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This paper proposes to analyse contrastively the phraseological expressions which include proper names in German and Romanian languages and also, to interpret them as cultural elements that generate problems when trying to translate them. It is intended to establish equivalence relations between the onimical expressions of the two languages, suggesting, where it will be the case, the translation strategies.
German language in Romania is being strongly influenced by Romanian, the majority language. In the field of secondary and higher education linguistic interferences that come from Romanian touch types or names of educational institutions, types of didactic activities, types of assessment and examination.
Occasionally the Transylvanian Saxon thesaurus deals with terminology related to certain domains of agriculture. The following article deals with livestock enclosures, fencing erected in the fields for livestock, especially for sheep. The selected case samples are native terms with explanatory compounds, in addition there are terms borrowed mainly from Romanian, less so from Hungarian. The borrowings can mostly be assigned to sheep farming. This branch of agriculture was not familiar to the medieval immigrants, so they were not used to sheep farming. The breeding and herding of sheep was usually left to the Romanian population, the Saxons did not engage in it, even though they owned sheep. The Saxons were more inclined to cattle and pig farming. The terms are mainly extracted from the Transylvanian-Saxon Dictionary (SSWB), the Northern Transylvanian dictionary (NSSWB) as well as other specialized literature.
The North Transylvanian linguist Friedrich Krauss has dealt with the Northern Transylvanian plant inventory in his work “Noesnerlaendish Plant Names” (1943) referring to the town of Bistritz and surroundings. The referenced popular names of the plants are rendered phonetically, the way the linguist heard (understood) them. I have selected 68 descriptive case samples of popular plantnames for my study and have grouped them according to certain criteria. These samples exemplify the fact that the cohabitation of Saxons, Romanians and Hungarians is reflected as well in the ethnographic plant naming phenomenon. They belong to the old Transylvanian vernacular names which the linguist and plantlover, Friedrich Krauss, has saved from oblivion.
The analyzed and translated text represents a judicial protocol of a witch trial from 1697. After a brief description of the general phenomenon of the witch hunt and it’s characteristics in 17th century Transylvania the text is discussed from a point of view of its translation. The most problematic aspects are found in the depositions of the witnesses, which abound in linguistic peculiarities, ranging from archaic structures to dialect. The translator faces a dilemma when having to decide whether to translate the archaic structures into archaic ones, thus preserving the stylistic personality of the text, or into modern Romanian, which would mean creating an “open translation”. In any case the translation should not neglect the informative and oral character of the source text.
The topic of this article relies on the assumption that books are unfortunately more and more driven to the wall while series products that are created for a short-term communication remain fashionable. The assessment of the forms and contents considered to be fashionable depends on ratings while the aesthetic criteria, authenticity and depth of the messages are simply ignored. The language and the style of both the printed and the visual media fashionable products are at a level just sufficient to convey messages with stereotyped expressions. Although easy to understand and relaxing, they remain a commodity for a specific audience, a substitute for the real world. For their readers, these series products provide a reading that is consistent with the life they live. Designs and linguistic structures of this trivial journalism are described in this paper.
The article discusses recent history developments in Central and Eastern Europe more than a quarter century after the political change of 1989 on the development of programs at former traditional departments of German studies, the training of teachers for German as a foreign language and the growing importance of German for specific purposes.
This article presents a new dimension of the lexical category of “false friends”. False friends are the result of complex phenomena, exceeding bilingualism, so that they are not to be explained solely within the context of the mother tongue or of the foreign language. Many false friendships, i.e. potential false friends, stem from socalled internationalisms. In this article I discuss, in a concrete manner, based on some examples of Greek words in German, the way in which false friendships build a triangle, going further than the limits of one language pair. The main purpose of the article is to show that the etymological condition, even if only optional in defining false friends, has a major role to play in the international lexical patrimony of European languages.
"Spieglein, Spieglein an der Wand ..." : das Diminutiv im Überzetzungsvergleich Deutsch-Rumänisch
(2012)
The paper presents some aspects connected to the system of diminution in German and Romanian, by offering a comparative analysis of the German version of the fairy tale “Snow White” and six Romanian translations of the text. The focus lies on the ways in which the nouns in the text are marked as ‘diminutives’ in German (mainly by adding suffixes, the synthetic diminutives) and the equivalences suggested by the Romanian translators. Although the category ‘diminution’ is common to both languages, there are significant differences in the way it is linguistically expressed. A main part of the paper is devoted to these differences and their reflection in the text.
The present study intends to analyze the literary personality of the German-language writer and translator Alfred Margul-Sperber and his approach to Romanian folk poetry and Romanian folk ballads. Alfred Margul-Sperber is known as a classical German-language poet from Romania, as a discoverer and supporter of literary talent, but also as a brilliant translator. Impressions from his childhood and life experiences contributed to Alfred MargulSperber’s interest for Romanian poets and especially for Romanian folk poetry, which left its own mark on Sperber’s literary creation. The author was fascinated by its plurality of forms, its richness of rhymes, images and sounds. The masterpiece of Romanian folk poetry, “Mioriţa/The little Ewe”-ballad raised the interest of the multilingual translator who proved his outstanding talent by translating the original text into German as accurately as possible and remarkably close to the spirit of the Romanian folk poetry, thus popularizing it among the German readers at home and abroad.