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Horst Engert : Bibliographie
(2016)
Iceland is the largest island in Europe but one. ...
Ausdrucksphänomene fluktuieren zwischen den Sphären von Körperlichkeit und Bewegung sowie Sprachlichkeit und Kommunikation. Um Ausdruck in seiner eigentümlichen Mobilität und Wandlungsfähigkeit zu erfassen, erkunden die Beiträge des vorliegenden Bands seine ästhetischen, sozialen und (inter-)subjektiven Dimensionen und deren Überschneidungen sowohl im Rahmen historischer Entwicklungen als auch vor dem Hintergrund aktueller Erkenntnisse und Debatten der Psychologie, Philosophie, Hirnforschung und Linguistik. Aus den Themenbereichen Körper, Sprache und Künste, aber gleichfalls aus übergreifenden Fragestellungen der Anthropologie heraus werden kommunikative und körperliche Ausdrucksformen, auch in ihrem Zusammenspiel, in systematischer Weise analysiert und auf ihre situative und historische Spezifik hin untersucht. Nicht nur sprachliche Äußerungen, sondern ebenso Gesten und Gebärden, Tanz, Musik, Mienenspiel und Malerei stoßen dabei an Grenzen der Verständlichkeit und verweisen auf Ausdrucksqualitäten jenseits von Verbalität und Körperlichkeit.
Spread across a number of countries around the world, and concentrated in four Middle Eastern countries, Kurds have yearned for their own country for almost a century, but were forgotten when the region was carved up by the Sykes-Picot Agreement early in the twentieth century. Since then, the creation of a Kurdish state was high on the agenda of all Kurds. This was especially true when we consider the lot of Kurds in Turkey, Syria, Iraq and Iran. This book examines the political situation of Kurds in these four countries, looks at how this has changed-particularly in the past decade-and considers what the future might hold for the Kurdish people and for the notion of a state of Kurdistan. It asks the question of whether a Kurdish state is achievable, or, even, desirable. The book is written for policy makers and academics interested in the Middle East region and in Kurdish politics in particular. It is written in an accessible way that makes it easy reading for anyone curious about the region and its people.
Havana's apartment-galleries have been vital venues for the city's art scene since the 1990s, hosting art exhibitions, workshops, and conferences. In the context of Cuba's limited art market and dearth of cultural institutions with international reach, these residential spaces have offered artists a unique opportunity to display their work and to connect with international art circuits. Focusing on the histories of three specific apartment-galleries - El Apartamento, Estudio Figueroa-Vives, and Avecez Art Space - this chapbook reflects on the complex interplay of the local and the global in the 'worlding' of cultural institutions.