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The Sunbird
(2012)
The travails of day-to-day existence notwithstanding, Scolastica is an ordinary woman in Tobeningo who has struggled to carve a fairly successful life for herself. She is not a novice when it comes to putting out fires, thanks to a bubbling teenage daughter, a sugar-daddy chairman of the local Native Authority and the sudden re-appearance of a former sweetheart. But when her son sets out to commemorate his father's passing, on a false alarm, it is her life skills and sense of purpose that are tested to the limit. As the sole privy to the true situation, she is in a race against time to avert a calamity from befalling her son and her people. In her path, besides the vicissitudes of daily living, are the high-handedness and ineptitude of local politics, as well as the straightjacket and mysticism of both religion and tradition. How will she fare?
Life, Love, Lies
(2015)
Life, Love, Lies is a collection of reflections on perhaps the two most mundane yet fundamental aspects of human existence: love and the concept of living. In between, are matters benign and not so benign - on life - amassed, experienced and/or lived, for well over half a century now; on everything from the tabula rasa of childhood to the flow of world history.
Forty Acres and a Mule
(2013)
These traveler's impressions across cultural and psychological spaces portray the two sides of this coin called life, oftentimes belligerent toward each other. In casting light on that dream of total freedom and the daunting contradictions inherent in its being and attainment, they represent a dialectic in our seemingly unending journey toward the shadow of the good life as we ceaselessly jettison virtue against vice. At a level, they confront a certain tyranny of thought, in more ways than one, challenging us to go beyond the comfort of our ideas and our upbringing and to dare to look at the world in ways hitherto only dreamed of. Another way this challenge is portrayed is in regard to language and the cannons of poetry. Because literary writing in this so-called global society may rightfully be considered as war by other means, the reader will quickly observe the, literally, take-no-prisoner approach embedded in many of the pieces the generalized despondency on the ground and the unprecedented cacophony of voices in the 'global village' calling for nothing less. The general conclusion of these poems would be the deferment promise of living even as they constitute a heightened harkening for us to live beyond existence.