930 Geschichte des Altertums bis ca. 499, Archäologie
Refine
Year of publication
- 2014 (3) (remove)
Document Type
- Article (3)
Language
- English (3) (remove)
Has Fulltext
- yes (3)
Is part of the Bibliography
- no (3)
With its broad spectrum of cults and coexisting religions Graeco-Roman antiquity seems, at first glance, to be the embodiment of religious freedom. Yet, a closer analysis shows that a concept of tolerance or the idea of religious freedom did not exist. Political institutions could easily suppress religious practices that were regarded as offensive. Fighting against the oppression of Christians appears to have increased under the influence of oecumenical paganism during the reign of the Severans. In this time, the Christian thinkerTertullian discovered and articulated the concept of religious freedom. However, he did not do so emphatically and the concept was not very successful in antiquity. With the Christianization of the Roman Empire it disappeared soon, although its rediscovery in later epochs contributed heavily to the formation of the European norm of religious freedom.
It has become increasingly apparent over the last decades that cooking pottery played a considerable role as a trade commodity in ancient times, yet relatively little research has yet been done on this topic for its own sake. By taking a closer look at the cooking pottery found in Priene, a small city in southern Ionia re-founded in the middle of the 4th century BCE, we want to trace some of the broader developments within the cooking wares that were used over a period of roughly 300 years. The aim is not only to outline the general shapes that were in use over this period of time, but also to register if and how these shapes correlate with the different fabrics observed in Priene so far.
Buff, red, grey – these are common descriptions of pottery in archaeology. Colour is usually part of the recording of ceramic data, but these data are rarely used for more than the most general characterisation of pottery. Despite hesitations concerning the subjective nature of these observations and other factors involved in colour notation, is has been shown that the data can lead the way to broader interpretations, and careful recording with a standardised system such as the Munsell colour charts may reduce the effects of personal perception. A sample of colour notations of pottery from Tell Mozan, Syria, is presented here as an example of the possibilities; it is hoped that this study will provide comparative data for other sites in the region.