Aspekte populärer Musik Brasiliens
- The Brazilian Choros combines rhythmic gesture, ongoing harmonies and sequences of motives in one single melody. This technique derives from baroque music and can be compared to the suites for cello by J.S.Bach. The Portuguese colonists brought their baroque music with them to Brazil where it later merged with the rhythmic music brought in by the West African slaves. In this means the first original Brazilian music was generated. This article will argue that both musical idioms are not as separated as one may believe.
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| Author: | Antonio Cezar Ferreira |
|---|---|
| URN: | urn:nbn:de:hebis:30:3-250408 |
| URL: | http://seer.ufrgs.br/contingentia/article/view/3870 |
| ISSN: | 1980-7589 |
| Parent Title (German): | Contingentia : Zeitschrift der Deutschen Abteilung in Zusammenarbeit mit der Post-Graduierung im Bereich Literatur- und Sprachwissenschaft der Bundesuniversität Porto Alegre (UFRGS) |
| Publisher: | Universidade Federal do Rio Grande do Sul, Instituto de Letras |
| Place of publication: | Porto Alegre |
| Document Type: | Article |
| Language: | German |
| Year of first Publication: | 2007 |
| Publishing Institution: | Universitätsbibliothek Johann Christian Senckenberg |
| Release Date: | 2012/06/26 |
| GND Keyword: | Unterhaltungsmusik; Brasilien; Musik; Soziologie |
| Volume: | 2 |
| Issue: | 2 |
| Page Number: | 9 |
| First Page: | 111 |
| Last Page: | 119 |
| HeBIS-PPN: | 357404211 |
| Dewey Decimal Classification: | 7 Künste und Unterhaltung / 78 Musik / 780 Musik |
| Sammlungen: | Germanistik / GiNDok |
| BDSL-Klassifikation: | 03.00.00 Literaturwissenschaft / BDSL-Klassifikation: 03.00.00 Literaturwissenschaft > 03.08.00 Poetik / BDSL-Klassifikation: 03.00.00 Literaturwissenschaft > 03.08.00 Poetik > 03.08.04 Dichtung und Musik |
| Zeitschriften / Jahresberichte: | Contingentia / Contingentia : Vol. 2, 2007 / Contingentia : Vol. 2 No. 2, 2007 |
| : | urn:nbn:de:hebis:30:3-257891 |
| Licence (German): |  Deutsches Urheberrecht |
