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Great sand : grains of occupation and representation

  • Nadine Hattom's text is written as a sequel to the artist's 'Shadows' series (2016), comprised of ten digitally altered photographs made from US Department of Defense public-domain images depicting Operation Iraqi Freedom. As Hattom's piece explores migration and landscape, it untangles narratives rooted in the colours, textures, ecosystems, and geographies of the Middle East, but also in the political implications of the author's position in the landscapes of the West.

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Metadaten
Author:Nadine Hattom
URN:urn:nbn:de:hebis:30:3-793276
URL:https://press.ici-berlin.org/doi/10.37050/ci-27/hattom_great-sand.pdf
DOI:https://doi.org/10.37050/ci-27_5
ISBN:978-3-96558-054-1
ISBN:978-3-96558-055-8
ISBN:978-3-96558-053-4
ISSN:2627-731X
Parent Title (German):War-torn ecologies, an-archic fragments : reflections from the Middle East / edited by Umut Yıldırım ; Cultural Inquiry ; 27
Publisher:ICI Press
Place of publication:Berlin
Document Type:Part of a Book
Language:German
Date of Publication (online):2023/10/25
Year of first Publication:2023
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2023/11/20
Tag:'Shadows' series (2016); Landscape; War
GND Keyword:Golfkrieg <2003>; Fotografie; Mainzer Sand; Naturlandschaft; Militär; Flächennutzung
Page Number:16
First Page:105
Last Page:120
HeBIS-PPN:514574666
Dewey Decimal Classification:8 Literatur / 80 Literatur, Rhetorik, Literaturwissenschaft / 800 Literatur und Rhetorik
Sammlungen:CompaRe | Allgemeine und Vergleichende Literaturwissenschaft
CompaRe | Allgemeine und Vergleichende Literaturwissenschaft / ICI Berlin
Licence (German):License LogoCreative Commons - CC BY-SA - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 International