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The chapter engages the nature-culture divide with the generative ambivalences of weathering in both language and physics. Taking the different uses of the enantiosemic and ambitransitive verb as indicative of the human's fraught relationship with its environment and itself, it analyses multiple ways in which 'weathering' can involve subject-object relations, objectless subject-predicate relations, or even subjectless processes, and proposes to think them with mechanics, thermodynamics, and chaos theory.
The notion of ambivalence currently seems to be an invigorating figure with heuristic potential in political, social, and art theory. It refers to a plurality of possibilities, a paradoxical multiplicity, and a complex relationality. It foregrounds thinking in terms of indeterminacy and incommensurability, as well as in terms of the possible. Ambivalence has been deployed in positive ways, as offering political promise, while, at the same time, being regarded with suspicion.