Refine
Document Type
- Article (1)
- Doctoral Thesis (1)
Has Fulltext
- yes (2)
Is part of the Bibliography
- no (2)
Keywords
- performing arts (2) (remove)
Institute
Der vorliegende Artikel beschäftigt sich mit der Frage, welche Methoden genutzt werden können, um eine Evaluierung von Services und Angeboten von Fachinformationsdiensten nutzer*innenzentriert und interaktiv umzusetzen. Als Beispiel dient der Fachinformationsdienst Darstellende Kunst, bereitgestellt von der Universitätsbibliothek Johann Christian Senckenberg in Frankfurt am Main. Drei unterschiedliche Methoden werden in diesem Zusammenhang näher vorgestellt und ihre Anwendbarkeit für die Evaluierung von FID-Portalen oder vergleichbaren Rechercheportalen reflektiert: Leitfaden-Interviews mit Think-Aloud-Elementen, virtuelle Fokusgruppen sowie ein digitaler Card-Sorting-Ansatz.
The research focuses on magic - the practice of performing tricks and illusions on stage aiming at entertaining the audience. In the late XIX-early XX century magic achieved an outstanding social recognition and became an important artistic phenomenon. This study aims to analyze the work of the most prominent magicians of the late XIX-early XX centuries and to define the historical role of magicians in the history of culture and art.
Using methods of art history and cultural studies, I analyze the autobiographies of magicians, the literature on magic published during the period in question, and contemporary press. I approach the history of magic from three different perspectives: magic as a branch of show business, magic as a cultural phenomenon, and magic as a type of performing art. It allowed me to create a detailed account of magic as a social, cultural and artistic phenomenon.
I argue that magic became a highly influential cultural phenomenon of the late 19th- early 20th centuries in Great Britain that represented the idea of real magic on stage. Magic shows reflected a complex relationship between rational and magical thinking that existed in society and produced narratives about science and the supernatural.
Moreover, very few studies have focused on the question of defining magic as an art form. In the thesis, I analyzed the theoretical works on magic written by magicians and developed a framework for further research on magic from the perspective of the history of art.