke pasionske pjesme, koju smo nazvali Ja, Marija, glasom zovu, zapisane u Berčićevu kodeksu br. 5 s kraja 15. st. Donosi se latinička transkripcija teksta te njegove osnovne književnopovijesne, grafijsko-ortografske i jezično-stilske značajke.
U radu se raspravlja o prefiksu ne- u kajkavskome književnom jeziku. Proučavaju se rječotvorbeni procesi u kojima sudjeluje, tvorbeni načini u kojima se javlja te se ispituje njegova frekventnost u tvorbi pojedinih vrsta riječi. Istražuju se i rječotvorbene i semantičke veze tvorenica s predmetkom ne- i riječi koje su ih motivirale.