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Poetry is fragments of music thrown into the air. The primary job and aim of a poet is to create these musical notes, to play these musical notes, and the wind will take these fragment notes, sounds, musics into the ears of listeners. Zimbolicious Poetry Anthology, Volume 2 is one of those winds among many others. As we all are aware of, when the wind travels it has no boundaries, it collects, it deposits, it mixes things up; you never know where that leaf you see the wind carrying will eventually be deposited, is there another wind, another element that is going to move that leaf to another place... We firmly believe it is a good wind. It will be able to push our poetry making in Zimbabwe into other frontiers. Zimbolicious Poetry Anthology, Volume 2 continues from where we left off with the first Zimbolicious Poetry Anthology we created in 2016. In this Volume 2, we have 77 poems from 30 poets and translators, which include among others; experienced poets, academic poets, street poets, emergent poets, beginning poets, all telling stories associated with what all these poets refer to as home, that is, Zimbabwe. It is an ongoing debate on what is Zimbabwe, what we want our Zimbabwe to be socially, culturally, politically, thus we allowed every opinion space in this anthology, whether us editors agree with them or not. We have poets tackling issues to do with poetry, writing in general, art, place, identity, tradition, struggle, culture, gender, collective understanding, religion, individual, human rights and love, among others.
This poetry anthology offers a feast and face of poetry as it currently is in Uganda. It is all encompassing and presents a variety of writers ranging from seasoned voices to new ones of great promise. The voices are adventurous, reflective, provocative and even sassy. The poets explore with passion diverse themes from the private to the public realm reassuring the reader that poetry is about everything and is perhaps everything. The pages of this anthology pulsate with rhythmic variations that give unexpected pleasure and provoke the reader to be exceptionally alert. This is a welcome and priceless addition to Uganda Poetry Anthology 2000.
This book is a biography based on a qualitative ethnographic study of adaptation to climate by Mr Zephaniah Phiri Maseko, an award-winning smallholder farmer from Zvishavane, rural Zimbabwe. Ethnographic data provides insight and lessons of Mr Phiri Maseko and other farmers' practices for rethinking existing strategies for adaptation to climate change. The concept of adaptation is probed in relationship to the closely related concepts of vulnerability, resilience and innovation. This study also explores the concept of conviviality and argues that Mr Phiri Maseko's adaptation to climate hinges on mediating barriers between local and exogenous knowledge systems. The book argues that Mr Phiri Maseko offered tangible adaptive climate strategies through his innovations that 'marry water and soil so that it won't elope and run-off but raise a family' on his plot. His agricultural practices are anchored on the Shona concept of' hurudza'(an exceptionally productive farmer). This book explores the concept and practices of 'uhurudza,'to suggest that the latter-day 'hurudza' (commercial farmer)'as embodied by Mr Phiri Maseko offers an important set of resources for the development of climate adaptation strategies in the region. This study of smallholder farmers' adoption of innovations to climate highlights the 'complex interplay' of multiple factors that act as barriers to uptake. Such interplay of multiple stressors increases the vulnerability of smallholders. The study concludes by arguing that in as much as the skewed colonial land policy impoverished the smallholder farmers, Mr Phiri Maseko nonetheless redefined himself as a latter-day 'hurudza and thus breaks free from the poverty cycle by conjuring ingenious ways of reducing vulnerability to climate. The book does not suggest that Mr Phiri Maseko's innovations offer a silver bullet solution to the insecure rural livelihoods of smallholder farmers; nevertheless, they are a source of hope in an environment of uncertainty. His steely tenacity in the face of a multi-stressor environment is to be treasured.
Walking, Falling
(2017)
Walking, Falling is Kelwyn Soles seventh collection of poetry. It extends and deepens themes that emerged in his earlier books: love and human relationships; the exposing of false and clichéd perspectives in our socio-political life; our relationship as South Africans to land and landscape. Rustum Kozain has written about his work: Whether the theme is the end of a relationship or the murder of immigrants, there is the calm look of analysis, a voice, like a conscience, that threatens to disturb the readers complacency, but a voice simultaneously gentle with empathy and sincerity.
