830 Literaturen germanischer Sprachen; Deutsche Literatur
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Sämmtliche Erzählungen
(1844)
In the article, a travel sketch of Danish playwright Kaj Munk (1898 – 1944) is analytically considered. The analysis of this text allows drawing at least three conclusions: 1. Explicit motive of seasickness, figuring here as antithetic modification of implicite present free-standing posture motive, symbolizes idea of disintegrating personality. 2. Such a symbolism is deeply rooted in that of Danish identity. 3. From literary styles and trends history point of view, the sketch appears to be typical of that line in expressionism, which continues tradition of symbolism as artistic and literary trend of late 19th century.
Die drei Frauen in Deutschland als Gestalten der Sage, des Märchens und des christlichen Kultes
(1934)