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Considering the sixty years long existence of the German weekly in Braşov an exhaustive research of the publication on the way from a centralized to a globalized socio-political system becomes imperious. Our article represents a first approach to pinpoint the choice of poetry published by the German weekly Karpatenrundschau during the nineteen eighties and nineteen nineties as a consequence of both political compromise and aesthetic demand. In this respect the article analyses the German weekly as one of the main promoters of German poetry written in Romania. The article is based on our research done in the archives of the weekly in Braşov.
Considering the sixty years long existence of the German weekly in Braşov an exhaustive research of the publication on the way from a centralized to a globalized socio-political system becomes imperious. Our article represents a first approach to pinpoint the choice of poetry published by the German weekly Karpatenrundschau during the nineteen eighties and nineteen nineties as a consequence of both political compromise and aesthetic demand. In this respect the article analyses the German weekly as one of the main promoters of German poetry written in Romania. The article is based on our research done in the archives of the weekly in Braşov.