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In this artiele I reanalyze sibilant inventories of Slavic languages by taking into consideration acoustic. perceptive and phonological evidence. The main goal of this study is to show that perception is an important factor which determines the shape of sibilant inventories. The improvement of perceptual contrast essentially contributes to creating new sibilant inventories by (i) changing the place of articulation of the existing phonemes (ii) merging sibilants that are perceptually very close or (iii) deleting them.
It has also been shown that the symbol s traditionally used in Slavic linguistics corresponds to two sounds in the IP A system: it stands for a postalveolar sibilant (ʃ) in some Slavic languages, as e.g. Bulagarian, Czech, Slovak, some Serbian and Croatian dialects, whereas in others like Polish, Russian, Lower Sorbian it functions as a retroflex (ʂ). This discrepancy is motivated by the fact that ʃ is not optimal in terms of maintaining sufficient perceptual contrast to other sibilants such as s and ɕ. If ʃ occurs together with s (and sʲ) there is a considerable perceptual distance between them but if it occurs with ɕ in an inventory, the distance is much smaller. Therefore, the strategy most languages follow is the change from a postalveolar to a retroflex sibilant.
In this paper we provide an account of the historical development of Polish and Russian sibilants. The arguments provided here are of theoretical interest because they show that (i) certain allophonic rules are driven by the need to keep contrasts perceptually distinct, (ii) (unconditioned) sound changes result from needs of perceptual distinctiveness, and (iii) perceptual distinctiveness can be extended to a class of consonants, i.e. the sibilants. The analysis is cast within Dispersion Theory by providing phonetic and typological data supporting the perceptual distinctiveness claims we make.
In this article we propose that there are two universal properties for phonological stop assibilations, namely (i) assibilations cannot be triggered by /i/ unless they are also triggered by /j/, and (ii) voiced stops cannot undergo assibilations unless voiceless ones do. The article presents typological evidence from assibilations in 45 languages supporting both (i) and (ii). It is argued that assibilations are to be captured in the Optimality Theoretic framework by ranking markedness constraints grounded in perception which penalize sequences like [ti] ahead of a faith constraint which militates against the change from /t/ to some sibilant sound. The occurring language types predicted by (i) and (ii) will be shown to involve permutations of the rankings between several different markedness constraints and the one faith constraint. The article demonstrates that there exist several logically possible assibilation types which are ruled out because they would involve illicit rankings.
The present study examines a particular kind of rule blockage – referred to below as an 'antistructure-preservation effect'. An anti-structure-preservation effect occurs if some language has a process which is preempted from going into effect if some sequence of sounds [XY] would occur on the surface, even though other words in the language have [XY] sequences (which are underlyingly /XY/). It will be argued below that anti-structure-preservation effects can be captured in Optimality Theory in terms of a general ranking involving FAITH and MARKEDNESS constraints and that individual languages invoke a specific instantiation of this ranking. A significant point made below is that while anti-structure-preservation effects can be handled straightforwardly in terms of constraint rankings they typically require ad hoc rule-specific conditions in rule-based approaches.
Glide formation, a process whereby an underlying high front vowel is realized as a palatal glide, is shown to occur only in unstressed prevocalic position in German, and to be blocked by specific surface restrictions such as *ji and *ʁj. Traditional descriptions of glide formation (including derivational as well as Optimality theoretic approaches) refer to the syllable in order to capture its conditions. The present study illustrates that glide formation (plus the distribution of long and short tense /i/) in German can better be captured in a Functional Phonology account (Boersma 1998) which makes reference to stress instead of the syllable and thus overcomes problems of former approaches.
This study examines articulatory and acoustic inter-speaker variability in the production of the German vowels /i/, /u/ and /a/. Our subjects are 3 monozygotic twin pairs (2 female and 1 male pair) and 2 dizygotic female twin pairs. All of them were born, raised and are still living in Berlin and see their twin brother or sister regularly. We assume that monozygotic twins that are genetically identical and share the same physiology should be more similar in their articulation than dizygotic twins but that the shared time and social environment of twins, regardless of their genetic similarity, also plays a crucial role in the acoustic similarity of twins. Articulatory measurements were made with EMA (Electromagnetic Articulography) and the target positions of the produced vowels were analyzed. Additionally, the formants F1-F4 of each vowel were measured and compared within the twin pairs. Our data seems to point out the importance of a shared environment and the strong influence of learning over the anatomical identity of the monozygotic twins regarding the production of vowels. But, additional results suggest (1) the impact of physiology on the production of a vowel following a velar consonant and (2) the interaction of physiology and stress in inter-speaker variability.
Seit mehr als 60 Jahren dominiert in der historisch-phonologischen Umlaut-Landschaft EIN Aufsatz, eine vierseitige Skizze des althochdeutschen Umlauts von W. Freeman Twaddell. Keller (1978: 160) nennt diese Theorie 'one of the finest achievements of American linguists'. Ähnliche Lobsprüche findet man mehrmals in der Literatur und der Artikel bleibt bis heute noch DER Eckpfeiler der Umlaut-Debatte (s. Krygier 1997, Schulte 1998).
In den letzten paar Jahren haben wir mit einigen Kollegen – Anthony Buccini, Garry Davis, David Fertig, Dave Holsinger, Robert Howell, Regina Smith – einen neuen Ansatz entwickelt, die wir "ingenerate Umlaut" nennen. "Ingenerate" heißt hier ungefähr 'vorprogrammiert, inhärent, angeboren' und deutet darauf hin, daß wir die Wurzeln vom Umlaut in der Phonetik – noch genauer: in der Koartikulation – suchen. Auch meinen wir, die allmähliche Entfaltung des Prozesses in den "Ausnahmen" zum Umlaut sehen zu können, mit anderen Worten genau in den umlautlosen Formen, die in der Twaddellschen Tradition als willkürliche Ergebnisse der Analogie gesehen werden müssen.
Der Präteritumschwund dürfte eine der markantesten morphologischen Entwicklungen des Alemannischen (bzw. Oberdeutschen) bilden. Sein Verlauf in schweizerdeutschen Dialekten ist mit der Arbeit von JÖRG (1976) dokumentiert und ungefiibr ins 16. Jahrhundert zu datieren. Konsequenz der Aufgabe dieses synthetischen Verfahrens war die Verlegung der Vergangenheitskategorie in die Syntax. Dies hat zu einer starken typologischen Drift des Alemannischen in Richtung eines analytischen und zusätzlich klammernden Sprachtyps geführt: Das Perfekt ist zweigliedrig (finites Auxiliar + infinites Vollverb), das Plusquamperfekt sogar dreigliedrig (sogenanntes doppeltes Perfekt). Finites und infinites Verb können durch ganze Satzglieder, Adverbien etc. voneinander getrennt sein, sind also unter Umständen weit voneinander entfernt, was das Ausdrucksverfahren nicht gerade vereinfacht. Der Präteritumschwuud kontrastiert in eigentümlicher Weise mit dem Erhalt, ja sogar dem sekundären Ausbau synthetischer Konjunktivformen (sowohl Konjunktiv I als auch II), die weiteres morphologisches Charakteristikum des Alemannischen sind, doch nicht Thema dieses Beitrags (hierzu s. NÜBLING 1997).