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The fully revised, extended and updated second edition of the Variantenwörterbuch des Deutschen (German Variant Dictionary) covers hitherto not lexicographically coded peculiarities of the German language in Romania, Namibia, and Mexico and thus the present variety spectrum on the margins and far beyond the closed German language area. The dictionary points out differences and thus peculiarities of the different varieties of the German language spoken in the respective centers.
The family name Fleşer and its viariations come from the German family name and from the common noun with the same form Fleischer (Rom. „măcelar” – butcher) which is prevalent in East and Northeast of Germany today, and which in its turn appeard as the aftermath of a contraction of the compound noun Fleischhauer (Lat. macellator), initially spread in the centre and North of Germany.
The monophthongal noun Fleşer and its variant forms Fleşeru, Fleşeriu, Fleşieru and Fleşariu, formed with the suffix of German origin determining the agent -er (< lat. -arius) or with that/those of Romanian origin -ar(iu), (< lat. -arius) are concentrated mainly in Transilvania today, especially in the neighbouring counties of Alba and Sibiu.
Hence, the family name Fleşer and its variations turn out to be compelling examples of the linguistic interculturality between German and Romanian in Transilvania and in Romania, in this case demonstrated in terms of onomastic.
Wortbildungen, die im Siebenbürgisch-Sächsischen aufgrund von lateinischen Lexemen entstanden sind
(2018)
As the Reformation took place in the first half of the 16th century in Transylvania and the Germanspeaking mother regions alike, the schooling systems were restructured. Instruction in Latin language was mandatory for attendees of teachers' training institutions. Latin texts were read, Latin grammar was practiced and exercises to that effect were completed. Up to the mid of the 19th century, schools methodically practised high German in writing and reading, but oddly, not in speaking. The spoken language was the vernacular. Consequently student language developed curious constructions based on Latin vocabulary. The vernacular examples chosen are taken from the Transylvanian-Saxon Dictionary, and from vernacular and specialist literature.
The aim of this paper is to show how Grimmelshausen uses forms of addressing and which factors are important for the choice of address in the novel Simplicissimus. The research of indirect speaking in novel texts of the baroque is a desiderate in science. The result is: Often pragmatic motives of situation figure rather the choice of address then conventions of social classes. The balance between power semantic and solidary semantic as well as human affects and emotions regulate how literary characters are addressing other characters. The reason for that is that most authors refer to novel texts with members of the society’s elite. Contrary it can be argued that Grimmelshausen uses many different levels of society. Therefore, we can suppose, that our investigation makes the understanding of how politeness is working round. It is based on knowledge of a dynamic language.
The research of phraseology in fiction has gained importance from its wide potential of its application in modern literature. This creative linguistic phenomenon manifests itself primarily in the branch of “author phraseologism”. Author phraseologism indicates the phraseological units that appear in the works of a certain author; these units may occur frequently or may occur in isolated cases throughout the his/her work. Author phraseologism is regarded as a main source of creative expressions. If these creative expressions are subjected to circulation and wide usage, they develop into established phraseologisms that become well-known to the public. A renowned exemplification of this is the quotation from Hamlet “to be or not to be, that is the question”. Generally, these author phraseologisms have certain functions to fulfil; they give the literary work a semantic and aesthetic value.
Therefore, this paper attempts to explore Peter's active creative work on his poetic language since he rarely tends to use the fairly frozen idiomatic phrases that have widely been used before his time. This research paper analyses these creative phrases syntactically, semantically and metaphorically by identifying the phraseological potential, aesthetic value and poetic function in some of Peter's short stories.
The selected short stories of Peters that are analysed, are a part of the most modern literary works. This could be the reason for that his newly created phrases, have not been acknowledged as fixed phrases yet. The fact that the phrases are not repeated within the same story or in other works by himself, may be one of the reasons for that the investigated examples cannot be considered as anchored phraseologisms.
What gives this paper importance is the study of the creative language of Peters. Furthermore, this paper contributes to synchronous and documentary research of phraseology in the German literature. Peter's works has been previously studied from a literary and cultural point of view, however the linguistic aspects of his works were not given sufficient attention.
Intermarriages in Transylvania are a topic that is still to little scientifically explored. Saxons and Romanians in Transylvania each married in their own circles in accordance with the times they lived.The Second World War, the establishment of communism, deportation and nationalization have changed relations between the Transylvanian Saxons and Romanians. The number of mixed marriages has begun to grow and cultural proximity has become real. Life in Communism has become a collective destiny. At the base of this study are 25 questionnaires filled in by people coming from mixed marriages. The following aspects were analyzed: the name and identity attributed thereto, spoken languages, confession, family life, identity positioning.
The materialis based on the fact that German citizens which have been born in Transylvania (Saxons) and immigrated to Germany return even “in death” to their homeland, be that through the choice of the medium where the death notice is published, or through the content of the death notice itself. The article follows the mechanisms through which this reference is built and analyzes the objective, geographical and cultural referentiality as well as the subjective recollections of the former, now far away, homeland, relying on death notices published in the Siebenbürgischen Zeitungbetween January 2012 – December 2015 und January 2017 – March 2018.
The study deals with the large variety of judicial trials found in the records of the magistrate and judge of Sibiu of the 16th and 17th century. The topics of the magistratedocuments include heritage, the changing of the property right, guild regulations, rules for day laborers and servants and even orders regarding the number of persons that could attend to a feast and the number of dishes that should be served. The judicial papers deal with litigations, robberies, unpaid debts, frauds, adultery, crime and witchcraft trials.
Inspired by the general theme Interculturality in language and literature. Assimilation – distinction – exchange, the contribution offers a short survey over the linguistic situation at the schools with instruction in German language in Romania and outlines the evolution, problems and perspectives in this domain. The long tradition of the church-sponsored, Lutheran German schools of the Transylvanian Saxons belongs to history. The present linguistic situation at schools with instruction in German language in Romania is a totally changed one and all participants are facing huge challenges. Very briefly, current aspects of the linguistic situation (school types, staff, students, acquisition of the language of instruction, multilingualism, language competence, phenomena of language contact, intercultural learning etc.) as well as possible actions in the field of multilingual didactics and educational politicy are pointed up.
This article addresses a little discussed popular phenomenon, namely that of internet memes as a manifestation of public criticism in the online space. Internet memes are pieces of entertainement with an extremely adaptable repertoire, defined by unexpected word associations, sentences, retorts, purposely modified images, which become viral by replication. The variation forms, the parody, puns, humorous, ironically-sarcastic allusions to current events, socially important topics, or statements of public figures make it clear how the modifications of a message built around some suggestive images with an obviously telling statement can get political relevance.