Yves R. Simon (1903-1961), one of the greatest contemporary philosophers, gives a modern formulation for many classical philosophical concepts such as authority, the common good, and natural law. These topics have received extensive attention from scholars. Simon also discusses the nature of human virtue, moral and intellectual, but this topic has been less studied until now. The idea of virtue, and in our case virtue in political life, runs through Simon's works. Through a close study of Simon's works and the relevant secondary literature, this book explores Simon's definition of virtue in order to highlight its originality, and show how he weaves the need for it into the fabric of three facets of political life, namely, the common good, the virtue of the ruler and the ruled, and the law. These ideas are important for the ruler-ship of any country and especially of developing nations which are populated by sit-tight dictators. Philosophy can be dry and abstract, yet in this case we deal with one of its more practical manifestations.
In view of the resilience of Africa's underdevelopment, what do Africans make of their determined aspirations for development? The continent of Africa has constantly drawn global attention, most especially for both human and natural evils. Underdevelopment, it appears, is one of the most eminent threatening evils. It has plunged and promises to maintain the majority of Africa in abject poverty, insecurity, and vulnerability. What perpetuates the ghost and gory of underdevelopment in Africa, despite a proliferation of development rhetoric and initiatives? How do ordinary Africans react to repeated talk and claims of development with little evidence of transformation for the better in their material circumstances? This book interrogates the tenacity of underdevelopment amid calls for Africa to rise from its slumber and reclaim its position in global affairs as the mother continent of humankind. It contributes to the ongoing debates on why Africa remains trapped in the clutch of underdevelopment many decades after the purported end of colonialism. The book comes at a critical time in human history; a time when the talk on Africa's [under-]development is louder due to the ravages of economic downturns and dysfunctional conflicts. It poses a challenge to development practitioners, civil society activists, statesmen, economists, political scientists and theorists to rethink and reconsider their role as technocrats, experts and ambassadors of positive change in Africa and the world beyond.
Twelve + one contains interviews with 13 poets from Johannesburg who span a wide range with respect to age, gender, colour and class. Mike Alfred, who has contributed to journals for many years and has published several individual collections of his own work, provides an intimate opportunity for poets to tell both their biographical stories, describe their artistic aims and processes as well compiling a selection of poems which best represent their themes and styles. The result grants the reader a fascinating insight into a key cross-section of South African poets.
One of the fundamental challenges in deconstructing, rethinking and remaking the world from a Pan African vantage point is that some captives have tended to delight in the warmth of the [imperial] predator's mouth. In other words, some captives forget that the imperial predator's mouth gets warm because empire is eating and heating up from prey on the continent. (De-)Militarisation, Transnational Land Grabs and Restitution in an Age of the New Scramble for Africa: A Pan African Socio-Legal Perspective is a book that knocks on key aspects relating to land, militarisation, a PostAfrican World Order and a chaotic Post-God World Order, which require critical scholarly and policy attention in the quest to free Africa from centuries-old imperial depredations. The book carefully navigates the imperial entrapments which are designed to focus African attention only on decolonising African minds without also engaging in the [imperially more unsettling] decolonisation of African materialities.
Thorns and Roses: A Play
(2017)
'When a pen which drips woman, academic, mother, wife, teacher and administrator proposes to visit the stage, we expect the product to be as complex as the person. And we will be entirely justified in our expectation given that the stage more often than not is that place which captures and dramatizes our core selves in all their complexity. Thorns and Roses is produced by just that kind of pen. But in spite of her multi-layered identity, Frida Mbunda has succeeded in writing a play whose greatest attractions lie in its unassuming, down-to-earth appeal. It is the story of a single-parent home where a mother dedicates her life to her loving but vulnerable single daughter. As its title suggests, the play employs the allegorical archetype to colour the stage with characters and issues of immediate relevance. Womanhood is at the centre of Mbunda's dramatic quest. She knows that being a woman means being exposed to the attractions of shortcuts to happiness.' - Professor George Nyamndi, novelist, playwright and literary scholar, University of Buea, Cameroon.
How come Africa is so underdeveloped when it is one of the richest continents on earth? The present volume is an attempt to theorise Africas [under-]development with a view to providing a sustainable, enduring framework of operations that will arrest the predicament of the continent while taking it forward from its current passivity. The volume rethinks and re-imagines a number of externally imposed problematic mechanisms used (un-)consciously in Africa, with the intention of raising awareness and fostering critical thinking in scholars of African development. The book is a pacesetter on how to think and research Africas [under-]development. It is also an invaluable asset for social scientists, policy makers, development practitioners, civil society activists and politicians.